Bibliography for HA1114 Realism and the Cinema BETA

@book{Aitken, Ian_2006, address={Manchester}, title={Realist film theory and cinema: the nineteenth-century Lukácsian and intuitionist realist traditions}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662274370002746&institutionId=2746&customerId=2745}, publisher={Manchester University Press}, author={Aitken, Ian}, year={2006} }

@book{Aldgate, Anthony_1995, address={Oxford}, title={Censorship and the permissive society: British cinema and theatre, 1955-1965}, publisher={Clarendon Press}, author={Aldgate, Anthony}, year={1995} }

@book{Aldgate, Anthony_Richards, Jeffrey_2009, address={London}, edition={New ed}, title={Best of British: cinema and society from 1930 to the present}, volume={Cinema and society series}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10424556}, publisher={I.B.Tauris}, author={Aldgate, Anthony and Richards, Jeffrey}, year={2009} }

@inbook{Allen_2003, address={Harlow}, title={Fixing it in Digital: Chapter}, volume={Inside film}, booktitle={Contemporary US cinema}, publisher={Longman}, author={Allen, Michael}, year={2003}, pages={201–223} }

@book{Altman, Rick_1980, address={New Haven, Conn}, title={Cinema/sound}, volume={Yale french studies}, publisher={Yale French Studies}, author={Altman, Rick}, year={1980} }

@book{Altman, Rick_1992, address={New York, N.Y.}, title={Sound theory, sound practice}, volume={AFI film readers}, publisher={Routledge}, author={Altman, Rick}, year={1992} }

@misc{Anderson, Lindsay_Owen, Alun_Ford Motor Company_1957, address={[S.l.]}, title={Every day except Christmas}, volume={Look at Britain}, publisher={Duke Video}, author={Anderson, Lindsay and Owen, Alun and Ford Motor Company}, year={1957} }

@misc{Anderson, Lindsay_Storey, David_Harris, Richard_Roberts, Rachel_1963, address={[S.l.]}, edition={Digitally restored}, title={This sporting life}, publisher={Network}, author={Anderson, Lindsay and Storey, David and Harris, Richard and Roberts, Rachel}, year={1963} }

@book{Andrew, Dudley_1990, address={New York}, title={André Bazin}, publisher={Columbia University Press}, author={Andrew, Dudley}, year={1990} }

@book{Andrew, Dudley_2010, address={Oxford}, title={What cinema is!: Bazin’s quest and its charge}, volume={Blackwell manifestos}, publisher={Wiley-Blackwell}, author={Andrew, Dudley}, year={2010} }

@book{Andrew, Dudley_Joubert-Laurencin, Hervé_2011, address={Oxford}, title={Opening Bazin: postwar film theory and its afterlife}, publisher={Oxford University Press}, author={Andrew, Dudley and Joubert-Laurencin, Hervé}, year={2011} }

@inbook{Andrews_2010, address={Oxford}, title={Pursuing Cinema in the Twenty-First Century: Chapter}, volume={Blackwell manifestos}, booktitle={What cinema is!: Bazin’s quest and its charge}, publisher={Wiley-Blackwell}, author={Andrews, Dudley}, year={2010}, pages={48–65} }

@misc{Antonioni, Michelangelo_Bosé, Lucia_Girotti, Massimo_1950, address={S.l]}, title={Cronaca di un amore =: The story of a love affair}, volume={Tribute to Antonioni series}, publisher={Mr Bongo films}, author={Antonioni, Michelangelo and Bosé, Lucia and Girotti, Massimo}, year={1950} }

@inbook{Armstrong_2005, address={London}, title={What is Realism?: Chapter}, volume={Understanding the moving image}, booktitle={Understanding realism}, publisher={BFI}, author={Armstrong, Richard}, year={2005}, pages={1–10} }

@misc{Arnold, Andrea_Dickie, Kate_Curran, Tony_2006, address={[S.l.]}, title={Red road}, publisher={Verve Pictures}, author={Arnold, Andrea and Dickie, Kate and Curran, Tony}, year={2006} }

@book{Austin, Thomas_2007, address={Manchester}, title={Watching the world: screen documentary and audiences}, url={http://site.ebrary.com/lib/leicester/Doc?id=10627215}, publisher={Manchester University Press}, author={Austin, Thomas}, year={2007} }

