@book{Abrams, Nathan_Udris, Jan_2010, address={London}, edition={2nd ed}, title={Studying film}, volume={Studying the media}, publisher={Hodder Education}, author={Abrams, Nathan and Udris, Jan}, year={2010} }
@article{Acevedo-Muñoz_2004, title={'Sex, Class, and Mexico in Alfonso Cuarón’s Y tu mamá también’}, volume={34}, url={http://muse.jhu.edu/journals/film_and_history/toc/flm34.1.html}, number={1}, journal={Film and History}, author={Acevedo-Muñoz, Ernesto}, year={2004} }
@article{Acevedo-Muñoz_2007, title={‘Bridges Between the Divide: The Female Body in Y tu mamá también and Machuca’}, volume={4}, DOI={10.1386/shci.4.1.47_1}, number={1}, journal={Studies in Hispanic Cinemas}, author={Acevedo-Muñoz, Ernesto}, year={2007} }
@article{Adriana J. Bergero_2010, title={Espectros, escalofríos y discursividad herida en El espinazo del Diablo. El gótico como cuerpo-geografía cognitiva-emocional de quiebre. No todos los espectros permanecen abandonados}, volume={125}, DOI={10.1353/mln.0.0248}, number={2}, journal={MLN}, author={Adriana J. Bergero}, year={2010}, pages={433–456} }
@book{Aitken, Ian_2001, address={Edinburgh}, title={European film theory and cinema: a critical introduction}, publisher={Edinburgh University Press}, author={Aitken, Ian}, year={2001} }
@article{Amaya_2007, title={‘Amores perros and Racialised Masculinities in Contemporary Mexico’}, volume={5}, number={3}, journal={New Cinemas: Journal of Contemporary Film}, author={Amaya, Hector}, year={2007} }
@article{Andrew Sarris_1968, title={Film: The Illusion of Naturalism}, volume={13}, url={http://www.jstor.org.ezproxy3.lib.le.ac.uk/stable/1144414?seq=1}, number={2}, journal={The Drama Review: TDR}, publisher={The MIT Press}, author={Andrew Sarris}, year={1968}, pages={108–112} }
@book{Archibald_2014, title={The War That Won’t Die}, publisher={Manchester University Press}, author={Archibald, David}, year={2014} }
@book{Arriaga Jordán, Guillermo_2001, address={London}, title={Amores perros}, publisher={Faber and Faber}, author={Arriaga Jordán, Guillermo}, year={2001} }
@article{Aufderheide_2001, title={‘Y tu mamá también’}, volume={27}, number={1}, journal={Cineaste}, author={Aufderheide, P}, year={2001} }
@book{Ayala Blanco, Jorge_2001, address={México D.F.}, title={La fugacidad del cine mexicano}, volume={Tiempo de Mexico}, publisher={Oceano}, author={Ayala Blanco, Jorge}, year={2001} }
@article{Baer_Long_2004, title={Transnational Cinema and the Mexican State in Alfonso Cuarón’s Y tu mamá también}, volume={21}, url={http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/40039895}, number={3}, journal={South Central Review}, author={Baer, Hester and Long, Ryan Fred}, year={2004} }
@article{Basoli_2002, title={‘Sexual Awakenings and Stark Realities: An Interview with Alfonso Cuarón’}, volume={27}, number={3}, journal={Cineaste}, author={Basoli, A.G.}, year={2002} }
@book{Beckman, Karen Redrobe_2010, address={Durham, N.C.}, title={Crash: cinema and the politics of speed and stasis}, publisher={Duke University Press}, author={Beckman, Karen Redrobe}, year={2010} }
@book{Bordwell, David_1997, address={Cambridge, Mass}, title={On the history of film style}, publisher={Harvard University Press}, author={Bordwell, David}, year={1997} }
@book{Bordwell, David_Thompson, Kristin_2013, address={New York, N.Y.}, edition={11th edition}, title={Film art: an introduction}, url={http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917}, publisher={McGraw-Hill}, author={Bordwell, David and Thompson, Kristin}, year={2013} }
