[1]
Abel, Elizabeth et al. 1983. The voyage in: fictions of female development. Published for Dartmouth College by University Press of New England.
[2]
Alexander, S.A.J. 2001. Mother imagery in the novels of Afro-Caribbean women. University of Missouri Press.
[3]
Alexie, Sherman and Forney, Ellen 2007. The absolutely true diary of a part-time Indian. Little, Brown.
[4]
Alexie, Sherman and Peterson, Nancy J. 2009. Conversations with Sherman Alexie. University Press of Mississippi.
[5]
Alsen, Eberhard 2002. A reader’s guide to J.D. Salinger. Greenwood Press.
[6]
Andrew Dix 2001. Escape Stories: Narratives and Native Americans in Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’. The Yearbook of English Studies. 31, (2001), 155–167.
[7]
Atwood, Margaret 1990. Cat’s eye. Virago.
[8]
Austin, Joe and Willard, Michael Nevin 1998. Generations of youth: youth cultures and history in twentieth-century America. New York University Press.
[9]
Baxter, Kent 2008. The modern age: turn-of-the-century American culture and the invention of adolescence. University of Alabama Press.
[10]
Berglund, Jeff and Roush, Jan 2010. Sherman Alexie: a collection of critical essays. University of Utah Press.
[11]
Bethan Jones 2008. Traces of Shame: Margaret Atwood’s Portrayal of Childhood Bullying and its Consequences in Cat’s Eye. Critical Survey. 20, 1 (2008).
[12]
Beuka, R. 2000. "Just One… ‘Plastics’”: Suburban Malaise, Masculinity, and Oedipal Drive in. Journal of Popular Film and Television. 28, 1 (Jan. 2000), 12–21. DOI:https://doi.org/10.1080/01956050009602817.
[13]
Beuka, Robert A. 2004. SuburbiaNation: reading suburban landscape in twentieth-century American fiction and film. Palgrave Macmillan.
[14]
Birkvad, S. 2011. Hollywood Sin, Scandinavian Virtue: The 1967 Revolt of I am Curious and The Graduate. Film International. 9, 2 (May 2011), 42–54.
[15]
Bloom, Harold 2009. Carson McCullers. Bloom’s Literary Criticism.
[16]
Bloom, Harold 2009. Carson McCullers. Bloom’s Literary Criticism.
[17]
Bolaki, S. 2011. Unsettling the bildungsroman: reading contemporary ethnic American women’s fiction. Rodopi.
[18]
Bolaki, Stella 2011. Unsettling the Bildungsroman : Reading Contemporary Ethnic American Women’s Fiction. Editions Rodopi.
[19]
Bombaci, Nancy 2006. Freaks in late modernist American culture: Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers. Peter Lang.
[20]
Carol Osborne 1994. Constructing the Self through Memory: ‘Cat’s Eye’ as a Novel of Female Development. Frontiers: A Journal of Women Studies. 14, 3 (1994), 95–112.
[21]
Carr, Virginia Spencer 2003. The lonely hunter: a biography of Carson McCullers. University of Georgia Press.
[22]
Carr, Virginia Spencer 2005. Understanding Carson McCullers. University of South Carolina Press.
[23]
Cart, M. 2022. Young adult literature: from romance to realism. ALA Neal-Schuman.
[24]
Cody, Diablo 2007. Juno: the shooting script. Newmarket.
[25]
Cooley, Aaron 2009. Reviving Reification: Education, Indoctrination, and Anxiety in ‘The Graduate’. Educational Studies: Journal of the American Educational Studies Association. 45, 4 (2009), 358–376. DOI:https://doi.org/10.1080/00131940802649789.
[26]
Coser, Stelamaris 1995. Bridging the Americas: the literature of Paule Marshall, Toni Morrison, and Gayl Jones. Temple University Press.
[27]
Debra Shostak 2009. ‘A story we could live with’: Narrative Voice, the Reader, and Jeffrey Eugenides’s The Virgin Suicides. MFS Modern Fiction Studies. 55, 4 (2009), 808–832. DOI:https://doi.org/10.1353/mfs.0.1642.
[28]
Dennis, J.P. 2006. Queering teen culture: all-American boys and same-sex desire in film and television. Harrington Park Press.
[29]
Denniston, Dorothy Hamer 1995. The fiction of Paule Marshall: reconstructions of history, culture, and gender. University of Tennessee Press.
