Adamson, G., & Bryan-Wilson, J. (2016). Art in the making: artists and their materials from the studio to crowdsourcing. Thames and Hudson. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878109
Altshuler, B. (2013). Collecting the New: Museums and Contemporary Art [Electronic resource]. Princeton University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664521760002746&institutionId=2746&customerId=2745
Aston, M. (2016). Broken idols of the English reformation. Cambridge University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467020002746&institutionId=2746&customerId=2745
Barber, T., Boldrick, S., & Tate Britain (Gallery). (2013). Art under attack: histories of British iconoclasm. Tate Publishing.
Boldrick, S., & Clay, R. (2007). Iconoclasm: contested objects, contested terms: Vol. Subject/object: new studies in sculpture. Ashgate.
Bomford, D., Dunkerton, J., & Wyld, M. (2009). Conservation of paintings: Vol. Closer look (Rev. and expanded ed). National Gallery.
Bomford, D., Leonard, M., & Getty Conservation Institute. (2004). Issues in the conservation of paintings: Vol. Readings in conservation. Getty Conservation Institute.
Bucklow, S. (2014). The riddle of the image: the secret science of medieval art. Reaktion Books. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1803092
Bucklow, S. (2016). Red: the art and science of a colour. Reaktion Books. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4571557
Caple, C. (2011a). Preventive conservation in museums: Vol. Leicester readers in museum studies. Routledge.
Caple, C. (2011b). Preventive conservation in museums: Vol. Leicester readers in museum studies. Routledge.
Caple, C. (2011c). Preventive conservation in museums: Vol. Leicester readers in museum studies. Routledge.
Conti, A. (2007). History of the restoration and conservation of works of art. Butterworth-Heinemann.
Freedberg, D. (1989). The power of images: studies in the history and theory of response. University of Chicago Press.
Gamboni, D. (n.d.). Destruction of Art. Reaktion Books.
Hennessy, K., & Smith, T. L. (n.d.). Fugitives. https://www.geist.com/photography/fugitives/
Hudek, A. (Ed.). (2014). The object: Vol. Documents of contemporary art. Whitechapel Gallery.
Jussi Parikka. (2015). A Geology of Media. Univ Of Minnesota Press. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6155230840002746&institutionId=2746&customerId=2745
Knell, S., & Knell, S. J. (1994a). Care of Collections: Vol. Leicester Readers in Museum Studies [Electronic resource]. Taylor and Francis.
Knell, S., & Knell, S. J. (1994b). Care of Collections: Vol. Leicester Readers in Museum Studies [Electronic resource]. Taylor and Francis.
Landy, M., Tinguely, J., Sillars, L., & Tate Gallery Liverpool. (2009). Joyous machines: Michael Landy and Jean Tinguely. Tate Liverpool.
Lange-Berndt, P. (Ed.). (2015). Materiality: Vol. Documents of contemporary art. Whitechapel Gallery.
M.I.T. Press. (2015). Moving image: Vol. Documents of contemporary art (O. Kholeif, Ed.). Whitechapel Gallery.
Mundy, J. (n.d.). Lost Art: Missing Artworks of the Twentieth Century.
Nicolaus, K., & Westphal, C. (1999). The restoration of paintings. K�onemann.
Parry, R. (2010). Museums in a digital age. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1112414
Richard, M., Mecklenburg, M. F., Merrill, R. M., & National Gallery of Art (United States). (1991). Art in transit: handbook for packing and transporting paintings. National Gallery of Art.
Rinehart, R., & Ippolito, J. (2014). Re-Collection: Art, New Media and Social Memory. MIT Press Ltd. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3339819
Singh, K., & Brusius, M. (Eds.). (2017). Museum storage and meaning: tales from the crypt: Vol. Routledge research in museum studies. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5043507
Spike Bucklow. (2009). The alchemy of paint. Marion Boyars. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=898387
Taylor, P. (2015). Condition: the ageing of art. Paul Holberton Publishing.
The Custodians, Working with the Whitney’s Replication Committee | The New Yorker. (n.d.). https://www.newyorker.com/magazine/2016/01/11/the-custodians-onward-and-upward-with-the-arts-ben-lerner
Treasures from the Color Archive | The New Yorker. (n.d.). https://www.newyorker.com/magazine/2018/09/03/treasures-from-the-color-archive
van Saaze, V. (2013a). Installation Art and the Museum: Presentation and Conservation of Changing Artworks [Electronic resource]. Amsterdam University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664374010002746&institutionId=2746&customerId=2745
van Saaze, V. (2013b). Installation Art and the Museum: Presentation and Conservation of Changing Artworks [Electronic resource]. Amsterdam University Press. https://directory.doabooks.org/handle/20.500.12854/117012
