Adamson, Glenn, and Julia Bryan-Wilson, Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing (London: Thames and Hudson, 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878109>
Altshuler, Bruce, Collecting the New: Museums and Contemporary Art (Princeton: Princeton University Press, 2013) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664521760002746&institutionId=2746&customerId=2745>
Aston, Margaret, Broken Idols of the English Reformation (Cambridge: Cambridge University Press, 2016) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467020002746&institutionId=2746&customerId=2745>
Barber, Tabitha, Stacy Boldrick, and Tate Britain (Gallery), Art under Attack: Histories of British Iconoclasm (London: Tate Publishing, 2013)
Boldrick, Stacy, and Richard Clay, Iconoclasm: Contested Objects, Contested Terms (Aldershot: Ashgate, 2007), Subject/object: new studies in sculpture
Bomford, David, Jill Dunkerton, and Martin Wyld, Conservation of Paintings, Rev. and expanded ed (London: National Gallery, 2009), Closer look
Bomford, David, Mark Leonard, and Getty Conservation Institute, Issues in the Conservation of Paintings (Los Angeles, Calif: Getty Conservation Institute, 2004), Readings in conservation
Bucklow, Spike, Red: The Art and Science of a Colour (London, [England]: Reaktion Books, 2016) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4571557>
———, The Riddle of the Image: The Secret Science of Medieval Art (London: Reaktion Books, 2014) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1803092>
Caple, Chris, Preventive Conservation in Museums (London: Routledge, 2011), Leicester readers in museum studies
———, Preventive Conservation in Museums (London: Routledge, 2011), Leicester readers in museum studies
———, Preventive Conservation in Museums (London: Routledge, 2011), Leicester readers in museum studies
Conti, Alessandro, History of the Restoration and Conservation of Works of Art (Oxford: Butterworth-Heinemann, 2007)
Freedberg, David, The Power of Images: Studies in the History and Theory of Response (Chicago: University of Chicago Press, 1989)
Gamboni, Dario, Destruction of Art (Reaktion Books)
Hennessy, Kate, and Trudi Lynn Smith, ‘Fugitives’ <https://www.geist.com/photography/fugitives/>
Hudek, Antony, ed., The Object (London: Whitechapel Gallery, 2014), Documents of contemporary art
Jussi Parikka, A Geology of Media (Univ Of Minnesota Press, 2015) <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6155230840002746&institutionId=2746&customerId=2745>
Knell, Simon, and Simon J Knell, Care of Collections (Hoboken: Taylor and Francis, 1994), Leicester Readers in Museum Studies
———, Care of Collections (Hoboken: Taylor and Francis, 1994), Leicester Readers in Museum Studies
Landy, Michael, Jean Tinguely, Laurence Sillars, and Tate Gallery Liverpool, Joyous Machines: Michael Landy and Jean Tinguely (Liverpool: Tate Liverpool, 2009)
Lange-Berndt, Petra, ed., Materiality (London: Whitechapel Gallery, 2015), Documents of contemporary art
M.I.T. Press, Moving Image, ed. by Omar Kholeif (London: Whitechapel Gallery, 2015), Documents of contemporary art
Mundy, Jennifer, Lost Art: Missing Artworks of the Twentieth Century
Nicolaus, Knut, and Christine Westphal, The Restoration of Paintings (Cologne: K�onemann, 1999)
Parry, Ross, Museums in a Digital Age (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1112414>
Richard, Mervin, Marion F. Mecklenburg, Ross M. Merrill, and National Gallery of Art (United States), Art in Transit: Handbook for Packing and Transporting Paintings (Washington: National Gallery of Art, 1991)
Rinehart, Richard, and Jon Ippolito, Re-Collection: Art, New Media and Social Memory (MIT Press Ltd, 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3339819>
van Saaze, Vivian, Installation Art and the Museum: Presentation and Conservation of Changing Artworks (Amsterdam: Amsterdam University Press, 2013) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664374010002746&institutionId=2746&customerId=2745>
———, Installation Art and the Museum: Presentation and Conservation of Changing Artworks (Amsterdam: Amsterdam University Press, 2013) <https://directory.doabooks.org/handle/20.500.12854/117012>
Singh, Kavita, and Mirjam Brusius, eds., Museum Storage and Meaning: Tales from the Crypt (London: Routledge, 2017), Routledge research in museum studies <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5043507>
Spike Bucklow, The Alchemy of Paint (London: Marion Boyars, 2009) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=898387>
Taylor, Paul, Condition: The Ageing of Art (London: Paul Holberton Publishing, 2015)
‘The Custodians, Working with the Whitney’s Replication Committee | The New Yorker’ <https://www.newyorker.com/magazine/2016/01/11/the-custodians-onward-and-upward-with-the-arts-ben-lerner>
‘Treasures from the Color Archive | The New Yorker’ <https://www.newyorker.com/magazine/2018/09/03/treasures-from-the-color-archive>