@book{Braudy, Leo_Cohen, Marshall_2008, address={Oxford}, edition={7th ed}, title={Film theory and criticism: introductory readings}, publisher={Oxford University Press}, author={Braudy, Leo and Cohen, Marshall}, year={2008} }
@article{Brinks_2004, title={‘Nobody’s Children’: Gothic Representation and Traumatic History in The Devil’s Backbone’}, volume={24}, url={http://ezproxy.lib.le.ac.uk/login?url=http://www.jstor.org/stable/20866627}, number={2}, journal={JAC}, author={Brinks, Ellen}, year={2004} }
@book{Buckland, Warren_1998, address={London}, title={Film studies}, publisher={Hodder & Stoughton}, author={Buckland, Warren}, year={1998} }
@book{Cameron, Allan_2008, address={Basingstoke}, title={Modular narratives in contemporary cinema}, url={http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230594197}, publisher={Palgrave Macmillan}, author={Cameron, Allan}, year={2008} }
@article{Chavez_2010, title={‘The eagle and the Serpent on the Screen: The State as Spectacle in Mexican Cinema’}, volume={45}, url={http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/40926272}, number={3}, journal={Latin American Research Review}, author={Chavez, Daniel}, year={2010} }
@article{Chun_del Toro_2002, title={‘What is a ghost? An interview with Guillermo del Toro’.}, volume={27}, url={http://search.ebscohost.com.ezproxy3.lib.le.ac.uk/login.aspx?direct=true&db=aft&AN=505024241&site=ehost-live}, number={2}, journal={Cineaste}, author={Chun, Kimberly and del Toro, Guillermo}, year={2002} }
@book{Corrigan, Timothy_2012, address={Boston, Mass}, edition={8th ed}, title={A short guide to writing about film}, volume={The short guide series}, publisher={Pearson}, author={Corrigan, Timothy}, year={2012} }
@book{Cuarón, Alfonso_2003, address={Southwold}, title={Y tu Mamá También =: And your Mother too}, publisher={Screenpress Books}, author={Cuarón, Alfonso}, year={2003} }
@misc{Cuarón, Alfonso_Verdu, Maribel_Luna, Diego_García Bernal, Gael_2007, address={[S.l.]}, title={Y tu Mamá También =: And your Mother too}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0054DD25?bcast=36578511}, publisher={Icon Home Entertainment}, author={Cuarón, Alfonso and Verdu, Maribel and Luna, Diego and García Bernal, Gael}, year={2007} }
@book{Cuarón, Carlos_Cuarón, Alfonso_2001, address={México D.F.}, title={Y tú mamá también: guión y argumento cinematográfico}, publisher={Trilce}, author={Cuarón, Carlos and Cuarón, Alfonso}, year={2001} }
@article{Davies_2007, title={The Beautiful and the Monstrous Masculine: The Male Body and Horror in (Guillermo del Toro 2001)}, volume={3}, DOI={10.1386/shci.3.3.135_1}, number={3}, journal={Studies in Hispanic Cinemas}, author={Davies, Ann}, year={2007}, month={Nov}, pages={135–147} }
@book{Davies_2012, address={Liverpool}, title={Spanish spaces: landscape, space and place in contemporary Spanish culture}, volume={Contemporary Hispanic and Lusophone cultures}, url={http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=437438}, publisher={Liverpool University Press}, author={Davies, Ann}, year={2012} }
@inbook{Díaz López_2008, address={Madrid}, title={‘¿Dónde están los hombres? Crisis de la masculinidad mexicana en Y tu mama también’}, booktitle={Negociando identidades, traspasando fronteras : tendencias en la literatura y el cine Mexicanos en torno al nuevo milenio}, publisher={Iberoamericana/Vervuert}, author={Díaz López, Marina}, editor={Igler, Susanna and Stauder, Thomas}, year={2008} }
