Akin, F., Kekilli, S., & Ünel, B. (2005). Gegen die wand =: Head on. Soda Pictures.
Alfredson, T., Hedebrant, K., Leandersson, L., Ragnar, P., & Ajvide Lindqvist, J. (2009). Låt den rätte komma in =: Let the right one in. Momentum Pictures.
Becker, W., Brühl, D., & Sass, K. (2007). Goodbye Lenin! Pathè!
Berghahn, D. (2011). ‘Seeing everything with different eyes’: the diasporic optic of Fatih Akin’s Head On (2004). In New Directions in German Cinema. I.B.Tauris. http://ezproxy.lib.le.ac.uk/login?url=https://www.bloomsburycollections.com/book/new-directions-in-german-cinema/
Beugnet, M. (2011). The Wounded Screen. In The New Extremism in Cinema : From France to Europe. Edinburgh University Press. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36
Colossal youth. (2011). Eureka.
Dardenne, L., Dardenne, J.-P., & Renier, J. (n.d.). La promesse: Vol. Artificial eye. Artificial Eye.
Delanty, G. (1995). The Ambivalence of Europe: A Theoretical Introduction. In Inventing Europe: Idea, Identity, Reality (pp. 1–15). Palgrave Macmillan. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6578546
Denis, C., Dalle, B., & Gallo, V. (n.d.). Trouble every day: Vol. Tartan DVD. Tartan video.
Dominique Nasta. (2013). Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10
Elsaesser, T. (2005). Double Occupancy and Small Adjustments. In European cinema: face to face with Hollywood: Vol. Film culture in transition. Amsterdam University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665849240002746&institutionId=2746&customerId=2745
Galt, R. (2012). Back-Projecting Germany. In The New European Cinema : Redrawing the Map. Columbia University Press. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=908527&ppg=162
Hall, S. (n.d.). ‘Europe’s Other Self’ by Stuart Hall, Marxism Today, August 1991 - UNZ.org. http://www.unz.org/Pub/MarxismToday-1991aug-00018
Haneke, M., Auteuil, D., & Binoche, J. (2005). Caché =: Hidden. Artificial eye.
Hodgin, N. (2013). Good Bye, Ostalgie? In Screening the East : Heimat, Memory and Nostalgia in German Film since 1989. Berghahn Books, Incorporated. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=717909&ppg=164
Ira Jaffe. (2014). Slow Movies : Countering the Cinema of Action. Columbia University Press. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1634825&ppg=7
Iversen, G. (2016). Between Art and Genre: New Nordic Horror Cinema. In M. Hjort (Ed.), A companion to Nordic cinema: Vol. Wiley Blackwell Companions to National Cinemas. Wiley/Blackwell. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4461559
James, H. (2014). Europe Reborn: A History, 1914-2000: Vol. Longman History of Modern Europe. Taylor and Francis. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1733961
Kaplan, E. A. (2010). European Art Cinema, Affect and Postcolonialism: Herzog, Denis and the Dardenne Brothers. In Global art cinema: new theories and histories (pp. 285–302). Oxford University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=497594
Karlsson, H. (2013). The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt den rätte komma in (Let the Right One In) (2008). European Journal of Scandinavian Studies, 43(2). https://doi.org/10.1515/ejss-2013-0010
Koutsourakis, A. (2012). ‘You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible’: Lars von Trier’s Critique of the European Narrative of Progress in His Europa Trilogy. Journal of Contemporary European Studies, 20(4), 517–535. https://doi.org/10.1080/14782804.2012.737666
Lanthimos, Y. (2010). Dogtooth. Verve Pictures.
Liz, M. (2016). Euro-visions: Europe in contemporary cinema. Bloomsbury Academic.
Lykidis, A. (n.d.). Crisis of sovereignty in recent Greek Cinema. http://www.ingentaconnect.com/content/intellect/jgmc/2015/00000001/00000001/art00002?crawler=true
Mazierska, E. (2011). Goodbye Lenin or Not: Cinematic Representations of the End of Communism. In European Cinema and Intertextuality: History, Memory and Politics (pp. 174–206). Palgrave Macmillan UK. https://doi.org/10.1057/9780230319547_6
Mosley, P. (2012). Responsible Realists. In The Cinema of the Dardenne Brothers : Responsible Realism. Columbia University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=946277&ppg=9
Mungiu, C., Marinca, A., Vasiliu, L., & Ivanov, V. (2008). 4 luni, 3 saptamâni si 2 zile =: 4 months, 3 weeks and 2 days. Artificial Eye.
Nagib, L. (2015). The Politics of Slowness and the Traps of Modernity. In Slow Cinema. Edinburgh University Press. http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4306147&ppg=46
Nasta, D. (2013). The 4-3-2 Paradigm: Mungiu’s Large-Scale Phenomenon. In Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10
Psaras, M. (2016). Introduction: The Meaning of the Crisis or the Crisis of Meaning. In The Queer Greek Weird Wave : Ethics, Politics and the Crisis of Meaning. Springer International Publishing. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4734207&ppg=10
Quandt, J. (2011). Flesh and Blood: Sex and Violence in Recent French Cinema. In The New Extremism in Cinema : From France to Europe. Edinburgh University Press. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36
Von Trier, L. (2002). Europa. Tartan.
Wheatley, C. (2009). Shame and Guilt: Caché. In Michael Haneke’s cinema: the ethic of image: Vol. Film Europa. Berghahn Books.
Wheatley, C. (2011). Caché: Vol. BFI film classics. BFI.