Akin, Fatih, Sibel Kekilli, and Birol Ünel. ‘Gegen Die Wand =: Head On’. 2005 : n. pag. Print.
Alfredson, Tomas et al. ‘Låt Den Rätte Komma in =: Let the Right One In’. 2009 : n. pag. Print.
Becker, Wolfgang, Daniel Brühl, and Katrin Sass. ‘Goodbye Lenin!’ 2007 : n. pag. Print.
Berghahn, Daniela. ‘“Seeing Everything with Different Eyes”: The Diasporic Optic of Fatih Akin’s Head On (2004)’. New Directions in German Cinema. I.B.Tauris, 2011. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.bloomsburycollections.com/book/new-directions-in-german-cinema/>.
Beugnet, Martine. ‘The Wounded Screen’. The New Extremism in Cinema : From France to Europe. Edinburgh University Press, 2011. Web. <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&amp;ppg=36>.
‘Colossal Youth’. 2011 : n. pag. Print.
Dardenne, Luc, Jean-Pierre Dardenne, and Jérémie Renier. ‘La Promesse’. : n. pag. Print.
Delanty, Gerard. ‘The Ambivalence of Europe: A Theoretical Introduction’. Inventing Europe: Idea, Identity, Reality. Basingstoke: Palgrave Macmillan, 1995. 1–15. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6578546>.
Denis, Claire, Beatrice Dalle, and Vincent Gallo. ‘Trouble Every Day’. : n. pag. Print.
Dominique Nasta. Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press, 2013. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&amp;ppg=10>.
Elsaesser, Thomas. ‘Double Occupancy and Small Adjustments’. European Cinema: Face to Face with Hollywood. Film culture in transition. Amsterdam: Amsterdam University Press, 2005. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665849240002746&institutionId=2746&customerId=2745>.
Galt, Rosalind. ‘Back-Projecting Germany’. The New European Cinema : Redrawing the Map. Columbia University Press, 2012. Web. <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=908527&amp;ppg=162>.
Hall, Stuart. ‘“Europe’s Other Self” by Stuart Hall, Marxism Today, August 1991 - UNZ.Org’. N.p., n.d. Web. <http://www.unz.org/Pub/MarxismToday-1991aug-00018>.
Haneke, Michael, Daniel Auteuil, and Juliette Binoche. ‘Caché =: Hidden’. 2005 : n. pag. Print.
Hodgin, Nick. ‘Good Bye, Ostalgie?’ Screening the East : Heimat, Memory and Nostalgia in German Film since 1989. Berghahn Books, Incorporated, 2013. Web. <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=717909&amp;ppg=164>.
Ira Jaffe. Slow Movies : Countering the Cinema of Action. Columbia University Press, 2014. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1634825&amp;ppg=7>.
Iversen, Gunnar. ‘Between Art and Genre: New Nordic Horror Cinema’. A Companion to Nordic Cinema. Ed. Mette Hjort. Wiley Blackwell Companions to National Cinemas. Chichester, West Sussex: Wiley/Blackwell, 2016. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4461559>.
James, Harold. Europe Reborn: A History, 1914-2000. Longman History of Modern Europe. Hoboken: Taylor and Francis, 2014. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1733961>.
Kaplan, E. Ann. ‘European Art Cinema, Affect and Postcolonialism: Herzog, Denis and the Dardenne Brothers’. Global Art Cinema: New Theories and Histories. Oxford: Oxford University Press, 2010. 285–302. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=497594>.
Karlsson, Helena. ‘The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt Den Rätte Komma in (Let the Right One In) (2008)’. European Journal of Scandinavian Studies 43.2 (2013): n. pag. Web.
Koutsourakis, Angelos. ‘“You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible”: Lars von Trier’s Critique of the European Narrative of Progress in His Europa Trilogy’. Journal of Contemporary European Studies 20.4 (2012): 517–535. Web.
Lanthimos, Yorgos. ‘Dogtooth’. 2010 : n. pag. Print.
Liz, Mariana. Euro-Visions: Europe in Contemporary Cinema. London: Bloomsbury Academic, 2016. Print.
Lykidis, Alex. ‘Crisis of Sovereignty in Recent Greek Cinema’. n. pag. Web. <http://www.ingentaconnect.com/content/intellect/jgmc/2015/00000001/00000001/art00002?crawler=true>.
Mazierska, Ewa. ‘Goodbye Lenin or Not: Cinematic Representations of the End of Communism’. European Cinema and Intertextuality: History, Memory and Politics. London: Palgrave Macmillan UK, 2011. 174–206. Web. <http://link.springer.com/10.1057/9780230319547_6>.
Mosley, Philip. ‘Responsible Realists’. The Cinema of the Dardenne Brothers : Responsible Realism. Columbia University Press, 2012. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=946277&amp;ppg=9>.
Mungiu, Cristian et al. ‘4 Luni, 3 Saptamâni Si 2 Zile =: 4 Months, 3 Weeks and 2 Days’. 2008 : n. pag. Print.
Nagib, Lucia. ‘The Politics of Slowness and the Traps of Modernity’. Slow Cinema. Edinburgh University Press, 2015. Web. <http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4306147&amp;ppg=46>.
Nasta, Dominique. ‘The 4-3-2 Paradigm: Mungiu’s Large-Scale Phenomenon’. Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press, 2013. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&amp;ppg=10>.
Psaras, Marios. ‘Introduction: The Meaning of the Crisis or the Crisis of Meaning’. The Queer Greek Weird Wave : Ethics, Politics and the Crisis of Meaning. Springer International Publishing, 2016. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4734207&amp;ppg=10>.
Quandt, James. ‘Flesh and Blood: Sex and Violence in Recent French Cinema’. The New Extremism in Cinema : From France to Europe. Edinburgh University Press, 2011. Web. <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&amp;ppg=36>.
Von Trier, Lars. ‘Europa’. 2002 : n. pag. Print.
Wheatley, Catherine. Caché. BFI film classics. London: BFI, 2011. Print.
---. ‘Shame and Guilt: Caché’. Michael Haneke’s Cinema: The Ethic of Image. Film Europa. New York: Berghahn Books, 2009. Print.