Abel, Elizabeth, Hirsch, Marianne, and Langland, Elizabeth. The Voyage in: Fictions of Female Development. Hanover, N.H.: Published for Dartmouth College by University Press of New England, 1983. Print.
Alexander, Simone A. James. Mother Imagery in the Novels of Afro-Caribbean Women. 1st ed. Columbia: University of Missouri Press, 2001. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3570631>.
Alexie, Sherman and Forney, Ellen. The Absolutely True Diary of a Part-Time Indian. New York: Little, Brown, 2007. Print.
Alexie, Sherman and Peterson, Nancy J. Conversations with Sherman Alexie. Literary conversations series. Jackson, Miss: University Press of Mississippi, 2009. Print.
Alsen, Eberhard. A Reader’s Guide to J.D. Salinger. Westport, Conn: Greenwood Press, 2002. Print.
Andrew Dix. ‘Escape Stories: Narratives and Native Americans in Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven”’. The Yearbook of English Studies 31 (2001): 155–167. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3509382>.
Atwood, Margaret. Cat’s Eye. London: Virago, 1990. Print.
Austin, Joe and Willard, Michael Nevin. Generations of Youth: Youth Cultures and History in Twentieth-Century America. New York: New York University Press, 1998. Print.
Baxter, Kent. The Modern Age: Turn-of-the-Century American Culture and the Invention of Adolescence. Tuscaloosa: University of Alabama Press, 2008. Print.
Berglund, Jeff and Roush, Jan. Sherman Alexie: A Collection of Critical Essays. Salt Lake City [Utah]: University of Utah Press, 2010. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664138180002746&institutionId=2746&customerId=2745>.
Bethan Jones. ‘Traces of Shame: Margaret Atwood’s Portrayal of Childhood Bullying and Its Consequences in Cat’s Eye’. Critical Survey 20.1 (2008): n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Traces+of+Shame%253A+Margaret+Atwood%2527s+Portrayal+of+Childhood+Bullying+and+its+Consequences+in+Cat%2527s+Eye&rft.jtitle=Critical+Survey&rft.au=Bethan+Jones&rft.date=2008&rft.pub=Berghahn+Books+and+Journals&rft.issn=0011-1570&rft.eissn=1752-2293&rft.volume=20&rft.issue=1&rft.spage=29&rft.externalDocID=1555071621&paramdict=en-US>.
Beuka, Robert. ‘"Just One… “Plastics””: Suburban Malaise, Masculinity, and Oedipal Drive In’. Journal of Popular Film and Television 28.1 (2000): 12–21. Web.
Beuka, Robert A. SuburbiaNation: Reading Suburban Landscape in Twentieth-Century American Fiction and Film. 1st ed. New York: Palgrave Macmillan, 2004. Print.
Birkvad, Søren. ‘Hollywood Sin, Scandinavian Virtue: The 1967 Revolt of I Am Curious and The Graduate’. Film International 9.2 (2011): 42–54. Print.
Bloom, Harold. Carson McCullers. New ed. Bloom’s modern critical views. New York, NY: Bloom’s Literary Criticism, 2009. Print.
---. Carson McCullers. New ed. Bloom’s modern critical views. New York, NY: Bloom’s Literary Criticism, 2009. Print.
Bolaki, Stella. Unsettling the Bildungsroman: Reading Contemporary Ethnic American Women’s Fiction. no. 4. Amsterdam: Rodopi, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3008271>.
Bolaki, Stella. Unsettling the Bildungsroman : Reading Contemporary Ethnic American Women’s Fiction. Editions Rodopi, 2011. Web. <http://site.ebrary.com/lib/leicester/detail.action?docID=10490235>.
Bombaci, Nancy. Freaks in Late Modernist American Culture: Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers. Modern American literature. New York: Peter Lang, 2006. Print.
Carol Osborne. ‘Constructing the Self through Memory: “Cat’s Eye” as a Novel of Female Development’. Frontiers: A Journal of Women Studies 14.3 (1994): 95–112. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3346682>.