@article{Díaz_2005, title={‘El viaje como desintegración y fundación ideológica en Y tu mamá también y Diarios de motocicleta’}, volume={13}, url={http://www.lehman.edu/faculty/guinazu/ciberletras/v13/diaz.htm}, journal={Ciberletras}, author={Díaz, Rosana}, year={2005} }
@book{Elena, Alberto_Díaz López, Marina_2003a, address={London}, title={The cinema of Latin America}, volume={24 Frames}, publisher={Wallflower}, author={Elena, Alberto and Díaz López, Marina}, year={2003} }
@book{Elena, Alberto_Díaz López, Marina_2003b, address={London}, title={The cinema of Latin America}, volume={24 Frames}, publisher={Wallflower}, author={Elena, Alberto and Díaz López, Marina}, year={2003} }
@misc{Escalante, Amat_Rodríguez, Jesús Moisés_Sosa, Rubén_2012, address={[S.l.]}, title={Los bastardos}, volume={Artificial eye}, publisher={Artificial Eye}, author={Escalante, Amat and Rodríguez, Jesús Moisés and Sosa, Rubén}, year={2012} }
@inbook{Fernández_2012, address={Trier, Germany}, title={‘El road movie en México: Hacia el cronotopo del viaje’}, booktitle={Re)Discovering ‘America’: Road Movies and Other Travel Narratives in North America/(Re)Descubriendo ‘America’: Road movie y otras narrativas de viaje en América del Norte}, publisher={Wissenschaftlicher Verlag Trier}, author={Fernández, Alvaro A.}, editor={Martínez-Zalce, Graciela and Raussert, Wilfried}, year={2012} }
@inbook{Finnegan_2007, address={Lanham, MD}, title={‘So What’s Mexico Really Like?: Framing the Local, Negotiating the Global in Alfonso Cuarón’s Y tu mama también’}, booktitle={Contemporary Latin American Cinema: Breaking the Global Market}, publisher={Rowman & Littlefield}, author={Finnegan, Nuala}, editor={Shaw, Deborah}, year={2007} }
@book{Foster, David William_2002, address={Austin}, title={Mexico City in contemporary Mexican cinema}, publisher={University of Texas Press}, author={Foster, David William}, year={2002} }
@book{Furst, Lilian R_Skrine, Peter N_1971, address={London}, title={Naturalism}, volume={The critical idiom}, publisher={Methuen}, author={Furst, Lilian R and Skrine, Peter N}, year={1971} }
@article{Gibbs_2005, title={‘Road Movies Mapping the Nation: Y tu mamá también’}, volume={4}, url={http://www.gla.ac.uk/media/media_41153_en.pdf}, journal={eSharp: Electronic Social Sciences, Humanities, and Arts Review for Postgraduates}, author={Gibbs, Jessie}, year={2005} }
@misc{González Iñárritu, Alejandro_García Bernal, Gael_Toldeo, Goya_Echevarría, Emilio_2001, address={[S.l.]}, title={Amores perros =: Love’s a bitch}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/001B5743?bcast=3015402}, publisher={Optimum Releasing}, author={González Iñárritu, Alejandro and García Bernal, Gael and Toldeo, Goya and Echevarría, Emilio}, year={2001} }
@article{Gregori_2006, title={‘Geografías urbanas: La representación de la ciudad de México en El sitio y Amores Perros’}, volume={33}, url={http://dialnet.unirioja.es/servlet/articulo?codigo=2199005}, journal={Espéculo: Revista de Estudios Literarios}, author={Gregori, Eduardo}, year={2006} }
@inbook{Grochowski_Ibarra Zetter_2011, address={Newcastle}, title={‘¡No manches, güey! Humor in Mexican Film’}, url={http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=523843}, booktitle={Lenguaje, arte y revoluciones ayer y hoy: new approaches to Hispanic linguistic, literary and cultural studies}, publisher={Cambridge Scholars}, author={Grochowski, Alison and Ibarra Zetter, Karol}, year={2011} }
@book{Haddu, Miriam_2007, address={Lewiston, NY}, title={Contemporary Mexican cinema, 1989-1999: history, space, and identity}, publisher={Edwin Mellen Press}, author={Haddu, Miriam}, year={2007} }