[30]
Denuccio, J. 2002. Slow Dancing with Skeletons: Sherman Alexie’s. Critique: Studies in Contemporary Fiction. 44, 1 (Jan. 2002), 86–96. DOI:https://doi.org/10.1080/00111610209599939.
[31]
Devlin, Rachel 2005. Relative intimacy: fathers, adolescent daughters, and postwar American culture. University of North Carolina Press.
[32]
DINES, M. 2012. Suburban Gothic and the Ethnic Uncanny in Jeffrey Eugenides’s The Virgin Suicides. Journal of American Studies. 46, 04 (Nov. 2012), 959–975. DOI:https://doi.org/10.1017/S0021875812000722.
[33]
Doherty, Thomas Patrick 2002. Teenagers and teenpics: the juvenilization of American movies in the 1950s. Temple University Press.
[34]
Doherty, T.P. 2002. Teenagers and teenpics: the juvenilization of American movies in the 1950s. Temple University Press.
[35]
Driscoll, Catherine 2002. Girls: feminine adolescence in popular culture and cultural theory. Columbia University Press.
[36]
Driver, Susan 2008. Queer youth cultures. State University of New York Press.
[37]
Epstein, Jonathon S. 1998. Youth culture: identity in a postmodern world. Blackwell.
[38]
Eugenides, Jeffrey 2002. The Virgin Suicides. Bloomsbury.
[39]
Farber, S. and Changas, E. 1968. The Graduate by Mike Nichols and Lawrence Turman (Review). Film Quarterly. 21, 3 (Apr. 1968), 37–41.
[40]
Free, Melissa 2008. Relegation and rebellion: the queer, the grotesque, and the silent in the fiction of Carson McCullers. Studies in the Novel. 40, 4 (Jan. 2008).
[41]
Full Text (Criticism) - Literature Online: http://literature.proquest.com/searchFulltext.do?id=R01607785&divLevel=0&queryId=2887259006856&trailId=14F84874949&area=abell&forward=critref_ft.
[42]
Gavin Jones 1998. ‘The Sea Ain’ Got No Back Door’: The Problems of Black Consciousness in Paule Marshall’s Brown Girl, Brownstones. African American Review. 32, 4 (1998), 597–606.
[43]
Gilbert, James Burkhart 1986. A cycle of outrage: America’s reaction to the juvenile delinquent in the 1950s. Oxford University Press.
[44]
Gleeson-White, Sarah 2003. Strange bodies: gender and identity in the novels of Carson McCullers. University of Alabama Press.
[45]
Goldstein, David S 2009. Sacred hoop dreams: basketball in the work of Sherman Alexie. Ethnic Studies Review. 32, 1 (Jan. 2009).
[46]
Gorjup, Branko 2008. Margaret Atwood: essays on her works. Guernica.
[47]
Graham, Sarah 2007. J.D. Salinger’s The catcher in the rye. Routledge.
[48]
Graham, Sarah 2007. Salinger’s The catcher in the rye. Continuum.
[49]
Grassian, Daniel 2011. Understanding Sherman Alexie. University of South Carolina Press.
[50]
Hathaway, Heather 1999. Caribbean waves: relocating Claude McKay and Paule Marshall. Indiana University Press.
[51]
Hentges, S. 2006. Pictures of girlhood: modern female adolescence on film. McFarland.
[52]
Hilton, Mary and Nikolajeva, Maria 2012. Contemporary adolescent literature and culture: the emergent adult. Ashgate.
[53]
Hine, Thomas 2000. The rise and fall of the American teenager. Perennial.
[54]
James, K. 2008. Death, gender and sexuality in contemporary adolescent literature. Taylor & Francis Group.
[55]
Janine Rogers Secret Allies: Reconsidering Science and Gender in Cat’s Eye. English Studies in Canada. 33, 3, 1–26.
[56]
Japtok, M. 2005. Growing up ethnic: nationalism and the Bildungsroman in African American and Jewish American fiction. University of Iowa Press.
[57]
Joseph L. Coulombe 2002. The Approximate Size of His Favorite Humor: Sherman Alexie’s Comic Connections and Disconnections in the Lone Ranger and Tonto Fistfight in Heaven. American Indian Quarterly. 26, 1 (2002), 94–115.
[58]
Karlyn, K.R. 2006. Film As Cultural Antidote. Feminist Media Studies. 6, 4 (Dec. 2006), 453–468. DOI:https://doi.org/10.1080/14680770600989889.
[59]
Karlyn, K.R. 2011. Unruly girls, unrepentant mothers: redefining feminism on screen. University of Texas Press.
