1
Walpole H. The castle of Otranto. London: : Penguin 2010. http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333
2
Lewis MG. The monk: a romance. London: : Gibbings 1913. https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
3
Austen J. Northanger Abbey. Rockville, Maryland: : Arc Manor 2008. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970
4
Shelley MW, Hunter JP. Frankenstein: the 1818 text, contexts, nineteenth-century responses, modern criticism. New York: : W.W. Norton 1996.
5
Brontë E, Stoneman P. Wuthering Heights. Oxford: : Oxford University Press 1995. http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live
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Carter A. The bloody chamber and other stories. London: : Vintage 2006.
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Bürger GA. Lenore. 1796.https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork
8
Lewis, Matthew Gregory. Alonzo the Brave and Fair Imogine. 1796.https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork
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Coleridge, Samuel Taylor. Christabel. https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork
10
Radcliffe AW, Dobrée B, Garber F. The mysteries of Udolpho. Oxford: : Oxford University Press 1980. https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/
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Radcliffe A. The Italian. 1797. http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true
12
Clery EJ, Miles R. Gothic documents: a sourcebook, 1700-1820. Manchester: : Manchester University Press 2000.
13
Armitt L. Twentieth-century gothic. Cardiff, Wales: : University of Wales Press 2011. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776
14
Bloom C. Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: : Macmillan 1998.
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Botting F. Gothic. London: : Routledge 1996.
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Botting F. Gothic, The. Essays and Studies 2001. Cambridge: : Boydell & Brewer Ltd 2001. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420
17
Botting F. Limits of horror: technology, bodies, Gothic. Manchester: : Manchester University Press 2008. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700
18
Bruhm S. Gothic bodies: the politics of pain in romantic fiction. Philadelphia: : University of Pennsylvania Press 1994.
19
Castle T. The female thermometer: eighteenth-century culture and the invention of the uncanny. New York: : Oxford University Press 1995.
20
Byron G, Punter D. Spectral readings: towards a Gothic geography. Basingstoke: : Macmillan 1999.
21
Clery EJ. The Politics of the Gothic Heroine in the 1790s. In: Reviewing Romanticism. Basingstoke: : Macmillan 1992.
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Clery EJ. The rise of supernatural fiction, 1762-1800. Cambridge: : Cambridge University Press 1995.
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Clery EJ, British Council. Women’s gothic: from Clara Reeve to Mary Shelley. 2nd ed. Tavistock: : Northcote House 2004.
24
Davison CM. Gothic literature 1764-1824. Cardiff, [Wales]: : University of Wales Press 2009. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654
25
Day WP. In the circles of fear and desire: a study of gothic fantasy. Chicago: : University of Chicago 1985.
26
DeLamotte EC. Perils of the night: a feminist study of nineteenth-century Gothic. New York: : Oxford University Press 1990.
27
Burwick F. Shakespearean Gothic. Cardiff, [Wales]: : University of Wales Press 2009. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650
28
Duncan I. Modern romance and transformations of the novel: the Gothic, Scott, and Dickens. Cambridge: : Cambridge University Press 1992.
29
Ellis KF. The contested castle: Gothic novels and the subversion of domestic ideology. Urbana: : University of Illinois Press 1989.
30
Ellis M. The history of gothic fiction. Edinburgh: : Edinburgh University Press 2000.
31
Fleenor JE. The female Gothic. Montréal: : Eden Press 1983.
32
Franklin C. Longman Anthology of Gothic Verse, The. 1st ed. Milton: : Taylor & Francis Group 2010. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177
33
Freud S, Strachey J, Freud A, et al. The Uncanny. In: The standard edition of the complete psychological works of Sigmund Freud: Vol. 17: (1917-1919). An infantile neurosis and other works. London: : Vintage 2001. 217–56.
34
Gamer M. Romanticism and the Gothic: genre, reception, and canon formation. Cambridge [England]: : Cambridge University Press 2000. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769
35
Garside P. Romantic Gothic. In: Literature of the romantic period: a bibliographical guide. Oxford: : Clarendon Press 1998. 315–40.
