[1]
H. Walpole, The castle of Otranto, vol. 9. London: Penguin, 2010 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333
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M. G. Lewis, The monk: a romance. London: Gibbings, 1913 [Online]. Available: https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
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J. Austen, Northanger Abbey. Rockville, Maryland: Arc Manor, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970
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M. W. Shelley and J. P. Hunter, Frankenstein: the 1818 text, contexts, nineteenth-century responses, modern criticism. New York: W.W. Norton, 1996.
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E. Brontë and P. Stoneman, Wuthering Heights. Oxford: Oxford University Press, 1995 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live
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A. Carter, The bloody chamber and other stories. London: Vintage, 2006.
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G. A. Bürger, ‘Lenore’. 1796 [Online]. Available: https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork
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Lewis, Matthew Gregory, ‘Alonzo the Brave and Fair Imogine’. 1796 [Online]. Available: https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork
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Coleridge, Samuel Taylor, ‘Christabel’. [Online]. Available: https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork
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A. W. Radcliffe, B. Dobrée, and F. Garber, The mysteries of Udolpho. Oxford: Oxford University Press, 1980 [Online]. Available: https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/
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A. Radcliffe, The Italian. 1797 [Online]. Available: http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true
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E. J. Clery and R. Miles, Gothic documents: a sourcebook, 1700-1820. Manchester: Manchester University Press, 2000.
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L. Armitt, Twentieth-century gothic. Cardiff, Wales: University of Wales Press, 2011 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776
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C. Bloom, Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: Macmillan, 1998.
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F. Botting, Gothic. London: Routledge, 1996.
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F. Botting, Gothic, The. Essays and Studies 2001, vol. v.Volume 54. Cambridge: Boydell & Brewer Ltd, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420
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F. Botting, Limits of horror: technology, bodies, Gothic. Manchester: Manchester University Press, 2008 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700
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S. Bruhm, Gothic bodies: the politics of pain in romantic fiction. Philadelphia: University of Pennsylvania Press, 1994.
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T. Castle, The female thermometer: eighteenth-century culture and the invention of the uncanny. New York: Oxford University Press, 1995.
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G. Byron and D. Punter, Spectral readings: towards a Gothic geography. Basingstoke: Macmillan, 1999.
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E. J. Clery, ‘The Politics of the Gothic Heroine in the 1790s’, in Reviewing Romanticism, Basingstoke: Macmillan, 1992.
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E. J. Clery, The rise of supernatural fiction, 1762-1800, vol. 12. Cambridge: Cambridge University Press, 1995.
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E. J. Clery and British Council, Women’s gothic: from Clara Reeve to Mary Shelley, 2nd ed. Tavistock: Northcote House, 2004.
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C. M. Davison, Gothic literature 1764-1824. Cardiff, [Wales]: University of Wales Press, 2009 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654
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W. P. Day, In the circles of fear and desire: a study of gothic fantasy. Chicago: University of Chicago, 1985.
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E. C. DeLamotte, Perils of the night: a feminist study of nineteenth-century Gothic. New York: Oxford University Press, 1990.
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F. Burwick, Shakespearean Gothic. Cardiff, [Wales]: University of Wales Press, 2009 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650
[28]
I. Duncan, Modern romance and transformations of the novel: the Gothic, Scott, and Dickens. Cambridge: Cambridge University Press, 1992.
[29]
K. F. Ellis, The contested castle: Gothic novels and the subversion of domestic ideology. Urbana: University of Illinois Press, 1989.
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M. Ellis, The history of gothic fiction. Edinburgh: Edinburgh University Press, 2000.
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J. E. Fleenor, The female Gothic. Montréal: Eden Press, 1983.
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C. Franklin, Longman Anthology of Gothic Verse, The, 1st ed. Milton: Taylor & Francis Group, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177
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S. Freud, J. Strachey, A. Freud, A. Strachey, and A. Tyson, ‘The Uncanny’, in The standard edition of the complete psychological works of Sigmund Freud: Vol. 17: (1917-1919). An infantile neurosis and other works, London: Vintage, 2001, pp. 217–256.
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M. Gamer, Romanticism and the Gothic: genre, reception, and canon formation, vol. 40. Cambridge [England]: Cambridge University Press, 2000 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769
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P. Garside, ‘Romantic Gothic’, in Literature of the romantic period: a bibliographical guide, Oxford: Clarendon Press, 1998, pp. 315–340.
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M. Georgieva, The Gothic Child. New York: Palgrave Macmillan, 2013 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc
[37]
K. W. Graham, Gothic fictions: prohibition/transgression, vol. no. 5. New York: AMS press, 1989.
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D. L. Hoeveler, Gothic feminism: the professionalization of gender from Charlotte Smith to the Brontës. Liverpool: Liverpool University Press, 1998.