[60]
Katherine Bell 2011. Grotesque Encounters with Adolescence: Reading Carson McCullers’ The Member of the Wedding. Changing English. 18, 1 (2011).
[61]
Kathleen L. Carroll 2005. Ceremonial Tradition as Form and Theme in Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’: A Performance-Based Approach to Native American Literature. The Journal of the Midwest Modern Language Association. 38, 1 (2005), 74–84.
[62]
Kathlene McDonald 2000. Paule Marshall’s critique of capitalism and Cold War ideology: Brown Girl, Brownstones as a resistant working-class text. The Black Scholar. 30, 2 (Jul. 2000).
[63]
Kristen Hoerl 2010. The Post-Nuclear Family and the Depoliticization of Unplanned Pregnancy in Knocked Up, Juno, and Waitress. Communication and Critical Cultural Studies. 7, 4 (2010).
[64]
Latimer, H. 2009. Popular culture and reproductive politics: Juno, Knocked Up and the enduring legacy of The Handmaid’s Tale. Feminist Theory. 10, 2 (Aug. 2009), 211–226. DOI:https://doi.org/10.1177/1464700109104925.
[65]
Laurie Vickroy 2005. Seeking Symbolic Immortality: Visualizing Trauma in Cat’s Eye. Mosaic : a Journal for the Interdisciplinary Study of Literature. 38, 2 (Jun. 2005).
[66]
Lewis, J. 1992. The road to romance and ruin: teen films and youth culture. Routledge.
[67]
Lewis MacLeod 2006. ‘You Ain No Real-Real Bajan Man’: Patriarchal Performance and Feminist Discourse in Paule Marshall’s Brown Girl, Brownstones. Ariel. 37, 2/3 (Apr. 2006).
[68]
Lisa D McGill 2000. Thinking back through the mother: The poetics of place and the mother/daughter dyad in Brown Girl, Brownstones. The Black Scholar. 30, 2 (Jul. 2000).
[69]
Lundquist, Suzanne Evertsen 2004. Native American literatures: an introduction. Continuum.
[70]
Luttrell, Wendy 2011. Where Inequality Lives in the Body: Teenage Pregnancy, Public Pedagogies and Individual Lives. Sport, Education and Society. 16, 3 (2011), 295–308.
[71]
Males, Mike A. 1996. The scapegoat generation: America’s war on adolescents. Common Courage Press.
[72]
Markstrom-Adams, Carol 1990. Adolescence. 25, 97 (1990).
[73]
Marshall, Paule 2006. Brown girl, brownstones. Feminist Press at the City University of New York.
[74]
Marshall, Paule et al. 2010. Conversations with Paule Marshall. University Press of Mississippi.
[75]
Marshall, Paule 2009. Triangular road: a memoir. BasicCivitas Books.
[76]
Martin Japtok 1998. Paule Marshall’s Brown Girl, Brownstones: Reconciling Ethnicity and Individualism. African American Review. 32, 2 (1998), 305–315.
[77]
McCullers, Carson 2001. The member of the wedding. Penguin books.
[78]
McCullers, Carson and Dews, C. L. Barney 1999. Illumination and night glare: the unfinished autobiography of Carson McCullers. University of Wisconsin Press.
[79]
McLennan, R. 2013. Cautionary Whales?: Adolescence and Genre in Juno and Push. Mosaic: a journal for the interdisciplinary study of literature. 46, 2 (2013), 105–121. DOI:https://doi.org/10.1353/mos.2013.0013.
[80]
McLennan, Rachael 2009. Adolescence, America and postwar fiction: developing figures. Palgrave Macmillan.
[81]
McRobbie, AngelaGilbey, Ryan 2003. Sugar and Spice. Sight & Sound. 13, 12 (2003), 8–56.
[82]
Medovoi, L. 2005. Rebels: youth and the cold war origins of identity. Duke University Press.
[83]
Millard, Kenneth 2007. Coming of age in contemporary American fiction. Edinburgh University Press.
[84]
Molly Hite 1995. Optics and Autobiography in Margaret Atwood’s Cat’s Eye. Twentieth Century Literature. 41, 2 (1995), 135–159.
[85]
Moore, R. 2009. Sells like teen spirit: music, youth culture, and social crisis. New York University Press.
[86]
Nelson, Jashua B 2010. ‘Humor Is My Green Card’ A Conversation with Sherman Alexie. World Literature Today. 84, 4 (Jul. 2010), 38–43.