Carr, Virginia Spencer. The Lonely Hunter: A Biography of Carson McCullers. Athens, Ga: University of Georgia Press, 2003. Print.
---. Understanding Carson McCullers. Understanding contemporary American literature. Columbia: University of South Carolina Press, 2005. Print.
Cart, Michael. Young Adult Literature: From Romance to Realism. Fourth edition. Chicago: ALA Neal-Schuman, 2022. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=30601998>.
Cody, Diablo. Juno: The Shooting Script. New York, N.Y.: Newmarket, 2007. Print.
Cooley, Aaron. ‘Reviving Reification: Education, Indoctrination, and Anxiety in “The Graduate”’. Educational Studies: Journal of the American Educational Studies Association 45.4 (2009): 358–376. Web.
Coser, Stelamaris. Bridging the Americas: The Literature of Paule Marshall, Toni Morrison, and Gayl Jones. Philadelphia, Pa: Temple University Press, 1995. Print.
Debra Shostak. ‘“A Story We Could Live with”: Narrative Voice, the Reader, and Jeffrey Eugenides’s The Virgin Suicides’. MFS Modern Fiction Studies 55.4 (2009): 808–832. Web.
Dennis, Jeffery P. Queering Teen Culture: All-American Boys and Same-Sex Desire in Film and Television. New York: Harrington Park Press, 2006. Print.
Denniston, Dorothy Hamer. The Fiction of Paule Marshall: Reconstructions of History, Culture, and Gender. 1st ed. Knoxville: University of Tennessee Press, 1995. Print.
Denuccio, Jerome. ‘Slow Dancing with Skeletons: Sherman Alexie’s’. Critique: Studies in Contemporary Fiction 44.1 (2002): 86–96. Web.
Devlin, Rachel. Relative Intimacy: Fathers, Adolescent Daughters, and Postwar American Culture. Gender and American culture. Chapel Hill, N.C.: University of North Carolina Press, 2005. Print.
DINES, MARTIN. ‘Suburban Gothic and the Ethnic Uncanny in Jeffrey Eugenides’s The Virgin Suicides’. Journal of American Studies 46.04 (2012): 959–975. Web.
Doherty, Thomas Patrick. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Rev. and expanded ed. Philadelphia, Pa: Temple University Press, 2002. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663633480002746&institutionId=2746&customerId=2745>.
Doherty, Thomas Patrick. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Rev. and expanded ed. Philadelphia, Pa: Temple University Press, 2002. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=547413>.
Driscoll, Catherine. Girls: Feminine Adolescence in Popular Culture and Cultural Theory. New York: Columbia University Press, 2002. Print.
Driver, Susan. Queer Youth Cultures. SUNY series, Interruptions-- border testimony(ies) and critical discourse/s. Albany, N.Y.: State University of New York Press, 2008. Print.
Epstein, Jonathon S. Youth Culture: Identity in a Postmodern World. Malden, Mass: Blackwell, 1998. Print.
Eugenides, Jeffrey. The Virgin Suicides. London: Bloomsbury, 2002. Print.
Farber, Stephen, and Estelle Changas. ‘The Graduate by Mike Nichols and Lawrence Turman (Review)’. Film Quarterly 21.3 (1968): 37–41. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/1210995>.
Free, Melissa. ‘Relegation and Rebellion: The Queer, the Grotesque, and the Silent in the Fiction of Carson McCullers’. Studies in the Novel 40.4 (2008): n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Relegation+and+rebellion%253A+the+queer%252C+the+grotesque%252C+and+the+silent+in+the+fiction+of+Carson+McCullers&rft.jtitle=Studies+in+the+Novel&rft.au=Free%252C+Melissa&rft.date=2008-01-01&rft.pub=University+of+North+Texas&rft.issn=0039-3827&rft.eissn=1934-1512&rft.volume=40&rft.issue=4&rft.spage=426&rft.externalDBID=n%252Fa&rft.externalDocID=202438235&paramdict=en-US>.
