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Delanty G. The Ambivalence of Europe: A Theoretical Introduction. In: Inventing Europe: Idea, Identity, Reality. Basingstoke: : Palgrave Macmillan 1995. 1–15.https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6578546
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Galt R. Back-Projecting Germany. In: The New European Cinema : Redrawing the Map. Columbia University Press 2012. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=908527&ppg=162
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Von Trier L. Europa. 2002.
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Koutsourakis A. ‘You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible’: Lars von Trier’s Critique of the European Narrative of Progress in His Europa Trilogy. Journal of Contemporary European Studies 2012;20:517–35. doi:10.1080/14782804.2012.737666
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Becker W, Brühl D, Sass K. Goodbye Lenin! 2007.
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Mazierska E. Goodbye Lenin or Not: Cinematic Representations of the End of Communism. In: European Cinema and Intertextuality: History, Memory and Politics. London: : Palgrave Macmillan UK 2011. 174–206. doi:10.1057/9780230319547_6
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Hodgin N. Good Bye, Ostalgie? In: Screening the East : Heimat, Memory and Nostalgia in German Film since 1989. Berghahn Books, Incorporated 2013. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=717909&ppg=164
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Akin F, Kekilli S, Ünel B. Gegen die wand =: Head on. 2005.
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Hall S. ‘Europe’s Other Self’ by Stuart Hall, Marxism Today, August 1991 - UNZ.org. http://www.unz.org/Pub/MarxismToday-1991aug-00018
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Berghahn D. ‘Seeing everything with different eyes’: the diasporic optic of Fatih Akin’s Head On (2004). In: New Directions in German Cinema. I.B.Tauris 2011. http://ezproxy.lib.le.ac.uk/login?url=https://www.bloomsburycollections.com/book/new-directions-in-german-cinema/
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Elsaesser T. Double Occupancy and Small Adjustments. In: European cinema: face to face with Hollywood. Amsterdam: : Amsterdam University Press 2005. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665849240002746&institutionId=2746&customerId=2745
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Haneke M, Auteuil D, Binoche J. Caché =: Hidden. 2005.
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Wheatley C. Shame and Guilt: Caché. In: Michael Haneke’s cinema: the ethic of image. New York: : Berghahn Books 2009.
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Wheatley C. Caché. London: : BFI 2011.
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Denis C, Dalle B, Gallo V. Trouble every day. ;Tartan DVD.
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Quandt J. Flesh and Blood: Sex and Violence in Recent French Cinema. In: The New Extremism in Cinema : From France to Europe. Edinburgh University Press 2011. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36
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Beugnet M. The Wounded Screen. In: The New Extremism in Cinema : From France to Europe. Edinburgh University Press 2011. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36
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Dardenne L, Dardenne J-P, Renier J. La promesse. ;Artificial eye.
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Mosley P. Responsible Realists. In: The Cinema of the Dardenne Brothers : Responsible Realism. Columbia University Press 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=946277&ppg=9
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Kaplan EA. European Art Cinema, Affect and Postcolonialism: Herzog, Denis and the Dardenne Brothers. In: Global art cinema: new theories and histories. Oxford: : Oxford University Press 2010. 285–302.https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=497594
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Alfredson T, Hedebrant K, Leandersson L, et al. Låt den rätte komma in =: Let the right one in. 2009.
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Karlsson H. The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt den rätte komma in (Let the Right One In) (2008). European Journal of Scandinavian Studies 2013;43. doi:10.1515/ejss-2013-0010
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Iversen G. Between Art and Genre: New Nordic Horror Cinema. In: Hjort M, ed. A companion to Nordic cinema. Chichester, West Sussex: : Wiley/Blackwell 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4461559
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Colossal youth. 2011.
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Nagib L. The Politics of Slowness and the Traps of Modernity. In: Slow Cinema. Edinburgh University Press 2015. http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4306147&ppg=46
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Ira Jaffe. Slow Movies : Countering the Cinema of Action. Columbia University Press 2014. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1634825&ppg=7
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Mungiu C, Marinca A, Vasiliu L, et al. 4 luni, 3 saptamâni si 2 zile =: 4 months, 3 weeks and 2 days. 2008.
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Nasta D. The 4-3-2 Paradigm: Mungiu’s Large-Scale Phenomenon. In: Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press 2013. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10
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Dominique Nasta. Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press 2013. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10
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Lanthimos Y. Dogtooth. 2010.
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Psaras M. Introduction: The Meaning of the Crisis or the Crisis of Meaning. In: The Queer Greek Weird Wave : Ethics, Politics and the Crisis of Meaning. Springer International Publishing 2016. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4734207&ppg=10
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Lykidis A. Crisis of sovereignty in recent Greek Cinema. http://www.ingentaconnect.com/content/intellect/jgmc/2015/00000001/00000001/art00002?crawler=true
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James H. Europe Reborn: A History, 1914-2000. Hoboken: : Taylor and Francis 2014. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1733961
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Liz M. Euro-visions: Europe in contemporary cinema. London: : Bloomsbury Academic 2016.