Abel, Elizabeth, Hirsch, Marianne, & Langland, Elizabeth. (1983). The voyage in: fictions of female development. Published for Dartmouth College by University Press of New England.
Alexander, S. A. J. (2001). Mother imagery in the novels of Afro-Caribbean women (1st ed) [Electronic resource]. University of Missouri Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3570631
Alexie, Sherman & Forney, Ellen. (2007). The absolutely true diary of a part-time Indian. Little, Brown.
Alexie, Sherman & Peterson, Nancy J. (2009). Conversations with Sherman Alexie: Vol. Literary conversations series. University Press of Mississippi.
Alsen, Eberhard. (2002). A reader’s guide to J.D. Salinger. Greenwood Press.
Andrew Dix. (2001). Escape Stories: Narratives and Native Americans in Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’. The Yearbook of English Studies, 31, 155–167. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3509382
Atwood, Margaret. (1990). Cat’s eye. Virago.
Austin, Joe & Willard, Michael Nevin. (1998). Generations of youth: youth cultures and history in twentieth-century America. New York University Press.
Baxter, Kent. (2008). The modern age: turn-of-the-century American culture and the invention of adolescence. University of Alabama Press.
Berglund, Jeff & Roush, Jan. (2010). Sherman Alexie: a collection of critical essays. University of Utah Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664138180002746&institutionId=2746&customerId=2745
Bethan Jones. (2008). Traces of Shame: Margaret Atwood’s Portrayal of Childhood Bullying and its Consequences in Cat’s Eye. Critical Survey, 20(1). http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Traces+of+Shame%253A+Margaret+Atwood%2527s+Portrayal+of+Childhood+Bullying+and+its+Consequences+in+Cat%2527s+Eye&rft.jtitle=Critical+Survey&rft.au=Bethan+Jones&rft.date=2008&rft.pub=Berghahn+Books+and+Journals&rft.issn=0011-1570&rft.eissn=1752-2293&rft.volume=20&rft.issue=1&rft.spage=29&rft.externalDocID=1555071621&paramdict=en-US
Beuka, R. (2000). "Just One… ‘Plastics’”: Suburban Malaise, Masculinity, and Oedipal Drive in. Journal of Popular Film and Television, 28(1), 12–21. https://doi.org/10.1080/01956050009602817
Beuka, Robert A. (2004). SuburbiaNation: reading suburban landscape in twentieth-century American fiction and film (1st ed). Palgrave Macmillan.
Birkvad, S. (2011). Hollywood Sin, Scandinavian Virtue: The 1967 Revolt of I am Curious and The Graduate. Film International, 9(2), 42–54.
Bloom, Harold. (2009a). Carson McCullers: Vol. Bloom’s modern critical views (New ed). Bloom’s Literary Criticism.
Bloom, Harold. (2009b). Carson McCullers: Vol. Bloom’s modern critical views (New ed). Bloom’s Literary Criticism.
Bolaki, S. (2011). Unsettling the bildungsroman: reading contemporary ethnic American women’s fiction: Vol. no. 4. Rodopi. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3008271
Bolaki, Stella. (2011). Unsettling the Bildungsroman : Reading Contemporary Ethnic American Women’s Fiction. Editions Rodopi. http://site.ebrary.com/lib/leicester/detail.action?docID=10490235
Bombaci, Nancy. (2006). Freaks in late modernist American culture: Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers: Vol. Modern American literature. Peter Lang.
Carol Osborne. (1994). Constructing the Self through Memory: ‘Cat’s Eye’ as a Novel of Female Development. Frontiers: A Journal of Women Studies, 14(3), 95–112. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3346682
Carr, Virginia Spencer. (2003). The lonely hunter: a biography of Carson McCullers. University of Georgia Press.
Carr, Virginia Spencer. (2005). Understanding Carson McCullers: Vol. Understanding contemporary American literature. University of South Carolina Press.
Cart, M. (2022). Young adult literature: from romance to realism (Fourth edition). ALA Neal-Schuman. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=30601998
Cody, Diablo. (2007). Juno: the shooting script. Newmarket.
Cooley, Aaron. (2009). Reviving Reification: Education, Indoctrination, and Anxiety in ‘The Graduate’. Educational Studies: Journal of the American Educational Studies Association, 45(4), 358–376. https://doi.org/10.1080/00131940802649789
Coser, Stelamaris. (1995). Bridging the Americas: the literature of Paule Marshall, Toni Morrison, and Gayl Jones. Temple University Press.