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J. E. Hogle, The Cambridge companion to gothic fiction. Cambridge: Cambridge University Press, 2006 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243
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J. E. Hogle, Ed., The Cambridge companion to the modern gothic. Cambridge, United Kingdom: Cambridge University Press, 2014 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD
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J. Howard, Reading Gothic fiction: a Bakhtinian approach. Oxford: Clarendon Press, 1994.
[42]
C. A. Howells, Love, mystery, and misery: feeling in Gothic fiction. London: Bloomsbury Academic, 2013.
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J. Killeen, Gothic literature 1825-1914. Cardiff, Wales: University of Wales Press, 2009.
[44]
C. Kahane, ‘The Gothic Mirror’, in The (m)other tongue: essays in feminist psychoanalytic interpretation, Ithaca, N.Y.: Cornell University Press, 1985, pp. 334–351.
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G. Kelly, English fiction of the Romantic period, 1789-1830. London: Longman, 1989.
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M. Kilgour, The rise of the Gothic novel. London: Routledge, 1995.
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R. Miles, Gothic writing, 1750-1820: a genealogy, 2nd ed. Manchester: Manchester University Press, 2002.
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‘Women’s writing: The Elizabethan to Victorian period’.
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E. Moers, ‘Literary Women’, in Literary women, London: W.H. Allen, 1977, pp. 90–110.
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R. Norton, Gothic readings: the first wave, 1764-1840. New York: Leicester University Press, 2000.
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P. Palmer, The queer uncanny: new perspectives on the Gothic. Cardiff: University of Wales Press, 2012 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097
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R. Paulson, ‘Gothic Fiction and the French Revolution’, ELH, vol. 48, no. 3, Autumn 1981, doi: 10.2307/2872912.
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R. Paulson, Representations of revolution, (1789-1820). New Haven, Conn: Yale University Press, 1983.
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D. Peschier, Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë. London: Palgrave Macmillan Limited, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976
[55]
D. Punter, The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.1: The gothic tradition, 2nd ed. London: Longman, 1996.
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D. Punter, The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.2: The modern gothic, 2nd ed. London: Longman, 1996.
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D. Punter, A new companion to the Gothic, vol. 79. Malden, Mass: Wiley-Blackwell, 2012 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409
[58]
P. Ranger and Society for Theatre Research, ‘Terror and pity reign in every breast’: Gothic drama in the London patent theatres, 1750-1820. London: Society for Theatre Reasearch, 1991.
[59]
T. Castle, ‘The Gothic novel’, in The Cambridge History of English Literature, 1660-1780, Cambridge: Cambridge University Press, 2005, pp. 673–706 [Online]. Available: https://www.cambridge.org/core/product/identifier/CBO9781139053877A035/type/book_part
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B. B. Roberts, The Gothic romance, its appeal to women writers and readers in late eighteenth-century England. New York: Arno Press, 1980.
[61]
M. Mulvey Roberts, The handbook to Gothic literature. Basingstoke: Macmillan, 1998.
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D. Salter, ‘"This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism’, Shakespeare, vol. 5, no. 1, pp. 52–67, Apr. 2009, doi: 10.1080/17450910902764298.
[63]
E. K. Sedgwick, The coherence of Gothic conventions, vol. 930. New York: Methuen, 1986.
[64]
E. K. Sedgwick, ‘The Character in the Veil: Imagery of the Surface in the Gothic Novel’, PMLA, vol. 96, no. 2, Mar. 1981, doi: 10.2307/461992.
[65]
A. Smith, Gothic literature, 2nd ed. Edinburgh: Edinburgh University Press, 2013 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044
[66]
C. Spooner, Contemporary Gothic. London: Reaktion Books, Limited, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814
[67]
C. Spooner and E. McEvoy, The Routledge companion to Gothic. London: Routledge, 2007 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063
[68]
D. Stevens, The gothic tradition. Cambridge: Cambridge University Press, 2000.
[69]
T. Todorov, The fantastic: a structural approach to a literary genre ; translated from the French by Richard Howard ; with a foreword by Robert Scholes. Ithaca, N.Y: Cornell University Press, 1975.
[70]
D. Wallace and A. Smith, The Female Gothic. London: Palgrave/MacMillan, 2009 [Online]. Available: https://link.springer.com/book/10.1057%2F9780230245457
[71]
L. Baudot, ‘"Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey’, Eighteenth-Century Fiction, vol. 24, no. 2, pp. 325–352, 2011, doi: 10.1353/ecf.2011.0055.