@inbook{Badley_2006, address={Edinburgh}, title={Danish Dogma: ‘Truth’ and Cultural Politics: Chapter}, volume={Traditions in world cinema}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-235254-dt-content-rid-713308_5/library/eReserves/HA1114/HA1114%20-%20Doc%2018.pdf}, booktitle={Traditions in world cinema}, publisher={Edinburgh University Press}, author={Badley, Linda}, year={2006}, pages={80–94} }

@book{Badley, Linda_2011, address={Urbana, Ill}, title={Lars von Trier}, volume={Contemporary film directors}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663774820002746&institutionId=2746&customerId=2745}, publisher={University of Illinois Press}, author={Badley, Linda}, year={2011} }

@book{Bainbridge, Caroline_2007, address={London}, title={The cinema of Lars von Trier: authenticity and artifice}, volume={Directors’ cuts}, publisher={Wallflower}, author={Bainbridge, Caroline}, year={2007} }

@inbook{Baker_2006, address={Oxford}, title={Errol Morris, American Iconoclast: Chapter}, booktitle={Documentary in the digital age}, publisher={Elsevier Focal}, author={Baker, Maxine}, year={2006}, pages={1–26} }

@book{Barr, Charles_British Film Institute_1986, address={London}, title={All our yesterdays: 90 years of British cinema}, publisher={BFI Publishing}, author={Barr, Charles and British Film Institute}, year={1986} }

@inbook{Barsam_Monahan_11AD, address={New York}, title={Sound: Chapter}, booktitle={Looking at Movies}, publisher={WW Norton & Co}, author={Barsam, Richard and Monahan, Dave}, year={11AD}, pages={387–430} }

@misc{Bay_2001, title={Pearl Harbor}, author={Bay, Michael}, year={2001} }

@book{Bazin, André_1992, address={Berkeley, Calif}, title={What is cinema?: Volume 2}, publisher={University of California Press}, author={Bazin, André}, year={1992} }

@inbook{Bazin_2008, address={Oxford}, title={Evolution of the Language of Cinema}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-1025237-dt-content-rid-2561166_5/library/eReserves/HA1114/HA1114_34955.pdf}, booktitle={Film Theory and Criticism}, publisher={Oxford University Press}, author={Bazin, Andre}, year={2008}, pages={41–53} }

@book{Bazin, André_Cardullo, Bert_1997, address={London}, title={Bazin at work: major essays and reviews from the forties and fifties}, publisher={Routledge}, author={Bazin, André and Cardullo, Bert}, year={1997} }

@book{Bazin, André_Cardullo, Bert_2011, address={New York}, title={André Bazin and Italian neorealism}, url={http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com/detail.asp?id=330775}, publisher={Continuum}, author={Bazin, André and Cardullo, Bert}, year={2011} }

@book{Bazin, André_Gray, Hugh_1992, address={Berkeley, Calif}, title={What is cinema?: Volume 1}, publisher={University of California Press}, author={Bazin, André and Gray, Hugh}, year={1992} }

@book{Beattie, Keith_2011, address={Urbana}, title={D. A. Pennebaker}, volume={Contemporary film directors}, url={http://site.ebrary.com/lib/leicester/Doc?id=10532354}, publisher={University of Illinois Press}, author={Beattie, Keith}, year={2011} }

@article{Beck_2002, title={Citing the Sound}, volume={29}, DOI={10.1080/01956050209601021}, number={4}, journal={Journal of Popular Film and Television}, author={Beck, Jay}, year={2002}, month={Jan}, pages={156–163} }

@inbook{Belton_1985, address={New York, N.Y.}, title={Technology and Aesthetics of Film Sound: Chapter}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-1025238-dt-content-rid-2557301_5/library/eReserves/HA1114/HA1114_34957.pdf}, booktitle={Film sound: theory and practice}, publisher={Columbia University Press}, author={Belton, John}, year={1985}, pages={63–72} }

@book{Benson, Thomas W._Anderson, Carolyn_2002, address={Carbondale, Ill}, edition={2nd ed}, title={Reality fictions: the films of Frederick Wiseman}, publisher={Southern Illinois University Press}, author={Benson, Thomas W. and Anderson, Carolyn}, year={2002} }