@article{Hardcastle, title={‘Ghost of the Past and Present: Hauntology and the Spanish Civil War in Guillermo del Toro’s The Devil’s Backbone’}, volume={15}, number={2}, journal={Journal of the Fantastic in the Arts}, author={Hardcastle, Anne E.} }
@book{Hart, Stephen M._2004a, address={Rochester}, title={A companion to Latin American film}, volume={Colección Támesis. Serie A, Monografías}, url={https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3003507}, publisher={Tamesis}, author={Hart, Stephen M.}, year={2004} }
@book{Hart, Stephen M._2004b, address={Rochester}, title={A companion to Latin American film}, volume={Colección Támesis. Serie A, Monografías}, url={https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3003507}, publisher={Tamesis}, author={Hart, Stephen M.}, year={2004} }
@book{Hayward, Susan_2006, address={London}, edition={3rd ed}, title={Cinema studies: the key concepts}, volume={Routledge key guides}, url={https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=268612}, publisher={Routledge}, author={Hayward, Susan}, year={2006} }
@article{Hind_2004, title={‘Post-NAFTA Mexican Cinema, 1998-2002’}, volume={23}, journal={Studies in Latin American Popular Culture}, author={Hind, E}, year={2004} }
@article{Ibarra_2012, title={Permanent hauntings: spectral fantasies and national trauma in Guillermo del Toro’s <I>El espinazo del diablo</I> <I>[The Devil’s Backbone]</I>}, volume={12}, number={1}, journal={Journal of Romance Studies}, author={Ibarra, Enrique Ajuria}, year={2012}, month={Apr}, pages={56–71} }
@book{Kendrick, James_2009, address={London}, title={Film violence: history, ideology, genre}, volume={Short cuts}, publisher={Wallflower}, author={Kendrick, James}, year={2009} }
@book{King, John_2000, address={London}, edition={New ed}, title={Magical reels: a history of cinema in Latin America}, volume={Critical studies in Latin American and Iberian cultures}, publisher={Verso}, author={King, John}, year={2000} }
@book{King, John_López, Ana M._Alvarado, Manuel_British Film Institute_1993, address={London}, title={Mediating two worlds: cinematic encounters in the Americas}, publisher={BFI}, author={King, John and López, Ana M. and Alvarado, Manuel and British Film Institute}, year={1993} }
@article{Klecker, Cornelia_2011, title={Chronology, Causality ... Confusion: When Avant-Garde Goes Classic.}, volume={63}, url={http://ezproxy.lib.le.ac.uk/login?url=https://www.jstor.org/stable/10.5406/jfilmvideo.63.2.0011}, number={2}, journal={Journal of Film & Video}, author={Klecker, Cornelia}, year={2011}, pages={11–27} }
@book{Laderman, David_2002, address={Austin, Tex}, title={Driving visions: exploring the road movie}, url={https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3443131}, publisher={University of Texas Press}, author={Laderman, David}, year={2002} }
@article{Lawrenson_Pérez Soler_2001, title={‘Pup Fiction: an Interview with Alejandro González Iñárritu’}, volume={11}, number={5}, journal={Sight and Sound}, author={Lawrenson, Edward and Pérez Soler, Bernardo}, year={2001} }
@article{Lázaro-Reboll_2007, title={The Transnational Reception of <I>El espinazo del diablo</I> (Guillermo del Toro 2001)}, volume={8}, DOI={10.1179/174582007X164320}, number={1}, journal={Hispanic Research Journal}, author={Lázaro-Reboll, Antonio}, year={2007}, month={Feb}, pages={39–51} }