‘Full Text (Criticism) - Literature Online’. N.p., n.d. Web. <http://literature.proquest.com/searchFulltext.do?id=R01607785&divLevel=0&queryId=2887259006856&trailId=14F84874949&area=abell&forward=critref_ft>.
Gavin Jones. ‘“The Sea Ain’ Got No Back Door”: The Problems of Black Consciousness in Paule Marshall’s Brown Girl, Brownstones’. African American Review 32.4 (1998): 597–606. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/2901239>.
Gilbert, James Burkhart. A Cycle of Outrage: America’s Reaction to the Juvenile Delinquent in the 1950s. New York: Oxford University Press, 1986. Print.
Gleeson-White, Sarah. Strange Bodies: Gender and Identity in the Novels of Carson McCullers. Tuscaloosa: University of Alabama Press, 2003. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663332540002746&institutionId=2746&customerId=2745>.
Goldstein, David S. ‘Sacred Hoop Dreams: Basketball in the Work of Sherman Alexie’. Ethnic Studies Review 32.1 (2009): n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Sacred+hoop+dreams%253A+basketball+in+the+work+of+Sherman+Alexie&rft.jtitle=Ethnic+Studies+Review&rft.au=Goldstein%252C+David+S&rft.date=2009-01-01&rft.pub=National+Association+for+Ethnic+Studies%252C+Inc&rft.issn=1555-1881&rft.volume=32&rft.issue=1&rft.spage=77&rft.externalDBID=n%252Fa&rft.externalDocID=246956420&paramdict=en-US>.
Gorjup, Branko. Margaret Atwood: Essays on Her Works. Writers series. Toronto: Guernica, 2008. Print.
Graham, Sarah. J.D. Salinger’s The Catcher in the Rye. Routledge guides to literature. London: Routledge, 2007. Print.
---. Salinger’s The Catcher in the Rye. Continuum reader’s guide. London: Continuum, 2007. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664083170002746&institutionId=2746&customerId=2745>.
Grassian, Daniel. Understanding Sherman Alexie. Understanding contemporary American literature. Columbia S.C.: University of South Carolina Press, 2011. Print.
Hathaway, Heather. Caribbean Waves: Relocating Claude McKay and Paule Marshall. Blacks in the diaspora. Bloomington: Indiana University Press, 1999. Print.
Hentges, Sarah. Pictures of Girlhood: Modern Female Adolescence on Film. Jefferson, N.C.: McFarland, 2006. Print.
Hilton, Mary and Nikolajeva, Maria. Contemporary Adolescent Literature and Culture: The Emergent Adult. Ashgate studies in childhood, 1700 to the present. Burlington, VT: Ashgate, 2012. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=985704>.
Hine, Thomas. The Rise and Fall of the American Teenager. New York: Perennial, 2000. Print.
James, Kathryn. Death, Gender and Sexuality in Contemporary Adolescent Literature. 1st ed. London: Taylor & Francis Group, 2008. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=370986>.
Janine Rogers. ‘Secret Allies: Reconsidering Science and Gender in Cat’s Eye’. English Studies in Canada 33.3 1–26. Web. <http://lion.chadwyck.co.uk/searchFulltext.do?id=R04149526&divLevel=0&queryId=../session/1377011105_10006&trailId=14001C3387C&area=abell&forward=critref_ft>.
Japtok, Martin. Growing up Ethnic: Nationalism and the Bildungsroman in African American and Jewish American Fiction. 1st ed. Iowa City: University of Iowa Press, 2005. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843124>.
Joseph L. Coulombe. ‘The Approximate Size of His Favorite Humor: Sherman Alexie’s Comic Connections and Disconnections in the Lone Ranger and Tonto Fistfight in Heaven’. American Indian Quarterly 26.1 (2002): 94–115. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/4128476>.