Debra Shostak. (2009). ‘A story we could live with’: Narrative Voice, the Reader, and Jeffrey Eugenides’s The Virgin Suicides. MFS Modern Fiction Studies, 55(4), 808–832. https://doi.org/10.1353/mfs.0.1642
Dennis, J. P. (2006). Queering teen culture: all-American boys and same-sex desire in film and television. Harrington Park Press.
Denniston, Dorothy Hamer. (1995). The fiction of Paule Marshall: reconstructions of history, culture, and gender (1st ed). University of Tennessee Press.
Denuccio, J. (2002). Slow Dancing with Skeletons: Sherman Alexie’s. Critique: Studies in Contemporary Fiction, 44(1), 86–96. https://doi.org/10.1080/00111610209599939
Devlin, Rachel. (2005). Relative intimacy: fathers, adolescent daughters, and postwar American culture: Vol. Gender and American culture. University of North Carolina Press.
DINES, M. (2012). Suburban Gothic and the Ethnic Uncanny in Jeffrey Eugenides’s The Virgin Suicides. Journal of American Studies, 46(04), 959–975. https://doi.org/10.1017/S0021875812000722
Doherty, T. P. (2002). Teenagers and teenpics: the juvenilization of American movies in the 1950s (Rev. and expanded ed). Temple University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=547413
Doherty, Thomas Patrick. (2002). Teenagers and teenpics: the juvenilization of American movies in the 1950s (Rev. and expanded ed). Temple University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663633480002746&institutionId=2746&customerId=2745
Driscoll, Catherine. (2002). Girls: feminine adolescence in popular culture and cultural theory. Columbia University Press.
Driver, Susan. (2008). Queer youth cultures: Vol. SUNY series, Interruptions-- border testimony(ies) and critical discourse/s. State University of New York Press.
Epstein, Jonathon S. (1998). Youth culture: identity in a postmodern world. Blackwell.
Eugenides, Jeffrey. (2002). The Virgin Suicides. Bloomsbury.
Farber, S., & Changas, E. (1968). The Graduate by Mike Nichols and Lawrence Turman (Review). Film Quarterly, 21(3), 37–41. http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/1210995
Free, Melissa. (2008). Relegation and rebellion: the queer, the grotesque, and the silent in the fiction of Carson McCullers. Studies in the Novel, 40(4). http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Relegation+and+rebellion%253A+the+queer%252C+the+grotesque%252C+and+the+silent+in+the+fiction+of+Carson+McCullers&rft.jtitle=Studies+in+the+Novel&rft.au=Free%252C+Melissa&rft.date=2008-01-01&rft.pub=University+of+North+Texas&rft.issn=0039-3827&rft.eissn=1934-1512&rft.volume=40&rft.issue=4&rft.spage=426&rft.externalDBID=n%252Fa&rft.externalDocID=202438235&paramdict=en-US
Full Text (Criticism) - Literature Online. (n.d.). http://literature.proquest.com/searchFulltext.do?id=R01607785&divLevel=0&queryId=2887259006856&trailId=14F84874949&area=abell&forward=critref_ft
Gavin Jones. (1998). ‘The Sea Ain’ Got No Back Door’: The Problems of Black Consciousness in Paule Marshall’s Brown Girl, Brownstones. African American Review, 32(4), 597–606. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/2901239
Gilbert, James Burkhart. (1986). A cycle of outrage: America’s reaction to the juvenile delinquent in the 1950s. Oxford University Press.
Gleeson-White, Sarah. (2003). Strange bodies: gender and identity in the novels of Carson McCullers. University of Alabama Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663332540002746&institutionId=2746&customerId=2745
Goldstein, David S. (2009). Sacred hoop dreams: basketball in the work of Sherman Alexie. Ethnic Studies Review, 32(1). http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Sacred+hoop+dreams%253A+basketball+in+the+work+of+Sherman+Alexie&rft.jtitle=Ethnic+Studies+Review&rft.au=Goldstein%252C+David+S&rft.date=2009-01-01&rft.pub=National+Association+for+Ethnic+Studies%252C+Inc&rft.issn=1555-1881&rft.volume=32&rft.issue=1&rft.spage=77&rft.externalDBID=n%252Fa&rft.externalDocID=246956420&paramdict=en-US
Gorjup, Branko. (2008). Margaret Atwood: essays on her works: Vol. Writers series. Guernica.
Graham, Sarah. (2007a). J.D. Salinger’s The catcher in the rye: Vol. Routledge guides to literature. Routledge.
