Armitt, Lucie. Twentieth-Century Gothic. Cardiff, Wales: University of Wales Press, 2011. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776>.
Austen, Jane. Northanger Abbey. Rockville, Maryland: Arc Manor, 2008. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=5443970>.
Baudot, Laura. ‘"Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey’. Eighteenth-Century Fiction 24.2 (2011): 325–352. Web.
Beard, Margot. ‘“Visions of Romance—Anxieties of Common Life”—Jane Austen’s Gothic Novel: A Reading of Northanger Abbey’. English Academy Review 15.1 (1998): 130–138. Web.
Blakemore, Steven. ‘Matthew Lewis’s Black Mass: Sexual, Religious Inversion in “The Monk”’. Studies in the Novel 30.4 (1998): n. pag. Web. <https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents>.
Bloom, Clive. Gothic Horror: A Reader’s Guide from Poe to King and Beyond. Basingstoke: Macmillan, 1998. Print.
Botting, Fred. Gothic. London: Routledge, 1996. Print.
---. Gothic, The. Essays and Studies 2001. v.Volume 54. Cambridge: Boydell & Brewer Ltd, 2001. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420>.
---. Limits of Horror: Technology, Bodies, Gothic. Manchester: Manchester University Press, 2008. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700>.
Brontë, Emily, and Patsy Stoneman. Wuthering Heights. Oxford: Oxford University Press, 1995. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=nlebk&amp;AN=55835&amp;site=ehost-live>.
Bruhm, Steven. Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press, 1994. Print.
Bürger, Gottfried August. ‘Lenore’. 1796. Web. <https://literature.proquest.com/searchFulltext.do?id=Z200478605&amp;childSectionId=Z200478605&amp;divLevel=2&amp;queryId=3087837989573&amp;trailId=166DE3F7C88&amp;area=poetry&amp;forward=textsFT&amp;queryType=findWork>.
Burwick, Frederick. Shakespearean Gothic. Ed. Christy Desmet and Anne Williams. Cardiff, [Wales]: University of Wales Press, 2009. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650>.
Butler, Marilyn. Jane Austen and the War of Ideas. New ed. Oxford: Clarendon Press, 1987. Print.
Byron, Glennis, and David Punter. Spectral Readings: Towards a Gothic Geography. Basingstoke: Macmillan, 1999. Print.
Carter, Angela. The Bloody Chamber and Other Stories. London: Vintage, 2006. Print.
Castle, Terry. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. New York: Oxford University Press, 1995. Print.
---. ‘The Gothic Novel’. The Cambridge History of English Literature, 1660-1780. Cambridge: Cambridge University Press, 2005. 673–706. Web. <https://www.cambridge.org/core/product/identifier/CBO9781139053877A035/type/book_part>.
Clery, E. J. The Rise of Supernatural Fiction, 1762-1800. Vol. 12. Cambridge: Cambridge University Press, 1995. Print.
Clery, E. J. and British Council. Women’s Gothic: From Clara Reeve to Mary Shelley. 2nd ed. Tavistock: Northcote House, 2004. Print.
Clery, E. J., and Robert Miles. Gothic Documents: A Sourcebook, 1700-1820. Manchester: Manchester University Press, 2000. Print.
Clery, E.J. ‘The Politics of the Gothic Heroine in the 1790s’. Reviewing Romanticism. Basingstoke: Macmillan, 1992. Print.
Coleridge, Samuel Taylor. ‘Christabel’. Web. <https://literature.proquest.com/searchFulltext.do?id=Z300317143&amp;childSectionId=Z300317143&amp;divLevel=3&amp;queryId=3087837824172&amp;trailId=166DE3E395E&amp;area=poetry&amp;forward=textsFT&amp;queryType=findWork>.
Cottom, Daniel. The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: Cambridge University Press, 1985. Print.
Davison, Carol Margaret. Gothic Literature 1764-1824. Cardiff, [Wales]: University of Wales Press, 2009. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654>.
Day, William Patrick. In the Circles of Fear and Desire: A Study of Gothic Fantasy. Chicago: University of Chicago, 1985. Print.
DeLamotte, Eugenia C. Perils of the Night: A Feminist Study of Nineteenth-Century Gothic. New York: Oxford University Press, 1990. Print.
Drury, Joseph. ‘Twilight of the Virgin Idols: Iconoclash in The Monk’. The Eighteenth Century 57.2 (2016): 217–233. Web.
Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, and Dickens. Cambridge: Cambridge University Press, 1992. Print.
Ellis, Kate Ferguson. The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. Urbana: University of Illinois Press, 1989. Print.
Ellis, Markman. The History of Gothic Fiction. Edinburgh: Edinburgh University Press, 2000. Print.
Emma Clery J. ‘Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre’. Ars & Humanitas 4.1–2 (2010): 93–111. Web. <https://revije.ff.uni-lj.si/arshumanitas/article/view/310>.
Fleenor, Juliann E. The Female Gothic. Montréal: Eden Press, 1983. Print.
Franklin, Caroline. Longman Anthology of Gothic Verse, The. 1st ed. Milton: Taylor & Francis Group, 2010. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177>.