@book{Lázaro-Reboll, Antonio_Willis, Andrew_2004, address={Manchester}, title={Spanish popular cinema}, volume={Inside popular film}, publisher={Manchester University Press}, author={Lázaro-Reboll, Antonio and Willis, Andrew}, year={2004} }
@article{Lie_Ku_Mandolessi_2012, title={Violencia y transnacionalidad en el cine latinoamericano contemporáneo, sobre Carancho (P. Trapero, 2010) y Los Bastardos (A. Escalante, 2008)}, volume={35}, url={http://gl9sn3dh2u.search.serialssolutions.com/?sid=ProQ:&issn=11346795&volume=35&issue=&title=Secuencias&spage=103&date=2012-01-01&atitle=Violencia+y+transnacionalidad+en+el+cine+latinoamericano+contempor%C3%A1neo%2C+sobre+Carancho+%28P.+Trapero%2C+2010%29+y+Los+Bastardos+%28A.+Escalante%2C+2008%29&au=Lie%2C+Nadia%3BKu%2C+Leuven%3BMandolessi%2C+Silvana&id=doi:}, journal={Secuencias (Madrid, Spain : 1994)}, author={Lie, Nadia and Ku, Leuven and Mandolessi, Silvana}, year={2012}, pages={103–119} }
@book{LoBrutto, Vincent_2005, address={Westport, Conn}, title={Becoming film literate: the art and craft of motion pictures}, publisher={Praeger}, author={LoBrutto, Vincent}, year={2005} }
@book{Lowenstein, Adam_2005, address={New York}, title={Shocking representation: historical trauma, national cinema, and the modern horror film}, volume={Film and culture}, publisher={Columbia University Press}, author={Lowenstein, Adam}, year={2005} }
@inbook{Ma_2006, address={New York}, title={‘Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perros’}, booktitle={Screening world cinema}, publisher={Routledge}, author={Ma, Ning}, editor={Grant, Catherine and Kuhn, Annette}, year={2006} }
@book{Maciel, David_Hershfield, Joanne_1999, address={Wilmington, Del}, title={Mexico’s cinema: a century of film and filmmakers}, volume={Latin American silhouettes}, publisher={Scholarly Resources}, author={Maciel, David and Hershfield, Joanne}, year={1999} }
@book{Maciel, David_San Diego State University_1990, address={San Diego, Calif}, title={El Norte: the U.S.-Mexican border in contemporary cinema}, volume={Border studies series}, publisher={Institute for Regional Studies of the Californias, San Diego State University}, author={Maciel, David and San Diego State University}, year={1990} }
@book{McDonald_Clark_2014, address={New York}, title={Guillermo del Toro: film as alchemic art}, publisher={Bloomsbury}, author={McDonald, Keith and Clark, Roger}, year={2014} }
@book{Medrano Platas, Alejandro_1999, address={México, D.F.}, title={Quince directores del cine Mexicano: entrevistas}, publisher={Plaza y Valdés}, author={Medrano Platas, Alejandro}, year={1999} }
@article{Menne_2007, title={A Mexican Nouvelle Vague : The Logic of New Waves under Globalization}, volume={47}, DOI={10.1353/cj.2007.0054}, number={1}, journal={Cinema Journal}, author={Menne, Jeff.}, year={2007}, pages={70–92} }
@article{Menne, title={‘A Mexican Nouvelle Vague: The Logic of New Waves under Globalization’}, volume={47}, url={http://muse.jhu.edu/journals/cinema_journal/v047/47.1menne.html}, number={1}, journal={Cinema Journal}, author={Menne, Jeff} }
@book{Monaco, James_Lindroth, David_2009, address={Oxford}, edition={4th ed. completely revised and expanded}, title={How to read a film, movies, media, and beyond: art, technology, language, history, theory}, publisher={Oxford University Press}, author={Monaco, James and Lindroth, David}, year={2009} }
@book{Mora, Carl J._2005, address={Jefferson}, edition={3rd ed}, title={Mexican cinema: reflections of a society, 1896-2004}, publisher={McFarland & Company Inc}, author={Mora, Carl J.}, year={2005} }
