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Katherine Bell. Grotesque Encounters with Adolescence: Reading Carson McCullers’ The Member of the Wedding. Changing English [Internet]. Taylor; 2011;18(1). Available from: http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Grotesque+Encounters+with+Adolescence%253A+Reading+Carson+McCullers%2527+The+Member+of+the+Wedding&rft.jtitle=Changing+English&rft.au=Katherine+Bell&rft.date=2011&rft.pub=Taylor+%2526+Francis+Ltd&rft.issn=1358-684X&rft.volume=18&rft.issue=1&rft.spage=67&rft.externalDocID=2351897731&paramdict=en-US
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Bombaci, Nancy. Freaks in late modernist American culture: Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers. New York: Peter Lang; 2006.
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Free, Melissa. Relegation and rebellion: the queer, the grotesque, and the silent in the fiction of Carson McCullers. Studies in the Novel [Internet]. University of North Texas; 2008 Jan 1;40(4). Available from: http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Relegation+and+rebellion%253A+the+queer%252C+the+grotesque%252C+and+the+silent+in+the+fiction+of+Carson+McCullers&rft.jtitle=Studies+in+the+Novel&rft.au=Free%252C+Melissa&rft.date=2008-01-01&rft.pub=University+of+North+Texas&rft.issn=0039-3827&rft.eissn=1934-1512&rft.volume=40&rft.issue=4&rft.spage=426&rft.externalDBID=n%252Fa&rft.externalDocID=202438235&paramdict=en-US
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Gleeson-White, Sarah. Strange bodies: gender and identity in the novels of Carson McCullers [Internet]. Tuscaloosa: University of Alabama Press; 2003. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663332540002746&institutionId=2746&customerId=2745
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Somatic Syntax: Replotting the Developmental Narrative in Carson McCullers’s The Member of the Wedding. Studies in the Novel. 2010;41(3):293–313.
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Carr, Virginia Spencer. The lonely hunter: a biography of Carson McCullers. Athens, Ga: University of Georgia Press; 2003.
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Carr, Virginia Spencer. Understanding Carson McCullers. Columbia: University of South Carolina Press; 2005.
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Wikborg, Eleanor. Carson McCullers’ The member of the wedding: aspects of structure and style. Göteborg: Acta Universitatis Gothoburgensis; 1975.
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Bloom, Harold. Carson McCullers. New ed. New York, NY: Bloom’s Literary Criticism; 2009.
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Bloom, Harold. Carson McCullers. New ed. New York, NY: Bloom’s Literary Criticism; 2009.
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McCullers, Carson, Dews, C. L. Barney. Illumination and night glare: the unfinished autobiography of Carson McCullers. Madison: University of Wisconsin Press; 1999.
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Westling, Louise. Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O’Connor. Georgia: University of Georgia Press; 2008.
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Whitt, Jan. Reflections in a critical eye: essays on Carson McCullers. Lanham, Md: University Press of America; 2008.
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Salinger, J. D. The Catcher in the Rye. London: Penguin; 2010.
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Alsen, Eberhard. A reader’s guide to J.D. Salinger. Westport, Conn: Greenwood Press; 2002.
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Graham, Sarah. J.D. Salinger’s The catcher in the rye. London: Routledge; 2007.
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Graham, Sarah. Salinger’s The catcher in the rye [Internet]. London: Continuum; 2007. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664083170002746&institutionId=2746&customerId=2745
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Salzberg, Joel. Critical essays on Salinger’s The catcher in the rye. Boston, Mass: G.K. Hall; 1989.
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Salzman, Jack. New Essays on ‘The Catcher in the Rye’ [Internet]. Cambridge: Cambridge University Press; 1991. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:rec:criticism:R00813203
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Marshall, Paule. Brown girl, brownstones [Internet]. 2nd Feminist Press ed. New York: Feminist Press at the City University of New York; 2006. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889304
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Alexander SAJ. Mother imagery in the novels of Afro-Caribbean women [Internet]. 1st ed. Columbia: University of Missouri Press; 2001. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3570631
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Coser, Stelamaris. Bridging the Americas: the literature of Paule Marshall, Toni Morrison, and Gayl Jones. Philadelphia, Pa: Temple University Press; 1995.
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Denniston, Dorothy Hamer. The fiction of Paule Marshall: reconstructions of history, culture, and gender. 1st ed. Knoxville: University of Tennessee Press; 1995.
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Hathaway, Heather. Caribbean waves: relocating Claude McKay and Paule Marshall. Bloomington: Indiana University Press; 1999.
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Marshall, Paule, Hall, James C., Hathaway, Heather. Conversations with Paule Marshall. Jackson, Mis: University Press of Mississippi; 2010.
