Armitt, Lucie, Twentieth-Century Gothic (Cardiff, Wales: University of Wales Press, 2011) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776>
Austen, Jane, Northanger Abbey (Rockville, Maryland: Arc Manor, 2008) <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970>
Baudot, Laura, ‘"Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey’, Eighteenth-Century Fiction, 24.2 (2011), 325–52 <https://doi.org/10.1353/ecf.2011.0055>
Beard, Margot, ‘“Visions of Romance—Anxieties of Common Life”—Jane Austen’s Gothic Novel: A Reading of Northanger Abbey’, English Academy Review, 15.1 (1998), 130–38 <https://doi.org/10.1080/10131759885310131>
Blakemore, Steven, ‘Matthew Lewis’s Black Mass: Sexual, Religious Inversion in “The Monk”’, Studies in the Novel, 30.4 (1998) <https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents>
Bloom, Clive, Gothic Horror: A Reader’s Guide from Poe to King and Beyond (Basingstoke: Macmillan, 1998)
Botting, Fred, Gothic (London: Routledge, 1996)
———, Gothic, The. Essays and Studies 2001 (Cambridge: Boydell & Brewer Ltd, 2001), v.Volume 54 <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420>
———, Limits of Horror: Technology, Bodies, Gothic (Manchester: Manchester University Press, 2008) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700>
Brontë, Emily, and Patsy Stoneman, Wuthering Heights (Oxford: Oxford University Press, 1995) <http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live>
Bruhm, Steven, Gothic Bodies: The Politics of Pain in Romantic Fiction (Philadelphia: University of Pennsylvania Press, 1994)
Bürger, Gottfried August, ‘Lenore’, 1796 <https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork>
Burwick, Frederick, Shakespearean Gothic, ed. by Christy Desmet and Anne Williams (Cardiff, [Wales]: University of Wales Press, 2009) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650>
Butler, Marilyn, Jane Austen and the War of Ideas, New ed (Oxford: Clarendon Press, 1987)
Byron, Glennis, and David Punter, Spectral Readings: Towards a Gothic Geography (Basingstoke: Macmillan, 1999)
Carter, Angela, The Bloody Chamber and Other Stories (London: Vintage, 2006)
Castle, Terry, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny (New York: Oxford University Press, 1995)
———, ‘The Gothic Novel’, in The Cambridge History of English Literature, 1660-1780 (Cambridge: Cambridge University Press, 2005), pp. 673–706 <https://doi.org/10.1017/CHOL9780521781442.028>
Clery, E. J., The Rise of Supernatural Fiction, 1762-1800 (Cambridge: Cambridge University Press, 1995), xii
Clery, E. J. and British Council, Women’s Gothic: From Clara Reeve to Mary Shelley, 2nd ed (Tavistock: Northcote House, 2004)
Clery, E. J., and Robert Miles, Gothic Documents: A Sourcebook, 1700-1820 (Manchester: Manchester University Press, 2000)
Clery, E.J., ‘The Politics of the Gothic Heroine in the 1790s’, in Reviewing Romanticism (Basingstoke: Macmillan, 1992)
Coleridge, Samuel Taylor, ‘Christabel’ <https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork>
Cottom, Daniel, The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott (Cambridge: Cambridge University Press, 1985)
Davison, Carol Margaret, Gothic Literature 1764-1824 (Cardiff, [Wales]: University of Wales Press, 2009) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654>
Day, William Patrick, In the Circles of Fear and Desire: A Study of Gothic Fantasy (Chicago: University of Chicago, 1985)
DeLamotte, Eugenia C., Perils of the Night: A Feminist Study of Nineteenth-Century Gothic (New York: Oxford University Press, 1990)
Drury, Joseph, ‘Twilight of the Virgin Idols: Iconoclash in The Monk’, The Eighteenth Century, 57.2 (2016), 217–33 <https://doi.org/10.1353/ecy.2016.0014>
Duncan, Ian, Modern Romance and Transformations of the Novel: The Gothic, Scott, and Dickens (Cambridge: Cambridge University Press, 1992)
Ellis, Kate Ferguson, The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology (Urbana: University of Illinois Press, 1989)
Ellis, Markman, The History of Gothic Fiction (Edinburgh: Edinburgh University Press, 2000)
Emma Clery J., ‘Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre’, Ars & Humanitas, 4.1–2 (2010), 93–111 <https://doi.org/https://doi.org/10.4312/ah.4.1-2.93-111>
