Akin, Fatih, Sibel Kekilli, and Birol Ünel, ‘Gegen Die Wand =: Head On’ ([S.l.]: Soda Pictures, 2005)
Alfredson, Tomas, Kåre Hedebrant, Lina Leandersson, Per Ragnar, and John Ajvide Lindqvist, ‘Låt Den Rätte Komma in =: Let the Right One In’ ([S.l.]: Momentum Pictures, 2009)
Becker, Wolfgang, Daniel Brühl, and Katrin Sass, ‘Goodbye Lenin!’ ([S.l.]: Pathè!, 2007)
Berghahn, Daniela, ‘“Seeing Everything with Different Eyes”: The Diasporic Optic of Fatih Akin’s Head On (2004)’, in New Directions in German Cinema (I.B.Tauris, 2011) <http://ezproxy.lib.le.ac.uk/login?url=https://www.bloomsburycollections.com/book/new-directions-in-german-cinema/>
Beugnet, Martine, ‘The Wounded Screen’, in The New Extremism in Cinema : From France to Europe (Edinburgh University Press, 2011) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&amp;ppg=36>
‘Colossal Youth’ (Eureka, 2011)
Dardenne, Luc, Jean-Pierre Dardenne, and Jérémie Renier, ‘La Promesse’ ([S.l.]: Artificial Eye)
Delanty, Gerard, ‘The Ambivalence of Europe: A Theoretical Introduction’, in Inventing Europe: Idea, Identity, Reality (Basingstoke: Palgrave Macmillan, 1995), pp. 1–15 <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6578546>
Denis, Claire, Beatrice Dalle, and Vincent Gallo, ‘Trouble Every Day’ ([S.l.]: Tartan video)
Dominique Nasta, Contemporary Romanian Cinema : The History of an Unexpected Miracle (Columbia University Press, 2013) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&amp;ppg=10>
Elsaesser, Thomas, ‘Double Occupancy and Small Adjustments’, in European Cinema: Face to Face with Hollywood (Amsterdam: Amsterdam University Press, 2005), Film culture in transition <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665849240002746&institutionId=2746&customerId=2745>
Galt, Rosalind, ‘Back-Projecting Germany’, in The New European Cinema : Redrawing the Map (Columbia University Press, 2012) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=908527&amp;ppg=162>
Hall, Stuart, ‘“Europe’s Other Self” by Stuart Hall, Marxism Today, August 1991 - UNZ.Org’ <http://www.unz.org/Pub/MarxismToday-1991aug-00018>
Haneke, Michael, Daniel Auteuil, and Juliette Binoche, ‘Caché =: Hidden’ ([S.l.]: Artificial eye, 2005)
Hodgin, Nick, ‘Good Bye, Ostalgie?’, in Screening the East : Heimat, Memory and Nostalgia in German Film since 1989 (Berghahn Books, Incorporated, 2013) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=717909&amp;ppg=164>
Ira Jaffe, Slow Movies : Countering the Cinema of Action (Columbia University Press, 2014) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1634825&amp;ppg=7>
Iversen, Gunnar, ‘Between Art and Genre: New Nordic Horror Cinema’, in A Companion to Nordic Cinema, ed. by Mette Hjort (Chichester, West Sussex: Wiley/Blackwell, 2016), Wiley Blackwell Companions to National Cinemas <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4461559>
James, Harold, Europe Reborn: A History, 1914-2000 (Hoboken: Taylor and Francis, 2014), Longman History of Modern Europe <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1733961>
Kaplan, E. Ann, ‘European Art Cinema, Affect and Postcolonialism: Herzog, Denis and the Dardenne Brothers’, in Global Art Cinema: New Theories and Histories (Oxford: Oxford University Press, 2010), pp. 285–302 <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=497594>
Karlsson, Helena, ‘The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt Den Rätte Komma in (Let the Right One In) (2008)’, European Journal of Scandinavian Studies, 43.2 (2013) <https://doi.org/10.1515/ejss-2013-0010>
Koutsourakis, Angelos, ‘“You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible”: Lars von Trier’s Critique of the European Narrative of Progress in His Europa Trilogy’, Journal of Contemporary European Studies, 20.4 (2012), 517–35 <https://doi.org/10.1080/14782804.2012.737666>
Lanthimos, Yorgos, ‘Dogtooth’ (Verve Pictures, 2010)
Liz, Mariana, Euro-Visions: Europe in Contemporary Cinema (London: Bloomsbury Academic, 2016)
Lykidis, Alex, ‘Crisis of Sovereignty in Recent Greek Cinema’ <http://www.ingentaconnect.com/content/intellect/jgmc/2015/00000001/00000001/art00002?crawler=true>
Mazierska, Ewa, ‘Goodbye Lenin or Not: Cinematic Representations of the End of Communism’, in European Cinema and Intertextuality: History, Memory and Politics (London: Palgrave Macmillan UK, 2011), pp. 174–206 <https://doi.org/10.1057/9780230319547_6>
Mosley, Philip, ‘Responsible Realists’, in The Cinema of the Dardenne Brothers : Responsible Realism (Columbia University Press, 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=946277&amp;ppg=9>
Mungiu, Cristian, Anamaria Marinca, Laura Vasiliu, and Vlad Ivanov, ‘4 Luni, 3 Saptamâni Si 2 Zile =: 4 Months, 3 Weeks and 2 Days’ ([S.l.]: Artificial Eye, 2008)
Nagib, Lucia, ‘The Politics of Slowness and the Traps of Modernity’, in Slow Cinema (Edinburgh University Press, 2015) <http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4306147&amp;ppg=46>
Nasta, Dominique, ‘The 4-3-2 Paradigm: Mungiu’s Large-Scale Phenomenon’, in Contemporary Romanian Cinema : The History of an Unexpected Miracle (Columbia University Press, 2013) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&amp;ppg=10>
Psaras, Marios, ‘Introduction: The Meaning of the Crisis or the Crisis of Meaning’, in The Queer Greek Weird Wave : Ethics, Politics and the Crisis of Meaning (Springer International Publishing, 2016) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4734207&amp;ppg=10>
Quandt, James, ‘Flesh and Blood: Sex and Violence in Recent French Cinema’, in The New Extremism in Cinema : From France to Europe (Edinburgh University Press, 2011) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&amp;ppg=36>
Von Trier, Lars, ‘Europa’ (Tartan, 2002)
Wheatley, Catherine, Caché (London: BFI, 2011), BFI film classics
———, ‘Shame and Guilt: Caché’, in Michael Haneke’s Cinema: The Ethic of Image (New York: Berghahn Books, 2009), Film Europa