Akin F, Kekilli S and Ünel B, ‘Gegen Die Wand =: Head On’
Alfredson T and others, ‘Låt Den Rätte Komma in =: Let the Right One In’
Becker W, Brühl D and Sass K, ‘Goodbye Lenin!’
Berghahn D, ‘“Seeing Everything with Different Eyes”: The Diasporic Optic of Fatih Akin’s Head On (2004)’, New Directions in German Cinema (IBTauris 2011) <http://ezproxy.lib.le.ac.uk/login?url=https://www.bloomsburycollections.com/book/new-directions-in-german-cinema/>
Beugnet M, ‘The Wounded Screen’, The New Extremism in Cinema : From France to Europe (Edinburgh University Press 2011) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36>
‘Colossal Youth’
Dardenne L, Dardenne J-P and Renier J, ‘La Promesse’
Delanty G, ‘The Ambivalence of Europe: A Theoretical Introduction’, Inventing Europe: Idea, Identity, Reality (Palgrave Macmillan 1995) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6578546>
Denis C, Dalle B and Gallo V, ‘Trouble Every Day’
Dominique Nasta, Contemporary Romanian Cinema : The History of an Unexpected Miracle (Columbia University Press 2013) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10>
Elsaesser T, ‘Double Occupancy and Small Adjustments’, European cinema: face to face with Hollywood, vol Film culture in transition (Amsterdam University Press 2005) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665849240002746&institutionId=2746&customerId=2745>
Galt R, ‘Back-Projecting Germany’, The New European Cinema : Redrawing the Map (Columbia University Press 2012) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=908527&ppg=162>
Hall S, ‘“Europe’s Other Self” by Stuart Hall, Marxism Today, August 1991 - UNZ.Org’ <http://www.unz.org/Pub/MarxismToday-1991aug-00018>
Haneke M, Auteuil D and Binoche J, ‘Caché =: Hidden’
Hodgin N, ‘Good Bye, Ostalgie?’, Screening the East : Heimat, Memory and Nostalgia in German Film since 1989 (Berghahn Books, Incorporated 2013) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=717909&ppg=164>
Ira Jaffe, Slow Movies : Countering the Cinema of Action (Columbia University Press 2014) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1634825&ppg=7>
Iversen G, ‘Between Art and Genre: New Nordic Horror Cinema’ in Mette Hjort (ed), A companion to Nordic cinema, vol Wiley Blackwell Companions to National Cinemas (Wiley/Blackwell 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4461559>
James H, Europe Reborn: A History, 1914-2000, vol Longman History of Modern Europe (Taylor and Francis 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1733961>
Kaplan EA, ‘European Art Cinema, Affect and Postcolonialism: Herzog, Denis and the Dardenne Brothers’, Global art cinema: new theories and histories (Oxford University Press 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=497594>
Karlsson H, ‘The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt Den Rätte Komma in (Let the Right One In) (2008)’ (2013) 43 European Journal of Scandinavian Studies
Koutsourakis A, ‘“You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible”: Lars von Trier’s Critique of the European Narrative of Progress in His Europa Trilogy’ (2012) 20 Journal of Contemporary European Studies 517
Lanthimos Y, ‘Dogtooth’
Liz M, Euro-Visions: Europe in Contemporary Cinema (Bloomsbury Academic 2016)
Lykidis A, ‘Crisis of Sovereignty in Recent Greek Cinema’ <http://www.ingentaconnect.com/content/intellect/jgmc/2015/00000001/00000001/art00002?crawler=true>
Mazierska E, ‘Goodbye Lenin or Not: Cinematic Representations of the End of Communism’, European Cinema and Intertextuality: History, Memory and Politics (Palgrave Macmillan UK 2011) <http://link.springer.com/10.1057/9780230319547_6>
Mosley P, ‘Responsible Realists’, The Cinema of the Dardenne Brothers : Responsible Realism (Columbia University Press 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=946277&ppg=9>
Mungiu C and others, ‘4 Luni, 3 Saptamâni Si 2 Zile =: 4 Months, 3 Weeks and 2 Days’
Nagib L, ‘The Politics of Slowness and the Traps of Modernity’, Slow Cinema (Edinburgh University Press 2015) <http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4306147&ppg=46>
Nasta D, ‘The 4-3-2 Paradigm: Mungiu’s Large-Scale Phenomenon’, Contemporary Romanian Cinema : The History of an Unexpected Miracle (Columbia University Press 2013) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10>
Psaras M, ‘Introduction: The Meaning of the Crisis or the Crisis of Meaning’, The Queer Greek Weird Wave : Ethics, Politics and the Crisis of Meaning (Springer International Publishing 2016) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4734207&ppg=10>
Quandt J, ‘Flesh and Blood: Sex and Violence in Recent French Cinema’, The New Extremism in Cinema : From France to Europe (Edinburgh University Press 2011) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36>
Von Trier L, ‘Europa’
Wheatley C, ‘Shame and Guilt: Caché’, Michael Haneke’s cinema: the ethic of image, vol Film Europa (Berghahn Books 2009)
——, Caché, vol BFI film classics (BFI 2011)