Freud, Sigmund et al. ‘The Uncanny’. The Standard Edition of the Complete Psychological Works of Sigmund Freud: Vol. 17: (1917-1919). An Infantile Neurosis and Other Works. London: Vintage, 2001. 217–256. Print.
Gamer, Michael. Romanticism and the Gothic: Genre, Reception, and Canon Formation. Vol. 40. Cambridge [England]: Cambridge University Press, 2000. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769>.
Garside, Peter. ‘Romantic Gothic’. Literature of the Romantic Period: A Bibliographical Guide. Oxford: Clarendon Press, 1998. 315–340. Print.
Georgieva, Margarita. The Gothic Child. New York: Palgrave Macmillan, 2013. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc>.
Graham, Kenneth W. Gothic Fictions: Prohibition/Transgression. no. 5. New York: AMS press, 1989. Print.
---. Gothic Fictions: Prohibition/Transgression. no. 5. New York: AMS press, 1989. Print.
Hoeveler, Diane Long. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. Liverpool: Liverpool University Press, 1998. Print.
Hogle, Jerrold E. The Cambridge Companion to Gothic Fiction. Cambridge: Cambridge University Press, 2006. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243>.
---, ed. The Cambridge Companion to the Modern Gothic. Cambridge, United Kingdom: Cambridge University Press, 2014. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD>.
Howard, Jacqueline. Reading Gothic Fiction: A Bakhtinian Approach. Oxford: Clarendon Press, 1994. Print.
Howells, Coral Ann. Love, Mystery, and Misery: Feeling in Gothic Fiction. London: Bloomsbury Academic, 2013. Print.
Ingham, Patricia, ed. The Brontës. Oxfordshire, [England]: Routledge, 2014. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656>.
Jones, Wendy. ‘Stories of Desire in the Monk’. ELH 57.1 (1990): n. pag. Web.
Kahane, Claire. ‘The Gothic Mirror’. The (m)Other Tongue: Essays in Feminist Psychoanalytic Interpretation. Ithaca, N.Y.: Cornell University Press, 1985. 334–351. Print.
Kavanagh, James H. Emily Brontë. Oxford: Blackwell, 1985. Print.
Kelly, Gary. English Fiction of the Romantic Period, 1789-1830. London: Longman, 1989. Print.
Kilgour, Maggie. The Rise of the Gothic Novel. London: Routledge, 1995. Print.
Killeen, Jarlath. Gothic Literature 1825-1914. Cardiff, Wales: University of Wales Press, 2009. Print.
Lewis, M. G. The Monk: A Romance. London: Gibbings, 1913. Web. <https://literature.proquest.com/toc.do?sourceId=Z000033186&amp;action=new&amp;area=prose&amp;divLevel=0&amp;queryId=&amp;mapping=toc#scroll&amp;DurUrl=Yes>.
Lewis, Matthew Gregory. ‘Alonzo the Brave and Fair Imogine’. 1796. Web. <https://literature.proquest.com/searchFulltext.do?id=Z200415826&amp;childSectionId=Z200415826&amp;divLevel=2&amp;queryId=3087838336243&amp;trailId=166DE422250&amp;area=poetry&amp;forward=textsFT&amp;queryType=findWork>.
Maja-Lisa von Sneidern. ‘Wuthering Heights and the Liverpool Slave Trade’. ELH 62.1 (1995): n. pag. Web. <https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents>.
Makinen, Merja. ‘Angela Carter’s “The Bloody Chamber” and the Decolonization of Feminine Sexuality’. Feminist Review 42 (1992): n. pag. Web.
Mary Kaiser. ‘Fairy Tale as Sexual Allegory: Intertextuality in Angela Carter’s “The Bloody Chamber.” (Angela Carter)’. The Review of Contemporary Fiction n. pag. Web. <http://go.galegroup.com/ps/retrieve.do?tabID=T002&amp;resultListType=RESULT_LIST&amp;searchResultsType=SingleTab&amp;searchType=AdvancedSearchForm&amp;currentPosition=1&amp;docId=GALE%7CA15906135&amp;docType=Article&amp;sort=RELEVANCE&amp;contentSegment=&amp;prodId=EAIM&amp;contentSet=GALE%7CA15906135&amp;searchId=R2&amp;userGroupName=leicester&amp;inPS=true>.
MARY POOVEY. ‘Ideology and “The Mysteries of Udolpho”’. Criticism 21.4 (1979): n. pag. Web. <https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents>.
Mellor, Anne K. Mary Shelley: Her Life, Her Fiction, Her Monsters. London: Taylor & Francis Group, 2012. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708>.
Miles, Robert. Ann Radcliffe: The Great Enchantress. Manchester: Manchester University Press, 1995. Print.
---. Gothic Writing, 1750-1820: A Genealogy. 2nd ed. Manchester: Manchester University Press, 2002. Print.
Miller, Christopher R. ‘Chapter 6: Northanger Abbey and Gothic Perception’. Surprise: The Poetics of the Unexpected from Milton to Austen. Ithaca: Cornell University, 2015. Web. <https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152>.