Graham, Sarah. (2007b). Salinger’s The catcher in the rye: Vol. Continuum reader’s guide. Continuum. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664083170002746&institutionId=2746&customerId=2745
Grassian, Daniel. (2011). Understanding Sherman Alexie: Vol. Understanding contemporary American literature. University of South Carolina Press.
Hathaway, Heather. (1999). Caribbean waves: relocating Claude McKay and Paule Marshall: Vol. Blacks in the diaspora. Indiana University Press.
Hentges, S. (2006). Pictures of girlhood: modern female adolescence on film. McFarland.
Hilton, Mary & Nikolajeva, Maria. (2012). Contemporary adolescent literature and culture: the emergent adult: Vol. Ashgate studies in childhood, 1700 to the present. Ashgate. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=985704
Hine, Thomas. (2000). The rise and fall of the American teenager. Perennial.
James, K. (2008). Death, gender and sexuality in contemporary adolescent literature (1st ed). Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=370986
Janine Rogers. (n.d.). Secret Allies: Reconsidering Science and Gender in Cat’s Eye. English Studies in Canada, 33(3), 1–26. http://lion.chadwyck.co.uk/searchFulltext.do?id=R04149526&divLevel=0&queryId=../session/1377011105_10006&trailId=14001C3387C&area=abell&forward=critref_ft
Japtok, M. (2005). Growing up ethnic: nationalism and the Bildungsroman in African American and Jewish American fiction (1st ed) [Electronic resource]. University of Iowa Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843124
Joseph L. Coulombe. (2002). The Approximate Size of His Favorite Humor: Sherman Alexie’s Comic Connections and Disconnections in the Lone Ranger and Tonto Fistfight in Heaven. American Indian Quarterly, 26(1), 94–115. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/4128476
Karlyn, K. R. (2006). Film As Cultural Antidote. Feminist Media Studies, 6(4), 453–468. https://doi.org/10.1080/14680770600989889
Karlyn, K. R. (2011). Unruly girls, unrepentant mothers: redefining feminism on screen (1st ed). University of Texas Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443528
Katherine Bell. (2011). Grotesque Encounters with Adolescence: Reading Carson McCullers’ The Member of the Wedding. Changing English, 18(1). http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Grotesque+Encounters+with+Adolescence%253A+Reading+Carson+McCullers%2527+The+Member+of+the+Wedding&rft.jtitle=Changing+English&rft.au=Katherine+Bell&rft.date=2011&rft.pub=Taylor+%2526+Francis+Ltd&rft.issn=1358-684X&rft.volume=18&rft.issue=1&rft.spage=67&rft.externalDocID=2351897731&paramdict=en-US
Kathleen L. Carroll. (2005). Ceremonial Tradition as Form and Theme in Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’: A Performance-Based Approach to Native American Literature. The Journal of the Midwest Modern Language Association, 38(1), 74–84. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/30039300
Kathlene McDonald. (2000). Paule Marshall’s critique of capitalism and Cold War ideology: Brown Girl, Brownstones as a resistant working-class text. The Black Scholar, 30(2). http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068879
Kristen Hoerl. (2010). The Post-Nuclear Family and the Depoliticization of Unplanned Pregnancy in Knocked Up, Juno, and Waitress. Communication and Critical Cultural Studies, 7(4). http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The+Post-Nuclear+Family+and+the+Depoliticization+of+Unplanned+Pregnancy+in+Knocked+Up%252C+Juno%252C+and+Waitress&rft.jtitle=Communication+and+Critical+Cultural+Studies&rft.au=Kristen+Hoerl&rft.au=Casey+Ryan+Kelly&rft.date=2010&rft.pub=Taylor+%2526+Francis+Ltd&rft.issn=1479-1420&rft.volume=7&rft.issue=4&rft.spage=360&rft.externalDocID=2377057071&paramdict=en-US
Latimer, H. (2009). Popular culture and reproductive politics: Juno, Knocked Up and the enduring legacy of The Handmaid’s Tale. Feminist Theory, 10(2), 211–226. https://doi.org/10.1177/1464700109104925
Laurie Vickroy. (2005). Seeking Symbolic Immortality: Visualizing Trauma in Cat’s Eye. Mosaic : A Journal for the Interdisciplinary Study of Literature, 38(2). http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Seeking+Symbolic+Immortality%253A+Visualizing+Trauma+in+Cat%2527s+Eye&rft.jtitle=Mosaic+%253A+a+Journal+for+the+Interdisciplinary+Study+of+Literature&rft.au=Laurie+Vickroy&rft.date=2005-06-01&rft.issn=0027-1276&rft.volume=38&rft.issue=2&rft.spage=129&rft.externalDBID=PMSC&rft.externalDocID=855272071&paramdict=en-US
Lewis, J. (1992). The road to romance and ruin: teen films and youth culture. Routledge.