Karlyn, Kathleen Rowe. ‘Film As Cultural Antidote’. Feminist Media Studies 6.4 (2006): 453–468. Web.
---. Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen. 1st ed. Austin: University of Texas Press, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443528>.
Katherine Bell. ‘Grotesque Encounters with Adolescence: Reading Carson McCullers’ The Member of the Wedding’. Changing English 18.1 (2011): n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Grotesque+Encounters+with+Adolescence%253A+Reading+Carson+McCullers%2527+The+Member+of+the+Wedding&rft.jtitle=Changing+English&rft.au=Katherine+Bell&rft.date=2011&rft.pub=Taylor+%2526+Francis+Ltd&rft.issn=1358-684X&rft.volume=18&rft.issue=1&rft.spage=67&rft.externalDocID=2351897731&paramdict=en-US>.
Kathleen L. Carroll. ‘Ceremonial Tradition as Form and Theme in Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven”: A Performance-Based Approach to Native American Literature’. The Journal of the Midwest Modern Language Association 38.1 (2005): 74–84. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/30039300>.
Kathlene McDonald. ‘Paule Marshall’s Critique of Capitalism and Cold War Ideology: Brown Girl, Brownstones as a Resistant Working-Class Text’. The Black Scholar 30.2 (2000): n. pag. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068879>.
Kristen Hoerl. ‘The Post-Nuclear Family and the Depoliticization of Unplanned Pregnancy in Knocked Up, Juno, and Waitress’. Communication and Critical Cultural Studies 7.4 (2010): n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The+Post-Nuclear+Family+and+the+Depoliticization+of+Unplanned+Pregnancy+in+Knocked+Up%252C+Juno%252C+and+Waitress&rft.jtitle=Communication+and+Critical+Cultural+Studies&rft.au=Kristen+Hoerl&rft.au=Casey+Ryan+Kelly&rft.date=2010&rft.pub=Taylor+%2526+Francis+Ltd&rft.issn=1479-1420&rft.volume=7&rft.issue=4&rft.spage=360&rft.externalDocID=2377057071&paramdict=en-US>.
Latimer, H. ‘Popular Culture and Reproductive Politics: Juno, Knocked Up and the Enduring Legacy of The Handmaid’s Tale’. Feminist Theory 10.2 (2009): 211–226. Web.
Laurie Vickroy. ‘Seeking Symbolic Immortality: Visualizing Trauma in Cat’s Eye’. Mosaic : a Journal for the Interdisciplinary Study of Literature 38.2 (2005): n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Seeking+Symbolic+Immortality%253A+Visualizing+Trauma+in+Cat%2527s+Eye&rft.jtitle=Mosaic+%253A+a+Journal+for+the+Interdisciplinary+Study+of+Literature&rft.au=Laurie+Vickroy&rft.date=2005-06-01&rft.issn=0027-1276&rft.volume=38&rft.issue=2&rft.spage=129&rft.externalDBID=PMSC&rft.externalDocID=855272071&paramdict=en-US>.
Lewis, Jon. The Road to Romance and Ruin: Teen Films and Youth Culture. New York: Routledge, 1992. Print.
Lewis MacLeod. ‘“You Ain No Real-Real Bajan Man”: Patriarchal Performance and Feminist Discourse in Paule Marshall’s Brown Girl, Brownstones’. Ariel 37.2/3 (2006): n. pag. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/44325570>.
Lisa D McGill. ‘Thinking Back through the Mother: The Poetics of Place and the Mother/Daughter Dyad in Brown Girl, Brownstones’. The Black Scholar 30.2 (2000): n. pag. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068880>.
Lundquist, Suzanne Evertsen. Native American Literatures: An Introduction. Continuum studies in literary genre. New York: Continuum, 2004. Print.