@book{Noble, Andrea_2005, address={London}, title={Mexican national cinema}, volume={National cinemas series}, publisher={Routledge}, author={Noble, Andrea}, year={2005} }
@article{Oropesa_2008, title={Proxemics , Homogenization and Diversity in Mexico’s Road Movies: Por la libre (2000), Sin dejarhuella (2000), and Y tu mamá también (2001)}, volume={3}, url={http://hispanicissues.umn.edu/assets/pdf/Oropesa.pdf}, journal={Hispanic Issues On Line}, author={Oropesa, Salvador A.}, year={2008} }
@book{Paranaguá, Paulo Antonio_Consejo Nacional para la Cultura y las Artes (Mexico)_British Film Institute_Instituto Mexicano de Cinematografía_1995, address={London}, title={Mexican cinema}, publisher={British Film Institute}, author={Paranaguá, Paulo Antonio and Consejo Nacional para la Cultura y las Artes (Mexico) and British Film Institute and Instituto Mexicano de Cinematografía}, year={1995} }
@article{Pastor_2011, title={‘La bella y la bestia en el cine de Guillermo del Toro: El espinazo del diablo y El laberinto del fauno’}, volume={187}, url={http://arbor.revistas.csic.es/index.php/arbor/article/view/1310/1319}, number={748}, journal={ARBOR: Ciencia, Pensamiento y Cultura}, author={Pastor, Brígida M.}, year={2011} }
@article{Piersecă, title={‘Gender, Corporeality and Space in Alejandro González Iñárritu’s Amores perros’}, volume={1}, url={http://jcc.icc.org.ro/wp-content/uploads/2011/11/JCC-vol-1-no-2-2011-pages-111-127.pdf}, number={2}, journal={Journal for Communication and Culture}, author={Piersecă, Mădălina} }
@article{Podalsky_2003, title={‘Affecting Legacies: Historical Memory and Contemporary Structures of Feeling in Madagascar and Amores perros’}, volume={44}, DOI={10.1093/screen/44.3.277}, number={3}, journal={Screen}, author={Podalsky, Laura}, year={2003} }
@book{Prawer, Siegbert Salomon_1988, address={New York}, title={Caligari’s children: the film as tale of terror}, publisher={Da Capo Press}, author={Prawer, Siegbert Salomon}, year={1988} }
@book{Prince, Stephen_2000, address={New Brunswick, N.J.}, title={Screening violence}, volume={Rutgers depth of field series}, publisher={Rutgers University Press}, author={Prince, Stephen}, year={2000} }
@inbook{Rawnsley_2009, address={Basingstoke}, title={‘Realism and National Identity in Y tu mama también: An Audience Perspective’}, url={http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/chapter/10.1057/9780230246973_8}, booktitle={Realism and the Audiovisual Media}, publisher={Palgrave}, author={Rawnsley, M.Y.T.}, editor={Nagib, Lucia}, year={2009} }
@article{Ribas_2009, title={‘El pinche acentito ese’: deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio: <I>Amores perros, Y tu mamá también</I>, <I>Sin dejar huella</I>}, volume={10}, DOI={10.1179/146827309X12541438883067}, number={5}, journal={Hispanic Research Journal}, author={Ribas, Alberto}, year={2009}, month={Dec}, pages={457–481} }
@article{Ribas, title={‘“El pinche acentito ese”: deseo transátlantico y exotismo satírico en el cine mexicano del cambio del milenio: Amores perros, Y tu mama también y Sin dejar hella.’}, volume={10}, number={5}, journal={Hispanic Research Journal}, author={Ribas, Alberto} }
@article{Romney_2004, title={‘Enigma Variations’}, volume={14}, number={3}, journal={Sight and Sound}, author={Romney, Jonathan}, year={2004} }
@article{Sabbadini_2003, title={Film Review Essay: ‘Not Something Destroyed but Something that is Alive’: Amores perros at the Intersection of Rescue Fantasies}, volume={84}, DOI={10.1516/8TF4-KMQQ-QNCQ-H92P}, number={3}, journal={The International Journal of Psychoanalysis}, author={Sabbadini, Andrea}, year={2003} }