@misc{Berthelsen, Anders W._Hjejle, Iben_Kragh-Jacobsen, Søren_Jensen, Anders Thomas_1999, address={S.l.]}, title={Mifunes sidste sang}, publisher={Sony pictures classics}, author={Berthelsen, Anders W. and Hjejle, Iben and Kragh-Jacobsen, Søren and Jensen, Anders Thomas}, year={1999} }

@misc{Bier, Susanne_Mikkelsen, Mads_Richter, Sonja_2002, address={[S.l.]}, title={Elsker dig for evigt =: Open hearts}, publisher={ICON}, author={Bier, Susanne and Mikkelsen, Mads and Richter, Sonja}, year={2002} }

@book{Bondanella, Peter_1993, address={Cambridge}, title={The films of Roberto Rossellini}, volume={Cambridge film classics}, publisher={Cambridge University Press}, author={Bondanella, Peter}, year={1993} }

@inbook{Bordwell_1997, address={Cambridge, Mass}, title={Against the Seventh Art: André Bazin and the Dialectical Program: Chapter}, booktitle={On the history of film style}, publisher={Harvard University Press}, author={Bordwell, David}, year={1997}, pages={46–82} }

@inbook{Bordwell_Thompson_2004a, edition={7th}, title={Function of Film Sound: A Man Escaped: Chapter}, booktitle={Film art: an introduction}, publisher={McGraw-Hill}, author={Bordwell, David and Thompson, Kristin}, year={2004}, pages={377–385} }

@inbook{Bordwell_Thompson_2004b, address={Boston, Mass}, edition={7th ed}, title={The Thin Blue Line: Chapter}, booktitle={Film art: an introduction}, publisher={McGraw-Hill}, author={Bordwell, David and Thompson, Kristin}, year={2004}, pages={446–452} }

@inbook{Bordwell_Thompson_2013, address={New York, N.Y.}, edition={10th ed., international ed}, title={Sound in the Cinema: Chapter}, booktitle={Film art: an introduction}, publisher={McGraw-Hill}, author={Bordwell, David and Thompson, Kristin}, year={2013} }

@misc{Brando, Marlon_Sheen, Martin_Coppola, Francis Ford_Conrad, Joseph_1979, address={[S.l.]}, title={Apocalypse now redux}, publisher={Studiocanal}, author={Brando, Marlon and Sheen, Martin and Coppola, Francis Ford and Conrad, Joseph}, year={1979} }

@misc{Bresson_1977, title={The Devil, Probably}, author={Bresson, Robert}, year={1977} }

@misc{Bresson_Balsan_Simon, address={[S.l.]}, title={Lancelot du Lac}, volume={Artificial eye}, publisher={Artificial eye}, author={Bresson, Robert and Balsan, Humbert and Simon, Luc} }

@misc{Bresson_Bernanos_Nortier_Guilbert_Cardinal_2004, address={[S.l.]}, title={Mouchette}, publisher={Nouveaux Pictures}, author={Bresson, Robert and Bernanos, Georges and Nortier, Nadine and Guilbert, Jean-Claude and Cardinal, Marie}, year={2004} }

@misc{Bresson_LaSalle_Green_Leymarie_Dostoyevsky_2005, address={[S.l.]}, title={Pickpocket}, volume={Artificial eye}, publisher={Artificial Eye}, author={Bresson, Robert and LaSalle, Martin and Green, Marika and Leymarie, Pierre and Dostoyevsky, Fyodor}, year={2005} }

@misc{Bresson_Leterrier_Le Clainche_Devigny_2008, address={[S.l.]}, title={Un condamné à mort s’est échappé, ou, Le vent souffle où il vent =: A man escaped}, volume={Artificial eye}, publisher={Artificial Eye}, author={Bresson, Robert and Leterrier, François and Le Clainche, Charles and Devigny, André}, year={2008} }

@misc{British Film Institute_1953, address={London]}, title={Free cinema one, Free cinema three}, publisher={British Film Institute}, author={British Film Institute}, year={1953} }

@misc{British Film Institute_1959, address={London]}, title={Free cinema six}, publisher={British Film Institute}, author={British Film Institute}, year={1959} }