Fleenor, Juliann E., The Female Gothic (Montréal: Eden Press, 1983)
Franklin, Caroline, Longman Anthology of Gothic Verse, The, 1st ed (Milton: Taylor & Francis Group, 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177>
Freud, Sigmund, James Strachey, Anna Freud, Alix Strachey, and Alan Tyson, ‘The Uncanny’, in The Standard Edition of the Complete Psychological Works of Sigmund Freud: Vol. 17: (1917-1919). An Infantile Neurosis and Other Works (London: Vintage, 2001), pp. 217–56
Gamer, Michael, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge [England]: Cambridge University Press, 2000), xl <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769>
Garside, Peter, ‘Romantic Gothic’, in Literature of the Romantic Period: A Bibliographical Guide (Oxford: Clarendon Press, 1998), pp. 315–40
Georgieva, Margarita, The Gothic Child (New York: Palgrave Macmillan, 2013) <http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc>
Graham, Kenneth W., Gothic Fictions: Prohibition/Transgression (New York: AMS press, 1989), no. 5
———, Gothic Fictions: Prohibition/Transgression (New York: AMS press, 1989), no. 5
Hoeveler, Diane Long, Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës (Liverpool: Liverpool University Press, 1998)
Hogle, Jerrold E., The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2006) <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243>
———, ed., The Cambridge Companion to the Modern Gothic (Cambridge, United Kingdom: Cambridge University Press, 2014) <http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD>
Howard, Jacqueline, Reading Gothic Fiction: A Bakhtinian Approach (Oxford: Clarendon Press, 1994)
Howells, Coral Ann, Love, Mystery, and Misery: Feeling in Gothic Fiction (London: Bloomsbury Academic, 2013)
Ingham, Patricia, ed., The Brontës (Oxfordshire, [England]: Routledge, 2014) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656>
Jones, Wendy, ‘Stories of Desire in the Monk’, ELH, 57.1 (1990) <https://doi.org/10.2307/2873248>
Kahane, Claire, ‘The Gothic Mirror’, in The (m)Other Tongue: Essays in Feminist Psychoanalytic Interpretation (Ithaca, N.Y.: Cornell University Press, 1985), pp. 334–51
Kavanagh, James H., Emily Brontë (Oxford: Blackwell, 1985)
Kelly, Gary, English Fiction of the Romantic Period, 1789-1830 (London: Longman, 1989)
Kilgour, Maggie, The Rise of the Gothic Novel (London: Routledge, 1995)
Killeen, Jarlath, Gothic Literature 1825-1914 (Cardiff, Wales: University of Wales Press, 2009)
Lewis, M. G., The Monk: A Romance (London: Gibbings, 1913) <https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes>
Lewis, Matthew Gregory, ‘Alonzo the Brave and Fair Imogine’, 1796 <https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork>
Maja-Lisa von Sneidern, ‘Wuthering Heights and the Liverpool Slave Trade’, ELH, 62.1 (1995) <https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents>
Makinen, Merja, ‘Angela Carter’s “The Bloody Chamber” and the Decolonization of Feminine Sexuality’, Feminist Review, 42, 1992 <https://doi.org/10.2307/1395125>
Mary Kaiser, ‘Fairy Tale as Sexual Allegory: Intertextuality in Angela Carter’s “The Bloody Chamber.” (Angela Carter)’, The Review of Contemporary Fiction <http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true>
MARY POOVEY, ‘Ideology and “The Mysteries of Udolpho”’, Criticism, 21.4 (1979) <https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents>
Mellor, Anne K., Mary Shelley: Her Life, Her Fiction, Her Monsters (London: Taylor & Francis Group, 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708>
Miles, Robert, Ann Radcliffe: The Great Enchantress (Manchester: Manchester University Press, 1995)
———, Gothic Writing, 1750-1820: A Genealogy, 2nd ed (Manchester: Manchester University Press, 2002)
Miller, Christopher R., ‘Chapter 6: Northanger Abbey and Gothic Perception’, in Surprise: The Poetics of the Unexpected from Milton to Austen (Ithaca: Cornell University, 2015) <https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152>
Moers, Ellen, ‘Literary Women’, in Literary Women (London: W.H. Allen, 1977), pp. 90–110
Mowl, Tim, Horace Walpole: The Great Outsider (London: Murray, 1996)
Mulvey Roberts, Marie, The Handbook to Gothic Literature (Basingstoke: Macmillan, 1998)