Moers, Ellen. ‘Literary Women’. Literary Women. London: W.H. Allen, 1977. 90–110. Print.
Mowl, Tim. Horace Walpole: The Great Outsider. London: Murray, 1996. Print.
Mulvey Roberts, Marie. The Handbook to Gothic Literature. Basingstoke: Macmillan, 1998. Print.
Myburgh, Albert. ‘Cathy’s Subversive “Black Art” in Emily Brontë’s’. English Academy Review 35.1 (2018): 61–72. Web.
Norton, Rictor. Gothic Readings: The First Wave, 1764-1840. New York: Leicester University Press, 2000. Print.
---. Mistress of Adolpho: The Life of Ann Radcliffe. London: Leicester University Press, 1999. Print.
Palmer, Paulina. The Queer Uncanny: New Perspectives on the Gothic. Cardiff: University of Wales Press, 2012. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097>.
Paulson, Ronald. ‘Gothic Fiction and the French Revolution’. ELH 48.3 (1981): n. pag. Web.
---. Representations of Revolution, (1789-1820). New Haven, Conn: Yale University Press, 1983. Print.
Peschier, Diana. Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë. London: Palgrave Macmillan Limited, 2005. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976>.
Punter, David. A New Companion to the Gothic. Vol. 79. Malden, Mass: Wiley-Blackwell, 2012. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409>.
---. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.1: The Gothic Tradition. 2nd ed. London: Longman, 1996. Print.
---. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.2: The Modern Gothic. 2nd ed. London: Longman, 1996. Print.
Radcliffe, Ann. The Italian. N.p., 1797. Web. <http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&amp;docType=ECCOArticles&amp;source=gale&amp;tabID=T001&amp;prodId=ECCO&amp;userGroupName=leicester&amp;bookId=0247200301&amp;type=getFullCitation&amp;contentSet=ECCOArticles&amp;version=1.0&amp;finalAuth=true>.
Radcliffe, Ann Ward, Bonamy Dobrée, and Frederick Garber. The Mysteries of Udolpho. Oxford: Oxford University Press, 1980. Web. <https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/>.
Ranger, Paul and Society for Theatre Research. ‘Terror and Pity Reign in Every Breast’: Gothic Drama in the London Patent Theatres, 1750-1820. London: Society for Theatre Reasearch, 1991. Print.
Roberts, Bette B. The Gothic Romance, Its Appeal to Women Writers and Readers in Late Eighteenth-Century England. New York: Arno Press, 1980. Print.
Robin Ann Sheets. ‘Pornography, Fairy Tales, and Feminism: Angela Carter’s “The Bloody Chamber”’. Journal of the History of Sexuality 1.4 (1991): n. pag. Web. <https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents>.
Ruth Mack. ‘Horace Walpole and the Objects of Literary History’. ELH 75.2 (2008): n. pag. Web. <https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents>.
Salter, David. ‘"This Demon in the Garb of a Monk”: Shakespeare, the Gothic and the Discourse of Anti-Catholicism’. Shakespeare 5.1 (2009): 52–67. Web.
Schama, Simon. Citizens: A Chronicle of the French Revolution. London: Penguin, 1989. Print.
Sedgwick, Eve Kosofsky. ‘The Character in the Veil: Imagery of the Surface in the Gothic Novel’. PMLA 96.2 (1981): n. pag. Web.
---. The Coherence of Gothic Conventions. Vol. 930. New York: Methuen, 1986. Print.
---. The Coherence of Gothic Conventions. Vol. 930. New York: Methuen, 1986. Print.
Shapira, Yael. ‘Where the Bodies Are Hidden: Ann Radcliffe’s “Delicate” Gothic’. Eighteenth Century Fiction 18.4 (2006): 453–476. Web.
Shelley, Mary Wollstonecraft, and J. Paul Hunter. Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism. New York: W.W. Norton, 1996. Print.
Smith, Andrew. Gothic Literature. 2nd ed. Edinburgh: Edinburgh University Press, 2013. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044>.
Spongberg, Mary. ‘History, Fiction, and Anachronism:                              , The Tudor “Past” and the “Gothic” Present’. Textual Practice 26.4 (2012): 631–648. Web.
Spooner, Catherine. Contemporary Gothic. London: Reaktion Books, Limited, 2012. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814>.
Spooner, Catherine, and Emma McEvoy. The Routledge Companion to Gothic. London: Routledge, 2007. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063>.
Stevens, David. The Gothic Tradition. Cambridge: Cambridge University Press, 2000. Print.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre ; Translated from the French by Richard Howard ; with a Foreword by Robert Scholes. Ithaca, N.Y: Cornell University Press, 1975. Print.
Wallace, Diana, and Andrew Smith. The Female Gothic. London: Palgrave/MacMillan, 2009. Web. <https://link.springer.com/book/10.1057%2F9780230245457>.
Walpole, Horace. The Castle of Otranto. Vol. 9. London: Penguin, 2010. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333>.
‘Women’s Writing: The Elizabethan to Victorian Period’. n. pag. Print.