@misc{Broomfield, Nicholas_1991a, address={[S.l.]}, title={Monster in a box}, volume={Nick Broomfield : the early works}, publisher={Metrodome}, author={Broomfield, Nicholas}, year={1991} }

@misc{Broomfield, Nicholas_1991b, address={S.l.]}, title={The leader, his driver, and the driver’s wife}, volume={Documenting icons}, publisher={Metrodome}, author={Broomfield, Nicholas}, year={1991} }

@misc{Broomfield, Nicholas_2006, address={[S.l.]}, title={Proud to be British}, volume={Nick Broomfield : the early works}, publisher={Metrodome}, author={Broomfield, Nicholas}, year={2006} }

@misc{Broomfield, Nicholas, address={S.l.]}, title={Chicken ranch}, volume={Documenting icons}, publisher={Metrodome}, author={Broomfield, Nicholas} }

@misc{Broomfield, Nicholas, address={More4}, title={His big white self}, publisher={Documentary, broadcast 21:00, 27/02/2006}, author={Broomfield, Nicholas} }

@misc{Broomfield, Nicholas, address={S.l.]}, title={Tracking down Maggie}, volume={Documenting icons}, publisher={Metrodome}, author={Broomfield, Nicholas} }

@misc{Broomfield, Nicholas_Churchill, Joan_1981, address={[S.l.]}, title={Soldier girls}, volume={Documenting icons}, publisher={Metrodome}, author={Broomfield, Nicholas and Churchill, Joan}, year={1981} }

@misc{Broomfield, Nicholas_Churchill, Joan_2006a, address={[S.l.]}, title={Juvenile liaison}, volume={Nick Broomfield : the early works}, publisher={Metrodome}, author={Broomfield, Nicholas and Churchill, Joan}, year={2006} }

@misc{Broomfield, Nicholas_Churchill, Joan_2006b, address={[S.l.]}, title={Tattooed tears}, volume={Nick Broomfield : the early works}, publisher={Metrodome}, author={Broomfield, Nicholas and Churchill, Joan}, year={2006} }

@misc{Broomfield, Nicholas_Churchill, Joan, address={Channel 4}, title={Aileen: life and death of a serial killer}, publisher={Documentary, broadcast 22:00, 11/05/2004}, author={Broomfield, Nicholas and Churchill, Joan} }

@book{Broomfield, Nicholas_Wood, Jason_2005, address={London}, title={Nick Broomfield: documenting icons}, publisher={Faber and Faber}, author={Broomfield, Nicholas and Wood, Jason}, year={2005} }

@book{Bruzzi, Stella_2006, address={Abingdon}, edition={2nd ed}, title={New documentary: a critical introduction}, url={http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=55327}, publisher={Routledge}, author={Bruzzi, Stella}, year={2006} }

@misc{Caouette, Jonathan_Van Sant, Gus_Mitchell, John Cameron_2003, address={[S.l.]}, title={Tarnation}, publisher={Optimum Home Entertainment}, author={Caouette, Jonathan and Van Sant, Gus and Mitchell, John Cameron}, year={2003} }

@book{Cardullo, Bert_2002, address={Jefferson, N.C.}, title={Vittorio De Sica: director, actor, screenwriter}, publisher={McFarland}, author={Cardullo, Bert}, year={2002} }

@book{Cardullo, Bert_2008a, address={Newcastle}, title={Cinematic illusions: realism, subjectivity, and the avant-garde}, publisher={Cambridge Scholars}, author={Cardullo, Bert}, year={2008} }

@book{Cardullo, Bert_2008b, address={Albany, N.Y.}, title={Soundings on cinema: speaking to film and film artists}, volume={SUNY series, horizons of cinema}, publisher={State University of New York Press}, author={Cardullo, Bert}, year={2008} }

@book{Cardullo_2008, address={Newcastle}, title={Five French filmmakers: Renoir, Bresson, Tati, Truffaut, Rohmer : essays and interviews}, publisher={Cambridge Scholars}, author={Cardullo, Bert}, year={2008} }