Lewis MacLeod. (2006). ‘You Ain No Real-Real Bajan Man’: Patriarchal Performance and Feminist Discourse in Paule Marshall’s Brown Girl, Brownstones. Ariel, 37(2/3). http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/44325570
Lisa D McGill. (2000). Thinking back through the mother: The poetics of place and the mother/daughter dyad in Brown Girl, Brownstones. The Black Scholar, 30(2). http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068880
Lundquist, Suzanne Evertsen. (2004). Native American literatures: an introduction: Vol. Continuum studies in literary genre. Continuum.
Luttrell, Wendy. (2011). Where Inequality Lives in the Body: Teenage Pregnancy, Public Pedagogies and Individual Lives. Sport, Education and Society, 16(3), 295–308. http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Where+Inequality+Lives+in+the+Body%253A+Teenage+Pregnancy%252C+Public+Pedagogies+and+Individual+Lives&rft.jtitle=Sport%252C+Education+and+Society&rft.au=Luttrell%252C+Wendy&rft.date=2011&rft.pub=Routledge&rft.issn=1357-3322&rft.eissn=1470-1243&rft.volume=16&rft.issue=3&rft.spage=295&rft.epage=308&rft.externalDocID=EJ925390&paramdict=en-US
Males, Mike A. (1996). The scapegoat generation: America’s war on adolescents. Common Courage Press.
Markstrom-Adams, Carol. (1990). Adolescence. 25(97). http://search.proquest.com/pao/docview/1295907505/D3B76F275E984805PQ/20?accountid=7420
Marshall, Paule. (2006). Brown girl, brownstones: Vol. Contemporary classics by women (2nd Feminist Press ed). Feminist Press at the City University of New York. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889304
Marshall, Paule. (2009). Triangular road: a memoir. BasicCivitas Books.
Marshall, Paule, Hall, James C., & Hathaway, Heather. (2010). Conversations with Paule Marshall: Vol. Literary conservations series. University Press of Mississippi.
Martin Japtok. (1998). Paule Marshall’s Brown Girl, Brownstones: Reconciling Ethnicity and Individualism. African American Review, 32(2), 305–315. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/3042127
McCullers, Carson. (2001). The member of the wedding: Vol. Penguin classics. Penguin books.
McCullers, Carson & Dews, C. L. Barney. (1999). Illumination and night glare: the unfinished autobiography of Carson McCullers: Vol. Wisconsin studies in autobiography. University of Wisconsin Press.
McLennan, R. (2013). Cautionary Whales?: Adolescence and Genre in Juno and Push. Mosaic: A Journal for the Interdisciplinary Study of Literature, 46(2), 105–121. https://doi.org/10.1353/mos.2013.0013
McLennan, Rachael. (2009). Adolescence, America and postwar fiction: developing figures. Palgrave Macmillan.
McRobbie, AngelaGilbey, Ryan. (2003). Sugar and Spice. Sight & Sound, 13(12), 8–56. http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505035547&site=ehost-live
Medovoi, L. (2005). Rebels: youth and the cold war origins of identity: Vol. New Americanists. Duke University Press.
Millard, Kenneth. (2007). Coming of age in contemporary American fiction. Edinburgh University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292371
Molly Hite. (1995). Optics and Autobiography in Margaret Atwood’s Cat’s Eye. Twentieth Century Literature, 41(2), 135–159. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/441644
Moore, R. (2009). Sells like teen spirit: music, youth culture, and social crisis (1st ed) [Electronic resource]. New York University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=865694
Nelson, Jashua B. (2010). ‘Humor Is My Green Card’ A Conversation with Sherman Alexie. World Literature Today, 84(4), 38–43. http://gl9sn3dh2u.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%253Aofi%252Fenc%253AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=%2522Humor+Is+My+Green+Card%2522+A+Conversation+with+Sherman+Alexie&rft.jtitle=World+Literature+Today&rft.au=Nelson%252C+Jashua+B&rft.date=2010-07-01&rft.pub=University+of+Oklahoma&rft.issn=0196-3570&rft.eissn=1945-8134&rft.volume=84&rft.issue=4&rft.spage=38&rft.epage=43&rft.externalDocID=10.2307%252F27871132&paramdict=en-US
Oliver, James. (2001). The Graduate: Mike Nichols in perspective. ScreenPress Books.
Palladino, Grace. (1996). Teenagers: an American history. BasicBooks.