[87]
Oliver, James 2001. The Graduate: Mike Nichols in perspective. ScreenPress Books.
[88]
Palladino, Grace 1996. Teenagers: an American history. BasicBooks.
[89]
Rachel Adams 1999. ‘A Mixture of Delicious and Freak’: The Queer Fiction of Carson McCullers. American Literature. 71, 3 (1999), 551–583.
[90]
Rishoi, Christy 2003. From girl to woman: American women’s coming-of-age narratives. State University of New York Press.
[91]
Rottnek, Matthew 1999. Sissies and tomboys: gender nonconformity and homosexual childhood. New York University Press.
[92]
Salinger, J. D. 2010. The Catcher in the Rye. Penguin.
[93]
Salzberg, Joel 1989. Critical essays on Salinger’s The catcher in the rye. G.K. Hall.
[94]
Salzman, Jack 1991. New Essays on ‘The Catcher in the Rye’. Cambridge University Press.
[95]
Savage, Jon 2007. Teenage: the creation of youth culture. Chatto & Windus.
[96]
Saxton, Ruth 1998. The girl: constructions of the girl in contemporary fiction by women. St. Martin’s Press.
[97]
Scheibach, Michael 2003. Atomic narratives and American youth: coming of age with the atom, 1945-1955. McFarland.
[98]
Shary, T. 2005. Teen movies: American youth on screen. Wallflower.
[99]
Shary, T. and Considine, D.M. 2002. Generation Multiplex: The Image of Youth in Contemporary American Cinema. University of Texas Press.
[100]
Shary, Timothy and Seibel, Alexandra 2007. Youth culture in global cinema. University of Texas Press.
[101]
Shary, Timothy      Seibel, Alexandra 2006. Youth Culture in Global Cinema. University of Texas Press.
[102]
Shirley C Parry 2000. Female sexuality and community in Brown Girl, Brownstones. The Black Scholar. 30, 2 (Jul. 2000).
[103]
Slocum, J. David 2005. Rebel without a cause: approaches to a maverick masterwork. State University of New York Press.
[104]
Spacks, P.M. 1981. The adolescent idea: myths of youth and the adult imagination. Faber.
[105]
Tarancón, J.A. 2012. JUNO (JASON REITMAN, 2007): A PRACTICAL CASE STUDY OF TEENS, FILM AND CULTURAL STUDIES. Cultural Studies. 26, 4 (Jul. 2012), 442–468. DOI:https://doi.org/10.1080/09502386.2011.591496.
[106]
Tillett, Rebecca 2007. Contemporary Native American literature. Edinburgh University Press.
[107]
Tolchin, Karen R. 2007. Part blood, part ketchup: coming of age in American literature and film. Lexington Books.
[108]
Town, Caren J. 2004. The new Southern girl: female adolescence in the works of 12 women authors. McFarland & Co.
[109]
Trites, Roberta Seelinger 2000. Disturbing the universe: power and repression in adolescent literature. University of Iowa Press.
[110]
Tropiano, Stephen 2006. Rebels and chicks: a history of the Hollywood teen movie. Back Stage Books.
[111]
Westling, Louise 2008. Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O’Connor. University of Georgia Press.
[112]
White, Barbara A. 1985. Growing up female: adolescent girlhood in American fiction. Greenwood Press.
[113]
Whitehead, J. W. 2011. Appraising The graduate: the Mike Nichols classic and its impact in Hollywood. McFarland & Co.
[114]
Whitt, Jan 2008. Reflections in a critical eye: essays on Carson McCullers. University Press of America.
[115]
Wikborg, Eleanor 1975. Carson McCullers’ The member of the wedding: aspects of structure and style. Acta Universitatis Gothoburgensis.
[116]
Willis, J.L. 2008. Sexual Subjectivity: A Semiotic Analysis of Girlhood, Sex, and Sexuality in the Film Juno. Sexuality & Culture. 12, 4 (Dec. 2008), 240–256. DOI:https://doi.org/10.1007/s12119-008-9035-9.
[117]
Wright, Bradford W. 2003. Comic book nation: the transformation of youth culture in America. Johns Hopkins University Press.
[118]
Running Out of Gas: The Energy Crisis in 1970s Suburban Narratives. Canadian Review of American Studies. 41, 3, 342–369.
[119]
2010. Somatic Syntax: Replotting the Developmental Narrative in Carson McCullers’s The Member of the Wedding. Studies in the Novel. 41, 3 (2010), 293–313. DOI:https://doi.org/10.1353/sdn.0.0071.