Myburgh, Albert, ‘Cathy’s Subversive “Black Art” in Emily Brontë’s’, English Academy Review, 35.1 (2018), 61–72 <https://doi.org/10.1080/10131752.2018.1474623>
Norton, Rictor, Gothic Readings: The First Wave, 1764-1840 (New York: Leicester University Press, 2000)
———, Mistress of Adolpho: The Life of Ann Radcliffe (London: Leicester University Press, 1999)
Palmer, Paulina, The Queer Uncanny: New Perspectives on the Gothic (Cardiff: University of Wales Press, 2012) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097>
Paulson, Ronald, ‘Gothic Fiction and the French Revolution’, ELH, 48.3 (1981) <https://doi.org/10.2307/2872912>
———, Representations of Revolution, (1789-1820) (New Haven, Conn: Yale University Press, 1983)
Peschier, Diana, Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë (London: Palgrave Macmillan Limited, 2005) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976>
Punter, David, A New Companion to the Gothic (Malden, Mass: Wiley-Blackwell, 2012), lxxix <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409>
———, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.1: The Gothic Tradition, 2nd ed (London: Longman, 1996)
———, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.2: The Modern Gothic, 2nd ed (London: Longman, 1996)
Radcliffe, Ann, The Italian, 1797 <http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true>
Radcliffe, Ann Ward, Bonamy Dobrée, and Frederick Garber, The Mysteries of Udolpho (Oxford: Oxford University Press, 1980) <https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/>
Ranger, Paul and Society for Theatre Research, ‘Terror and Pity Reign in Every Breast’: Gothic Drama in the London Patent Theatres, 1750-1820 (London: Society for Theatre Reasearch, 1991)
Roberts, Bette B., The Gothic Romance, Its Appeal to Women Writers and Readers in Late Eighteenth-Century England (New York: Arno Press, 1980)
Robin Ann Sheets, ‘Pornography, Fairy Tales, and Feminism: Angela Carter’s “The Bloody Chamber”’, Journal of the History of Sexuality, 1.4 (1991) <https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents>
Ruth Mack, ‘Horace Walpole and the Objects of Literary History’, ELH, 75.2 (2008) <https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents>
Salter, David, ‘"This Demon in the Garb of a Monk”: Shakespeare, the Gothic and the Discourse of Anti-Catholicism’, Shakespeare, 5.1 (2009), 52–67 <https://doi.org/10.1080/17450910902764298>
Schama, Simon, Citizens: A Chronicle of the French Revolution (London: Penguin, 1989)
Sedgwick, Eve Kosofsky, ‘The Character in the Veil: Imagery of the Surface in the Gothic Novel’, PMLA, 96.2 (1981) <https://doi.org/10.2307/461992>
———, The Coherence of Gothic Conventions (New York: Methuen, 1986), cmxxx
———, The Coherence of Gothic Conventions (New York: Methuen, 1986), cmxxx
Shapira, Yael, ‘Where the Bodies Are Hidden: Ann Radcliffe’s “Delicate” Gothic’, Eighteenth Century Fiction, 18.4 (2006), 453–76 <https://doi.org/10.1353/ecf.2006.0068>
Shelley, Mary Wollstonecraft, and J. Paul Hunter, Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism (New York: W.W. Norton, 1996)
Smith, Andrew, Gothic Literature, 2nd ed (Edinburgh: Edinburgh University Press, 2013) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044>
Spongberg, Mary, ‘History, Fiction, and Anachronism: , The Tudor “Past” and the “Gothic” Present’, Textual Practice, 26.4 (2012), 631–48 <https://doi.org/10.1080/0950236X.2012.696487>
Spooner, Catherine, Contemporary Gothic (London: Reaktion Books, Limited, 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814>
Spooner, Catherine, and Emma McEvoy, The Routledge Companion to Gothic (London: Routledge, 2007) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063>
Stevens, David, The Gothic Tradition (Cambridge: Cambridge University Press, 2000)
Todorov, Tzvetan, The Fantastic: A Structural Approach to a Literary Genre ; Translated from the French by Richard Howard ; with a Foreword by Robert Scholes (Ithaca, N.Y: Cornell University Press, 1975)
Wallace, Diana, and Andrew Smith, The Female Gothic (London: Palgrave/MacMillan, 2009) <https://link.springer.com/book/10.1057%2F9780230245457>
Walpole, Horace, The Castle of Otranto (London: Penguin, 2010), ix <http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333>
‘Women’s Writing: The Elizabethan to Victorian Period’