Rachel Adams. (1999). ‘A Mixture of Delicious and Freak’: The Queer Fiction of Carson McCullers. American Literature, 71(3), 551–583. http://www.jstor.org.ezproxy4.lib.le.ac.uk/stable/2902739
Rishoi, Christy. (2003). From girl to woman: American women’s coming-of-age narratives: Vol. SUNY series in postmodern culture. State University of New York Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3408568
Rottnek, Matthew. (1999). Sissies and tomboys: gender nonconformity and homosexual childhood. New York University Press.
Running Out of Gas: The Energy Crisis in 1970s Suburban Narratives. (n.d.). Canadian Review of American Studies, 41(3), 342–369. http://muse.jhu.edu.ezproxy4.lib.le.ac.uk/journals/canadian_review_of_american_studies/v041/41.3.long.html
Salinger, J. D. (2010). The Catcher in the Rye. Penguin.
Salzberg, Joel. (1989). Critical essays on Salinger’s The catcher in the rye: Vol. Critical essays on American literature. G.K. Hall.
Salzman, Jack. (1991). New Essays on ‘The Catcher in the Rye’: Vol. The American novel. Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:rec:criticism:R00813203
Savage, Jon. (2007). Teenage: the creation of youth culture. Chatto & Windus.
Saxton, Ruth. (1998). The girl: constructions of the girl in contemporary fiction by women. St. Martin’s Press.
Scheibach, Michael. (2003). Atomic narratives and American youth: coming of age with the atom, 1945-1955. McFarland.
Shary, T. (2005). Teen movies: American youth on screen: Vol. Short cuts. Wallflower.
Shary, T., & Considine, D. M. (2002). Generation Multiplex: The Image of Youth in Contemporary American Cinema. University of Texas Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443244
Shary, Timothy & Seibel, Alexandra. (2007). Youth culture in global cinema (1st ed). University of Texas Press.
Shary, Timothy      Seibel, Alexandra. (2006). Youth Culture in Global Cinema. University of Texas Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443333
Shirley C Parry. (2000). Female sexuality and community in Brown Girl, Brownstones. The Black Scholar, 30(2). http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/41068881
Slocum, J. David. (2005). Rebel without a cause: approaches to a maverick masterwork: Vol. Suny series horizons of cinema. State University of New York Press.
Somatic Syntax: Replotting the Developmental Narrative in Carson McCullers’s The Member of the Wedding. (2010). Studies in the Novel, 41(3), 293–313. https://doi.org/10.1353/sdn.0.0071
Spacks, P. M. (1981). The adolescent idea: myths of youth and the adult imagination. Faber.
Tarancón, J. A. (2012). JUNO (JASON REITMAN, 2007): A PRACTICAL CASE STUDY OF TEENS, FILM AND CULTURAL STUDIES. Cultural Studies, 26(4), 442–468. https://doi.org/10.1080/09502386.2011.591496
Tillett, Rebecca. (2007). Contemporary Native American literature: Vol. BAAS paperbacks. Edinburgh University Press.
Tolchin, Karen R. (2007). Part blood, part ketchup: coming of age in American literature and film. Lexington Books.
Town, Caren J. (2004). The new Southern girl: female adolescence in the works of 12 women authors. McFarland & Co.
Trites, Roberta Seelinger. (2000). Disturbing the universe: power and repression in adolescent literature. University of Iowa Press. http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=67737
Tropiano, Stephen. (2006). Rebels and chicks: a history of the Hollywood teen movie. Back Stage Books.
Westling, Louise. (2008). Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O’Connor. University of Georgia Press.
White, Barbara A. (1985). Growing up female: adolescent girlhood in American fiction: Vol. Contributions in women’s studies. Greenwood Press.
Whitehead, J. W. (2011). Appraising The graduate: the Mike Nichols classic and its impact in Hollywood. McFarland & Co. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=665242
Whitt, Jan. (2008). Reflections in a critical eye: essays on Carson McCullers. University Press of America.
Wikborg, Eleanor. (1975). Carson McCullers’ The member of the wedding: aspects of structure and style: Vol. Göteborgs Universitets Årsskrift. Acta Universitatis Gothoburgensis.
Willis, J. L. (2008). Sexual Subjectivity: A Semiotic Analysis of Girlhood, Sex, and Sexuality in the Film Juno. Sexuality & Culture, 12(4), 240–256. https://doi.org/10.1007/s12119-008-9035-9
Wright, Bradford W. (2003). Comic book nation: the transformation of youth culture in America ([New ed.]). Johns Hopkins University Press.