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M. Beard, ‘“Visions of romance—Anxieties of common life”—Jane Austen’s Gothic novel: A reading of Northanger Abbey’, English Academy Review, vol. 15, no. 1, pp. 130–138, Dec. 1998, doi: 10.1080/10131759885310131.
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S. Blakemore, ‘Matthew Lewis’s Black Mass: sexual, religious inversion in “The Monk”’, Studies in the Novel, vol. 30, no. 4, 1998 [Online]. Available: https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents
[74]
M. Butler, Jane Austen and the war of ideas, New ed. Oxford: Clarendon Press, 1987.
[75]
Emma Clery J., ‘Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre’, Ars & Humanitas, vol. 4, no. 1–2, pp. 93–111, 2010, doi: https://doi.org/10.4312/ah.4.1-2.93-111. [Online]. Available: https://revije.ff.uni-lj.si/arshumanitas/article/view/310
[76]
D. Cottom, The civilized imagination: a study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: Cambridge University Press, 1985.
[77]
J. Drury, ‘Twilight of the Virgin Idols: Iconoclash in The Monk’, The Eighteenth Century, vol. 57, no. 2, pp. 217–233, 2016, doi: 10.1353/ecy.2016.0014.
[78]
K. W. Graham, Gothic fictions: prohibition/transgression, vol. no. 5. New York: AMS press, 1989.
[79]
P. Ingham, Ed., The Brontës. Oxfordshire, [England]: Routledge, 2014 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656
[80]
W. Jones, ‘Stories of Desire in the Monk’, ELH, vol. 57, no. 1, Spring 1990, doi: 10.2307/2873248.
[81]
Mary Kaiser, ‘Fairy tale as sexual allegory: intertextuality in Angela Carter’s “The Bloody Chamber.” (Angela Carter)’, The Review of Contemporary Fiction [Online]. Available: http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true
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J. H. Kavanagh, Emily Brontë. Oxford: Blackwell, 1985.
[83]
Ruth Mack, ‘Horace Walpole and the Objects of Literary History’, ELH, vol. 75, no. 2, 2008 [Online]. Available: https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents
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M. Makinen, ‘Angela Carter’s “The Bloody Chamber” and the Decolonization of Feminine Sexuality’, Feminist Review, no. 42, Autumn 1992, doi: 10.2307/1395125.
[85]
A. K. Mellor, Mary Shelley: Her Life, Her Fiction, Her Monsters. London: Taylor & Francis Group, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708
[86]
R. Miles, Ann Radcliffe: the great enchantress. Manchester: Manchester University Press, 1995.
[87]
C. R. Miller, ‘Chapter 6: Northanger Abbey and Gothic Perception’, in Surprise: the poetics of the unexpected from Milton to Austen, Ithaca: Cornell University, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152
[88]
T. Mowl, Horace Walpole: the great outsider. London: Murray, 1996.
[89]
A. Myburgh, ‘Cathy’s Subversive “Black Art” in Emily Brontë’s’, English Academy Review, vol. 35, no. 1, pp. 61–72, Jan. 2018, doi: 10.1080/10131752.2018.1474623.
[90]
R. Norton, Mistress of Adolpho: the life of Ann Radcliffe. London: Leicester University Press, 1999.
[91]
MARY POOVEY, ‘Ideology and “The Mysteries of Udolpho”’, Criticism, vol. 21, no. 4, 1979 [Online]. Available: https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents
[92]
E. K. Sedgwick, The coherence of Gothic conventions, vol. 930. New York: Methuen, 1986.
[93]
Y. Shapira, ‘Where the Bodies Are Hidden: Ann Radcliffe’s “Delicate” Gothic’, Eighteenth Century Fiction, vol. 18, no. 4, pp. 453–476, 2006, doi: 10.1353/ecf.2006.0068.
[94]
Robin Ann Sheets, ‘Pornography, Fairy Tales, and Feminism: Angela Carter’s “The Bloody Chamber”’, Journal of the History of Sexuality, vol. 1, no. 4, 1991 [Online]. Available: https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents
[95]
M. Spongberg, ‘History, fiction, and anachronism:                              , the Tudor “past” and the “Gothic” present’, Textual Practice, vol. 26, no. 4, pp. 631–648, Aug. 2012, doi: 10.1080/0950236X.2012.696487.
[96]
Maja-Lisa von Sneidern, ‘Wuthering Heights and the Liverpool Slave Trade’, ELH, vol. 62, no. 1, 1995 [Online]. Available: https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents
[97]
S. Schama, Citizens: a chronicle of the French Revolution. London: Penguin, 1989.