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Martin Japtok. Paule Marshall’s Brown Girl, Brownstones: Reconciling Ethnicity and Individualism. African American Review [Internet]. Indiana State University; 1998;32(2):305–315. Available from: http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3042127
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Gavin Jones. ‘The Sea Ain’ Got No Back Door’: The Problems of Black Consciousness in Paule Marshall’s Brown Girl, Brownstones. African American Review [Internet]. Indiana State University; 1998;32(4):597–606. Available from: http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/2901239
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Lewis MacLeod. ‘You Ain No Real-Real Bajan Man’: Patriarchal Performance and Feminist Discourse in Paule Marshall’s Brown Girl, Brownstones. Ariel [Internet]. 2006 Apr 1;37(2/3). Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/44325570
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Kathlene McDonald. Paule Marshall’s critique of capitalism and Cold War ideology: Brown Girl, Brownstones as a resistant working-class text. The Black Scholar [Internet]. Black World Foundation; 2000 Jul 1;30(2). Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068879
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Lisa D McGill. Thinking back through the mother: The poetics of place and the mother/daughter dyad in Brown Girl, Brownstones. The Black Scholar [Internet]. Black World Foundation; 2000 Jul 1;30(2). Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068880
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Shirley C Parry. Female sexuality and community in Brown Girl, Brownstones. The Black Scholar [Internet]. Black World Foundation; 2000 Jul 1;30(2). Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068881
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Marshall, Paule. Triangular road: a memoir. New York: BasicCivitas Books; 2009.
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Whitehead, J. W. Appraising The graduate: the Mike Nichols classic and its impact in Hollywood [Internet]. Jefferson, N.C.: McFarland & Co; 2011. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=665242
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Farber S, Changas E. The Graduate by Mike Nichols and Lawrence Turman (Review). Film Quarterly [Internet]. 1968 Apr;21(3):37–41. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/1210995
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Cooley, Aaron. Reviving Reification: Education, Indoctrination, and Anxiety in ‘The Graduate’. Educational Studies: Journal of the American Educational Studies Association. Routledge; 2009;45(4):358–376.
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Atwood, Margaret. Cat’s eye. London: Virago; 1990.
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Molly Hite. Optics and Autobiography in Margaret Atwood’s Cat’s Eye. Twentieth Century Literature [Internet]. Hofstra University; 1995;41(2):135–159. Available from: http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/441644
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Janine Rogers. Secret Allies: Reconsidering Science and Gender in Cat’s Eye. English Studies in Canada [Internet]. 33(3):1–26. Available from: http://lion.chadwyck.co.uk/searchFulltext.do?id=R04149526&divLevel=0&queryId=../session/1377011105_10006&trailId=14001C3387C&area=abell&forward=critref_ft
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Running Out of Gas: The Energy Crisis in 1970s Suburban Narratives. Canadian Review of American Studies [Internet]. University of Toronto Press; 41(3):342–369. Available from: http://muse.jhu.edu.ezproxy4.lib.le.ac.uk/journals/canadian_review_of_american_studies/v041/41.3.long.html
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Cody, Diablo. Juno: the shooting script. New York, N.Y.: Newmarket; 2007.
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Latimer H. Popular culture and reproductive politics: Juno, Knocked Up and the enduring legacy of The Handmaid’s Tale. Feminist Theory. 2009 Aug 1;10(2):211–226.
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Alexie, Sherman, Forney, Ellen. The absolutely true diary of a part-time Indian. New York: Little, Brown; 2007.
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Kathleen L. Carroll. Ceremonial Tradition as Form and Theme in Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’: A Performance-Based Approach to Native American Literature. The Journal of the Midwest Modern Language Association [Internet]. Midwest Modern Language Association; 2005;38(1):74–84. Available from: http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/30039300
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Joseph L. Coulombe. The Approximate Size of His Favorite Humor: Sherman Alexie’s Comic Connections and Disconnections in the Lone Ranger and Tonto Fistfight in Heaven. American Indian Quarterly [Internet]. University of Nebraska Press; 2002;26(1):94–115. Available from: http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/4128476
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Denuccio J. Slow Dancing with Skeletons: Sherman Alexie’s. Critique: Studies in Contemporary Fiction. 2002 Jan;44(1):86–96.
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Andrew Dix. Escape Stories: Narratives and Native Americans in Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’. The Yearbook of English Studies [Internet]. Modern Humanities Research Association; 2001;31:155–167. Available from: http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3509382
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Devlin, Rachel. Relative intimacy: fathers, adolescent daughters, and postwar American culture. Chapel Hill, N.C.: University of North Carolina Press; 2005.
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Saxton, Ruth. The girl: constructions of the girl in contemporary fiction by women. New York: St. Martin’s Press; 1998.
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Shary T. Teen movies: American youth on screen. London: Wallflower; 2005.
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Dennis JP. Queering teen culture: all-American boys and same-sex desire in film and television. New York: Harrington Park Press; 2006.
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Medovoi L. Rebels: youth and the cold war origins of identity. Durham, N.C.: Duke University Press; 2005.
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