Luttrell, Wendy. ‘Where Inequality Lives in the Body: Teenage Pregnancy, Public Pedagogies and Individual Lives’. Sport, Education and Society 16.3 (2011): 295–308. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Where+Inequality+Lives+in+the+Body%253A+Teenage+Pregnancy%252C+Public+Pedagogies+and+Individual+Lives&rft.jtitle=Sport%252C+Education+and+Society&rft.au=Luttrell%252C+Wendy&rft.date=2011&rft.pub=Routledge&rft.issn=1357-3322&rft.eissn=1470-1243&rft.volume=16&rft.issue=3&rft.spage=295&rft.epage=308&rft.externalDocID=EJ925390&paramdict=en-US>.
Males, Mike A. The Scapegoat Generation: America’s War on Adolescents. Monroe, Me: Common Courage Press, 1996. Print.
Markstrom-Adams, Carol. ‘Adolescence’. 25.97 (1990): n. pag. Web. <http://search.proquest.com/pao/docview/1295907505/D3B76F275E984805PQ/20?accountid=7420>.
Marshall, Paule. Brown Girl, Brownstones. 2nd Feminist Press ed. Contemporary classics by women. New York: Feminist Press at the City University of New York, 2006. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889304>.
---. Triangular Road: A Memoir. New York: BasicCivitas Books, 2009. Print.
Marshall, Paule, Hall, James C., and Hathaway, Heather. Conversations with Paule Marshall. Literary conservations series. Jackson, Mis: University Press of Mississippi, 2010. Print.
Martin Japtok. ‘Paule Marshall’s Brown Girl, Brownstones: Reconciling Ethnicity and Individualism’. African American Review 32.2 (1998): 305–315. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3042127>.
McCullers, Carson. The Member of the Wedding. Penguin classics. London: Penguin books, 2001. Print.
McCullers, Carson and Dews, C. L. Barney. Illumination and Night Glare: The Unfinished Autobiography of Carson McCullers. Wisconsin studies in autobiography. Madison: University of Wisconsin Press, 1999. Print.
McLennan, Rachael. Adolescence, America and Postwar Fiction: Developing Figures. Basingstoke: Palgrave Macmillan, 2009. Print.
McLennan, Rachael. ‘Cautionary Whales?: Adolescence and Genre in Juno and Push’. Mosaic: a journal for the interdisciplinary study of literature 46.2 (2013): 105–121. Web.
McRobbie, AngelaGilbey, Ryan. ‘Sugar and Spice.’ Sight & Sound 13.12 (2003): 8–56. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505035547&site=ehost-live>.
Medovoi, Leerom. Rebels: Youth and the Cold War Origins of Identity. New Americanists. Durham, N.C.: Duke University Press, 2005. Print.
Millard, Kenneth. Coming of Age in Contemporary American Fiction. Edinburgh: Edinburgh University Press, 2007. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292371>.
Molly Hite. ‘Optics and Autobiography in Margaret Atwood’s Cat’s Eye’. Twentieth Century Literature 41.2 (1995): 135–159. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/441644>.
Moore, Ryan. Sells like Teen Spirit: Music, Youth Culture, and Social Crisis. 1st ed. New York: New York University Press, 2009. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=865694>.
Nelson, Jashua B. ‘“Humor Is My Green Card” A Conversation with Sherman Alexie’. World Literature Today 84.4 (2010): 38–43. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=%2522Humor+Is+My+Green+Card%2522+A+Conversation+with+Sherman+Alexie&rft.jtitle=World+Literature+Today&rft.au=Nelson%252C+Jashua+B&rft.date=2010-07-01&rft.pub=University+of+Oklahoma&rft.issn=0196-3570&rft.eissn=1945-8134&rft.volume=84&rft.issue=4&rft.spage=38&rft.epage=43&rft.externalDocID=10.2307%252F27871132&paramdict=en-US>.
Oliver, James. The Graduate: Mike Nichols in Perspective. Eye: ScreenPress Books, 2001. Print.
Palladino, Grace. Teenagers: An American History. New York, N.Y.: BasicBooks, 1996. Print.
