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Cuarón, Alfonso, Verdu, Maribel, Luna, Diego, and García Bernal, Gael, ‘Y tu Mamá También =: And your Mother too’. Icon Home Entertainment, [S.l.], 2007 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0054DD25?bcast=36578511
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Toro, Guillermo Del, Luppi, Frederico, Paredes, Marisa, Garcés, Iñigo, and Noriega, Eduardo, ‘El espinazo del Diablo =: The Devil’s backbone’. Optimum releasing, [S.l.], 2002 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/001A5950?bcast=114425529
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E. Gregori, ‘“Geografías urbanas: La representación de la ciudad de México en El sitio y Amores Perros”’, Espéculo: Revista de Estudios Literarios, vol. 33, 2006 [Online]. Available: http://dialnet.unirioja.es/servlet/articulo?codigo=2199005
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N. Ma, ‘“Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perros”’, in Screening world cinema, C. Grant and A. Kuhn, Eds. New York: Routledge, 2006.
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J. A. Serna, ‘“El discurso de la subcultura transgresora en el film mexicano Amores perros”’, Ciberletras: Revista de Crítica Literaria y de Cultura/Journal of Literary Critisim and Culture, vol. 7, 2002 [Online]. Available: http://www.lehman.cuny.edu/ciberletras/v07/serna.html
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B. Smith, ‘“Re-Narrating Globalization: Hybridity and Resistance in Amores perros, Santitos and El jardín de Edén”’, Rupkatha: Journal on Interdisciplinary Studies in Humanities, vol. 2, no. 3, 2010 [Online]. Available: http://rupkatha.com/V2/n3/RenarratingGlobalization.pdf
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Smith, Paul Julian, Amores perros, vol. British Film Institute. London: British Film Institute, 2003.
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L. Wendorff and T. J. Morley, ‘“Amores perros: A Tragic Weltanschauung”’, Film Journal, vol. 1, no. 9, 2004.
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N. Thornton, ‘“Finding a Place in a Megalopolis: Mexico City in Amores Perros”’, in EthniCities: Metropolitan Cultures and Ethnic Identities in the Americas, O. Kaltmeier, Ed. Trier, Germany: Wissenschaftlicher Verlag Trier, 2011.
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E. Acevedo-Muñoz, ‘‘Bridges Between the Divide: The Female Body in Y tu mamá también and Machuca’’, Studies in Hispanic Cinemas, vol. 4, no. 1, 2007, doi: 10.1386/shci.4.1.47_1.
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P. Aufderheide, ‘“Y tu mamá también”’, Cineaste, vol. 27, no. 1, 2001.
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A. G. Basoli, ‘“Sexual Awakenings and Stark Realities: An Interview with Alfonso Cuarón”’, Cineaste, vol. 27, no. 3, 2002.
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Cuarón, Carlos and Cuarón, Alfonso, Y tú mamá también: guión y argumento cinematográfico. México D.F.: Trilce, 2001.
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Cuarón, Alfonso, Y tu Mamá También =: And your Mother too. Southwold: Screenpress Books, 2003.
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M. Díaz López, ‘‘¿Dónde están los hombres? Crisis de la masculinidad mexicana en Y tu mama también’’, in Negociando identidades, traspasando fronteras : tendencias en la literatura y el cine Mexicanos en torno al nuevo milenio, S. Igler and T. Stauder, Eds. Madrid: Iberoamericana/Vervuert, 2008.
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M. Y. T. Rawnsley, ‘“Realism and National Identity in Y tu mama también: An Audience Perspective”’, in Realism and the Audiovisual Media, L. Nagib, Ed. Basingstoke: Palgrave, 2009 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/chapter/10.1057/9780230246973_8
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A. Ribas, ‘“El pinche acentito ese”: deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio: <I>Amores perros, Y tu mamá también</I>, <I>Sin dejar huella</I>’, Hispanic Research Journal, vol. 10, no. 5, pp. 457–481, Dec. 2009, doi: 10.1179/146827309X12541438883067.
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