@article{Saldana-Portillo_2005, title={In the Shadow of NAFTA: Y tu mama tambien Revisits the National Allegory of Mexican Sovereignty}, volume={57}, DOI={10.1353/aq.2005.0051}, number={3}, journal={American Quarterly}, author={Saldana-Portillo, Maria Josefina}, year={2005}, pages={751–777} }
@article{Sánchez Prado_2006, title={‘Amores perros: Exotic Violence and Neoliberal Fear’}, volume={15}, DOI={10.1080/13569320600596991}, number={1}, journal={Journal of Latin American Cultural Studies}, author={Sánchez Prado, Ignacio M.}, year={2006} }
@article{Savage, title={The Object(s) of Interpretation: Guillermo Del Toro’s El Espinazo Del Diablo (The Devil’s Backbone)}, volume={12}, url={http://sensesofcinema.com/2002/feature-articles/devil_backbone/}, journal={Senses of Cinema:: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema}, author={Savage, Julian} }
@book{Schaefer, Claudia_2003, address={Albany, N.Y.}, title={Bored to distraction: cinema of excess in end-of-the-century Mexico and Spain}, volume={SUNY series in Latin American and Iberian thought and culture}, publisher={State University of New York Press}, author={Schaefer, Claudia}, year={2003} }
@book{Schulz Cruz, Bernard_2010, address={Lewiston, N.Y.}, title={The evolution of gay imagery in Mexican cinema: an analysis of thirty-six films, 1970-1999}, publisher={Edwin Mellen}, author={Schulz Cruz, Bernard}, year={2010} }
@article{Serna_2002, title={‘El discurso de la subcultura transgresora en el film mexicano Amores perros’}, volume={7}, url={http://www.lehman.cuny.edu/ciberletras/v07/serna.html}, journal={Ciberletras: Revista de Crítica Literaria y de Cultura/Journal of Literary Critisim and Culture}, author={Serna, Juan Antonio}, year={2002} }
@article{Serna_2004, title={‘El espacio utópico como medio catalizador de la sexualidad masculina y la lucha de clases en Y tu mamá también’}, volume={11}, url={http://www.lehman.cuny.edu/ciberletras/v11/serna.html}, journal={Ciberletras}, author={Serna, Juan Antonio}, year={2004} }
@book{Shaw, Deborah_2003, address={New York}, title={Contemporary cinema of Latin America: ten key films}, publisher={Continuum}, author={Shaw, Deborah}, year={2003} }
@book{Shaw_2013a, address={Manchester}, title={The three amigos: the transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón}, volume={Spanish and Latin American filmmakers}, publisher={Manchester University Press}, author={Shaw, Deborah}, year={2013} }
@book{Shaw_2013b, address={Manchester}, title={The three amigos: the transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón}, volume={Spanish and Latin American filmmakers}, publisher={Manchester University Press}, author={Shaw, Deborah}, year={2013} }
@book{Shaw_2013c, address={Manchester}, title={The three amigos: the transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón}, volume={Spanish and Latin American filmmakers}, publisher={Manchester University Press}, author={Shaw, Deborah}, year={2013} }
@article{Smith_2010, title={‘Re-Narrating Globalization: Hybridity and Resistance in Amores perros, Santitos and El jardín de Edén’}, volume={2}, url={http://rupkatha.com/V2/n3/RenarratingGlobalization.pdf}, number={3}, journal={Rupkatha: Journal on Interdisciplinary Studies in Humanities}, author={Smith, Brent}, year={2010} }
@article{Smith, Paul Julian_2001, title={‘Ghost of the Civil Dead’}, volume={11}, url={http://search.ebscohost.com.ezproxy3.lib.le.ac.uk/login.aspx?direct=true&db=aft&AN=504988620&site=ehost-live}, number={12}, journal={Sight & Sound}, author={Smith, Paul Julian}, year={2001}, pages={38–46} }