36
Georgieva M. The Gothic Child. New York: : Palgrave Macmillan 2013. http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc
37
Graham KW. Gothic fictions: prohibition/transgression. New York: : AMS press 1989.
38
Hoeveler DL. Gothic feminism: the professionalization of gender from Charlotte Smith to the Brontës. Liverpool: : Liverpool University Press 1998.
39
Hogle JE. The Cambridge companion to gothic fiction. Cambridge: : Cambridge University Press 2006. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243
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Hogle JE, editor. The Cambridge companion to the modern gothic. Cambridge, United Kingdom: : Cambridge University Press 2014. http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD
41
Howard J. Reading Gothic fiction: a Bakhtinian approach. Oxford: : Clarendon Press 1994.
42
Howells CA. Love, mystery, and misery: feeling in Gothic fiction. London: : Bloomsbury Academic 2013.
43
Killeen J. Gothic literature 1825-1914. Cardiff, Wales: : University of Wales Press 2009.
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Kahane C. The Gothic Mirror. In: The (m)other tongue: essays in feminist psychoanalytic interpretation. Ithaca, N.Y.: : Cornell University Press 1985. 334–51.
45
Kelly G. English fiction of the Romantic period, 1789-1830. London: : Longman 1989.
46
Kilgour M. The rise of the Gothic novel. London: : Routledge 1995.
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Miles R. Gothic writing, 1750-1820: a genealogy. 2nd ed. Manchester: : Manchester University Press 2002.
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Women’s writing: The Elizabethan to Victorian period.
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Moers E. Literary Women. In: Literary women. London: : W.H. Allen 1977. 90–110.
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Norton R. Gothic readings: the first wave, 1764-1840. New York: : Leicester University Press 2000.
51
Palmer P. The queer uncanny: new perspectives on the Gothic. Cardiff: : University of Wales Press 2012. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097
52
Paulson R. Gothic Fiction and the French Revolution. ELH 1981;48. doi:10.2307/2872912
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Paulson R. Representations of revolution, (1789-1820). New Haven, Conn: : Yale University Press 1983.
54
Peschier D. Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë. London: : Palgrave Macmillan Limited 2005. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976
55
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.1: The gothic tradition. 2nd ed. London: : Longman 1996.
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Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.2: The modern gothic. 2nd ed. London: : Longman 1996.
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Punter D. A new companion to the Gothic. Malden, Mass: : Wiley-Blackwell 2012. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409
58
Ranger P, Society for Theatre Research. ‘Terror and pity reign in every breast’: Gothic drama in the London patent theatres, 1750-1820. London: : Society for Theatre Reasearch 1991.
59
Castle T. The Gothic novel. In: The Cambridge History of English Literature, 1660-1780. Cambridge: : Cambridge University Press 2005. 673–706. doi:10.1017/CHOL9780521781442.028
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Roberts BB. The Gothic romance, its appeal to women writers and readers in late eighteenth-century England. New York: : Arno Press 1980.
61
Mulvey Roberts M. The handbook to Gothic literature. Basingstoke: : Macmillan 1998.
62
Salter D. "This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism. Shakespeare 2009;5:52–67. doi:10.1080/17450910902764298
63
Sedgwick EK. The coherence of Gothic conventions. New York: : Methuen 1986.
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Sedgwick EK. The Character in the Veil: Imagery of the Surface in the Gothic Novel. PMLA 1981;96. doi:10.2307/461992
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Smith A. Gothic literature. 2nd ed. Edinburgh: : Edinburgh University Press 2013. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044
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Spooner C. Contemporary Gothic. London: : Reaktion Books, Limited 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814
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Spooner C, McEvoy E. The Routledge companion to Gothic. London: : Routledge 2007. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063
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Stevens D. The gothic tradition. Cambridge: : Cambridge University Press 2000.
69
Todorov T. The fantastic: a structural approach to a literary genre ; translated from the French by Richard Howard ; with a foreword by Robert Scholes. Ithaca, N.Y: : Cornell University Press 1975.
