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R. Rinehart and J. Ippolito, Re-Collection: Art, New Media and Social Memory. MIT Press Ltd, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3339819
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K. Hennessy and T. L. Smith, ‘Fugitives’ [Online]. Available: https://www.geist.com/photography/fugitives/
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‘Treasures from the Color Archive | The New Yorker’ [Online]. Available: https://www.newyorker.com/magazine/2018/09/03/treasures-from-the-color-archive
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Jussi Parikka, A Geology of Media. Univ Of Minnesota Press, 2015 [Online]. Available: https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6155230840002746&institutionId=2746&customerId=2745
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R. Parry, Museums in a digital age. London: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1112414
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T. Barber, S. Boldrick, and Tate Britain (Gallery), Art under attack: histories of British iconoclasm. London: Tate Publishing, 2013.
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B. Altshuler, Collecting the New: Museums and Contemporary Art. Princeton: Princeton University Press, 2013 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664521760002746&institutionId=2746&customerId=2745
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S. Knell and S. J. Knell, Care of Collections, vol. Leicester Readers in Museum Studies. Hoboken: Taylor and Francis, 1994.
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S. Bucklow, Red: the art and science of a colour. London, [England]: Reaktion Books, 2016 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4571557
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C. Caple, Preventive conservation in museums, vol. Leicester readers in museum studies. London: Routledge, 2011.
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S. Boldrick and R. Clay, Iconoclasm: contested objects, contested terms, vol. Subject/object: new studies in sculpture. Aldershot: Ashgate, 2007.
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C. Caple, Preventive conservation in museums, vol. Leicester readers in museum studies. London: Routledge, 2011.
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P. Taylor, Condition: the ageing of art. London: Paul Holberton Publishing, 2015.
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D. Gamboni, Destruction of Art. Reaktion Books.
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D. Freedberg, The power of images: studies in the history and theory of response. Chicago: University of Chicago Press, 1989.
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J. Mundy, Lost Art: Missing Artworks of the Twentieth Century. .
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M. Aston, Broken idols of the English reformation. Cambridge: Cambridge University Press, 2016 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467020002746&institutionId=2746&customerId=2745
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S. Bucklow, The riddle of the image: the secret science of medieval art. London: Reaktion Books, 2014 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1803092
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Spike Bucklow, The alchemy of paint. London: Marion Boyars, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=898387
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D. Bomford, J. Dunkerton, and M. Wyld, Conservation of paintings, Rev. and Expanded ed., vol. Closer look. London: National Gallery, 2009.
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M. Landy, J. Tinguely, L. Sillars, and Tate Gallery Liverpool, Joyous machines: Michael Landy and Jean Tinguely. Liverpool: Tate Liverpool, 2009.
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V. van Saaze, Installation Art and the Museum: Presentation and Conservation of Changing Artworks. Amsterdam: Amsterdam University Press, 2013 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664374010002746&institutionId=2746&customerId=2745
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G. Adamson and J. Bryan-Wilson, Art in the making: artists and their materials from the studio to crowdsourcing. London: Thames and Hudson, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878109
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P. Lange-Berndt, Ed., Materiality, vol. Documents of contemporary art. London: Whitechapel Gallery, 2015.
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A. Hudek, Ed., The object, vol. Documents of contemporary art. London: Whitechapel Gallery, 2014.
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M.I.T. Press, Moving image, vol. Documents of contemporary art. London: Whitechapel Gallery, 2015.
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A. Conti, History of the restoration and conservation of works of art. Oxford: Butterworth-Heinemann, 2007.
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V. van Saaze, Installation Art and the Museum: Presentation and Conservation of Changing Artworks. Amsterdam: Amsterdam University Press, 2013 [Online]. Available: https://directory.doabooks.org/handle/20.500.12854/117012
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C. Caple, Preventive conservation in museums, vol. Leicester readers in museum studies. London: Routledge, 2011.
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K. Nicolaus and C. Westphal, The restoration of paintings. Cologne: K�onemann, 1999.
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D. Bomford, M. Leonard, and Getty Conservation Institute, Issues in the conservation of paintings, vol. Readings in conservation. Los Angeles, Calif: Getty Conservation Institute, 2004.
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S. Knell and S. J. Knell, Care of Collections, vol. Leicester Readers in Museum Studies. Hoboken: Taylor and Francis, 1994.
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K. Singh and M. Brusius, Eds., Museum storage and meaning: tales from the crypt, vol. Routledge research in museum studies. London: Routledge, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5043507
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M. Richard, M. F. Mecklenburg, R. M. Merrill, and National Gallery of Art (United States), Art in transit: handbook for packing and transporting paintings. Washington: National Gallery of Art, 1991.