@book{Smith, Paul Julian_2003, address={London}, title={Amores perros}, volume={British Film Institute}, publisher={British Film Institute}, author={Smith, Paul Julian}, year={2003} }
@article{Solórzano-Thompson_2010, title={‘Where Have All the Men Gone? Mexican Foundational Myths and Negative Masculinities in Alejandro González Iñárritu’s Amores perros’}, volume={3}, url={http://www.hispanetjournal.com/WhereHave.pdf}, journal={Hispanet Journal}, author={Solórzano-Thompson, Nohemy}, year={2010} }
@article{Stanley_2006, title={‘El cuerpo femenino como emblema nacional en los filmes Ay, Carmela! y El espinazo del diablo’}, volume={3}, url={https://www.worldlang.txst.edu/letrashispanas/previousvolumes/vol3-1.html}, number={1}, journal={Letras Hispanas: Revista de Literatura y Cultura}, author={Stanley, Maureen Tobin}, year={2006} }
@article{Thomas_2011, title={‘Ghostly Affinities: Child Subjectivity and Spectral Presences in El espíritu de la colmena and El espinazo del diablo’}, volume={4}, url={http://www.hispanetjournal.com/Volume4.htm}, journal={Hispanet Journal}, author={Thomas, Sarah}, year={2011} }
@inbook{Thornton_2011, address={Trier, Germany}, title={‘Finding a Place in a Megalopolis: Mexico City in Amores Perros’}, booktitle={EthniCities: Metropolitan Cultures and Ethnic Identities in the Americas}, publisher={Wissenschaftlicher Verlag Trier}, author={Thornton, Naimh}, editor={Kaltmeier, Olaf}, year={2011} }
@misc{Toro, Guillermo Del_Luppi, Frederico_Paredes, Marisa_Garcés, Iñigo_Noriega, Eduardo_2002, address={[S.l.]}, title={El espinazo del Diablo =: The Devil’s backbone}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/001A5950?bcast=114425529}, publisher={Optimum releasing}, author={Toro, Guillermo Del and Luppi, Frederico and Paredes, Marisa and Garcés, Iñigo and Noriega, Eduardo}, year={2002} }
@article{Wendorff_Morley_2004, title={‘Amores perros: A Tragic Weltanschauung’}, volume={1}, number={9}, journal={Film Journal}, author={Wendorff, Liliana and Morley, Thomas J.}, year={2004} }
@book{Williams, Christopher_1980, address={London}, title={Realism and the cinema: a reader}, volume={BFI readers in film studies}, publisher={Routledge and Kegan Paul [for] British Film Institute}, author={Williams, Christopher}, year={1980} }
@book{Wood, Jason_2006a, address={London}, title={The Faber book of Mexican cinema}, publisher={Faber}, author={Wood, Jason}, year={2006} }
@book{Wood, Jason_2006b, address={London}, title={Talking movies: contemporary world filmmakers in interview}, publisher={Wallflower}, author={Wood, Jason}, year={2006} }
@article{Wood_2001, title={Strangely Hopeful Messages - Amores perros}, volume={5122}, url={https://link.gale.com/apps/doc/EX1200504353/TLSH?u=leicester&sid=bookmark-TLSH&xid=3e82d770}, journal={TLS, the Times Literary Supplement}, author={Wood, Tony}, year={2001} }
@inbook{Zavala Scherer_Hernández_2012, address={Trier, Germany}, title={‘Apuntes sobre la familia mexicana y el viaje hacia la madurez: Una revisión de las películas ¡Ay Jalisco... no te rajes!, Los hijos de Sánchez, Y tu mamá también’}, volume={Inter-American studies =}, booktitle={(Re)discovering ‘America’: road movies and other travel narratives in North America = (Re)descubriendo ’América’ : road movie y otras narrativas de viaje en América del Norte}, publisher={Wissenchaftlicher Verlag Trier}, author={Zavala Scherer, Diego and Hernández, Alivisi}, year={2012} }