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Wallace D, Smith A. The Female Gothic. London: : Palgrave/MacMillan 2009. https://link.springer.com/book/10.1057%2F9780230245457
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Baudot L. "Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey. Eighteenth-Century Fiction 2011;24:325–52. doi:10.1353/ecf.2011.0055
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Beard M. ‘Visions of romance—Anxieties of common life’—Jane Austen’s Gothic novel: A reading of Northanger Abbey. English Academy Review 1998;15:130–8. doi:10.1080/10131759885310131
73
Blakemore S. Matthew Lewis’s Black Mass: sexual, religious inversion in ‘The Monk’. Studies in the Novel 1998;30.https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents
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Butler M. Jane Austen and the war of ideas. New ed. Oxford: : Clarendon Press 1987.
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Emma Clery J. Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre. Ars & Humanitas 2010;4:93–111. doi:https://doi.org/10.4312/ah.4.1-2.93-111
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Cottom D. The civilized imagination: a study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: : Cambridge University Press 1985.
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Drury J. Twilight of the Virgin Idols: Iconoclash in The Monk. The Eighteenth Century 2016;57:217–33. doi:10.1353/ecy.2016.0014
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Graham KW. Gothic fictions: prohibition/transgression. New York: : AMS press 1989.
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Ingham P, editor. The Brontës. Oxfordshire, [England]: : Routledge 2014. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656
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Jones W. Stories of Desire in the Monk. ELH 1990;57. doi:10.2307/2873248
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Mary Kaiser. Fairy tale as sexual allegory: intertextuality in Angela Carter’s ‘The Bloody Chamber.’ (Angela Carter). The Review of Contemporary Fictionhttp://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true
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Kavanagh JH. Emily Brontë. Oxford: : Blackwell 1985.
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Ruth Mack. Horace Walpole and the Objects of Literary History. ELH 2008;75.https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents
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Makinen M. Angela Carter’s ‘The Bloody Chamber’ and the Decolonization of Feminine Sexuality. Feminist Review Published Online First: Autumn 1992. doi:10.2307/1395125
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Mellor AK. Mary Shelley: Her Life, Her Fiction, Her Monsters. London: : Taylor & Francis Group 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708
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Miles R. Ann Radcliffe: the great enchantress. Manchester: : Manchester University Press 1995.
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Miller CR. Chapter 6: Northanger Abbey and Gothic Perception. In: Surprise: the poetics of the unexpected from Milton to Austen. Ithaca: : Cornell University 2015. https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152
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Mowl T. Horace Walpole: the great outsider. London: : Murray 1996.
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Myburgh A. Cathy’s Subversive ‘Black Art’ in Emily Brontë’s. English Academy Review 2018;35:61–72. doi:10.1080/10131752.2018.1474623
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Norton R. Mistress of Adolpho: the life of Ann Radcliffe. London: : Leicester University Press 1999.
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MARY POOVEY. Ideology and ‘The Mysteries of Udolpho’. Criticism 1979;21.https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents
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Sedgwick EK. The coherence of Gothic conventions. New York: : Methuen 1986.
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Shapira Y. Where the Bodies Are Hidden: Ann Radcliffe’s ‘Delicate’ Gothic. Eighteenth Century Fiction 2006;18:453–76. doi:10.1353/ecf.2006.0068
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Robin Ann Sheets. Pornography, Fairy Tales, and Feminism: Angela Carter’s ‘The Bloody Chamber’. Journal of the History of Sexuality 1991;1.https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents
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Spongberg M. History, fiction, and anachronism: , the Tudor ‘past’ and the ‘Gothic’ present. Textual Practice 2012;26:631–48. doi:10.1080/0950236X.2012.696487
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Maja-Lisa von Sneidern. Wuthering Heights and the Liverpool Slave Trade. ELH 1995;62.https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents
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Schama S. Citizens: a chronicle of the French Revolution. London: : Penguin 1989.