Rachel Adams. ‘“A Mixture of Delicious and Freak”: The Queer Fiction of Carson McCullers’. American Literature 71.3 (1999): 551–583. Web. <http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/2902739>.
Rishoi, Christy. From Girl to Woman: American Women’s Coming-of-Age Narratives. SUNY series in postmodern culture. Albany, N.Y.: State University of New York Press, 2003. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3408568>.
Rottnek, Matthew. Sissies and Tomboys: Gender Nonconformity and Homosexual Childhood. New York: New York University Press, 1999. Print.
‘Running Out of Gas: The Energy Crisis in 1970s Suburban Narratives’. Canadian Review of American Studies 41.3 342–369. Web. <http://muse.jhu.edu.ezproxy4.lib.le.ac.uk/journals/canadian_review_of_american_studies/v041/41.3.long.html>.
Salinger, J. D. The Catcher in the Rye. London: Penguin, 2010. Print.
Salzberg, Joel. Critical Essays on Salinger’s The Catcher in the Rye. Critical essays on American literature. Boston, Mass: G.K. Hall, 1989. Print.
Salzman, Jack. New Essays on ‘The Catcher in the Rye’. The American novel. Cambridge: Cambridge University Press, 1991. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:rec:criticism:R00813203>.
Savage, Jon. Teenage: The Creation of Youth Culture. London: Chatto & Windus, 2007. Print.
Saxton, Ruth. The Girl: Constructions of the Girl in Contemporary Fiction by Women. New York: St. Martin’s Press, 1998. Print.
Scheibach, Michael. Atomic Narratives and American Youth: Coming of Age with the Atom, 1945-1955. Jefferson, N.C.: McFarland, 2003. Print.
Shary, Timothy. Teen Movies: American Youth on Screen. Short cuts. London: Wallflower, 2005. Print.
Shary, Timothy, and David M. Considine. Generation Multiplex: The Image of Youth in Contemporary American Cinema. Austin, TX: University of Texas Press, 2002. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443244>.
Shary, Timothy and Seibel, Alexandra. Youth Culture in Global Cinema. 1st ed. Austin, Tex: University of Texas Press, 2007. Print.
Shary, Timothy      Seibel, Alexandra. Youth Culture in Global Cinema. University of Texas Press, 2006. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443333>.
Shirley C Parry. ‘Female Sexuality and Community in Brown Girl, Brownstones’. The Black Scholar 30.2 (2000): n. pag. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068881>.
Slocum, J. David. Rebel without a Cause: Approaches to a Maverick Masterwork. Suny series horizons of cinema. New York, N.Y.: State University of New York Press, 2005. Print.
‘Somatic Syntax: Replotting the Developmental Narrative in Carson McCullers’s The Member of the Wedding’. Studies in the Novel 41.3 (2010): 293–313. Web.
Spacks, Patricia Meyer. The Adolescent Idea: Myths of Youth and the Adult Imagination. London: Faber, 1981. Print.
Tarancón, Juan Antonio. ‘JUNO (JASON REITMAN, 2007): A PRACTICAL CASE STUDY OF TEENS, FILM AND CULTURAL STUDIES’. Cultural Studies 26.4 (2012): 442–468. Web.
Tillett, Rebecca. Contemporary Native American Literature. BAAS paperbacks. Edinburgh: Edinburgh University Press, 2007. Print.
Tolchin, Karen R. Part Blood, Part Ketchup: Coming of Age in American Literature and Film. Lanham, Md: Lexington Books, 2007. Print.
Town, Caren J. The New Southern Girl: Female Adolescence in the Works of 12 Women Authors. Jefferson, N.C.: McFarland & Co, 2004. Print.
Trites, Roberta Seelinger. Disturbing the Universe: Power and Repression in Adolescent Literature. Iowa City: University of Iowa Press, 2000. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=67737>.
Tropiano, Stephen. Rebels and Chicks: A History of the Hollywood Teen Movie. New York, NY.: Back Stage Books, 2006. Print.
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