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Gregori E. ‘Geografías urbanas: La representación de la ciudad de México en El sitio y Amores Perros’. Espéculo: Revista de Estudios Literarios [Internet]. 2006;33. Available from: http://dialnet.unirioja.es/servlet/articulo?codigo=2199005
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Klecker, Cornelia. Chronology, Causality ... Confusion: When Avant-Garde Goes Classic. Journal of Film & Video [Internet]. 2011;63(2):11–27. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/10.5406/jfilmvideo.63.2.0011
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Piersecă M. ‘Gender, Corporeality and Space in Alejandro González Iñárritu’s Amores perros’. Journal for Communication and Culture [Internet]. 1(2). Available from: http://jcc.icc.org.ro/wp-content/uploads/2011/11/JCC-vol-1-no-2-2011-pages-111-127.pdf
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Serna JA. ‘El discurso de la subcultura transgresora en el film mexicano Amores perros’. Ciberletras: Revista de Crítica Literaria y de Cultura/Journal of Literary Critisim and Culture [Internet]. 2002;7. Available from: http://www.lehman.cuny.edu/ciberletras/v07/serna.html
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Solórzano-Thompson N. ‘Where Have All the Men Gone? Mexican Foundational Myths and Negative Masculinities in Alejandro González Iñárritu’s Amores perros’. Hispanet Journal [Internet]. 2010;3. Available from: http://www.hispanetjournal.com/WhereHave.pdf
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Smith B. ‘Re-Narrating Globalization: Hybridity and Resistance in Amores perros, Santitos and El jardín de Edén’. Rupkatha: Journal on Interdisciplinary Studies in Humanities [Internet]. 2010;2(3). Available from: http://rupkatha.com/V2/n3/RenarratingGlobalization.pdf
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