@inbook{Cardullo_2012, address={Lanham}, title={New Romanian Cinema: Chapter}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664781010002746&institutionId=2746&customerId=2745}, booktitle={European directors and their films: essays on cinema}, publisher={Scarecrow Press, Inc}, author={Cardullo, Bert}, year={2012}, pages={327–338} }

@inbook{Casetti_1999, address={Austin, Tex}, title={Cinema and Reality: Chapter}, booktitle={Theories of cinema, 1945-1995}, publisher={University of Texas Press}, author={Casetti, Francesco}, year={1999}, pages={21–42} }

@book{Celli, Carlo_Cottino-Jones, Marga_2007, address={New York}, edition={1st ed}, title={A new guide to Italian cinema}, volume={Italian and Italian American studies}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10167438}, publisher={Palgrave Macmillan}, author={Celli, Carlo and Cottino-Jones, Marga}, year={2007} }

@inbook{Chaudhuri_2005a, address={Edinburgh}, title={Dogme Brothers: Lars von Trier and Thomas Vinterberg: Chapter}, volume={Traditions in world cinema}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-529725-dt-content-rid-641597_5/library/eReserves/HA1114/HA1114%20-%20Doc%2015.pdf}, booktitle={New punk cinema}, publisher={Edinburgh University Press}, author={Chaudhuri, Shohini}, year={2005}, pages={153–167} }

@inbook{Chaudhuri_2005b, address={Edinburgh}, title={Scandinavian Cinema: Chapter}, booktitle={Contemporary world cinema: Europe, the Middle East, East Asia and South Asia}, publisher={Edinburgh University Press}, author={Chaudhuri, Shohini}, year={2005}, pages={34–53} }

@book{Chion, Michel_Gorbman, Claudia_1994, address={New York, N.Y.}, title={Audio-vision: sound on screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994} }

@misc{Clayton, Jack_Braine, John_Signoret, Simone_Harvey, Laurence_Sears, Heather_Sinyard, Neil_1959, address={[S.l.]}, edition={Special edition}, title={Room at the top}, publisher={Network}, author={Clayton, Jack and Braine, John and Signoret, Simone and Harvey, Laurence and Sears, Heather and Sinyard, Neil}, year={1959} }

@misc{Coppola_1979, title={Apocalypse Now}, author={Coppola, Francis Ford}, year={1979} }

@misc{Corbijn, Anton_Riley, Sam_Morton, Samantha_2007, address={[S.l.]}, edition={Limited ed. with free book}, title={Control}, publisher={Momentum Pictures}, author={Corbijn, Anton and Riley, Sam and Morton, Samantha}, year={2007} }

@book{Corner, John_1996, address={Manchester}, title={The art of record: a critical introduction to documentary}, publisher={Manchester University Press}, author={Corner, John}, year={1996} }

@book{Cousins, Mark_Macdonald, Kevin_2006, address={London}, edition={Rev. ed}, title={Imagining reality: the Faber book of documentary}, publisher={Faber}, author={Cousins, Mark and Macdonald, Kevin}, year={2006} }

@misc{Cruise, Tom_Foxx, Jamie_Mann, Michael_2004, address={S.l.]}, title={Collateral}, publisher={Paramount / Dreamworks Home Entertainment}, author={Cruise, Tom and Foxx, Jamie and Mann, Michael}, year={2004} }

@misc{Cuarón_Clooney_Bullock_2014, address={[S.l.]}, title={Gravity}, publisher={Warner Home Video}, author={Cuarón, Alfonso and Clooney, George and Bullock, Sandra}, year={2014} }

@misc{Cuarón, Alfonso_Owen, Clive_Moore, Julianne_Caine, Michael_2006, address={[S.l.]}, title={Children of men}, publisher={Universal Pictures}, author={Cuarón, Alfonso and Owen, Clive and Moore, Julianne and Caine, Michael}, year={2006} }

@book{Cunneen_2003, address={New York}, title={Robert Bresson: a spiritual style in film}, publisher={Continuum International Pub. Group}, author={Cunneen, Joseph E.}, year={2003} }

@book{Cunningham, Megan_2005, address={Berkeley, Calif}, title={The art of the documentary: ten conversations with leading directors, cinematographers, editors, and producers}, volume={Voices that matter}, publisher={New Riders}, author={Cunningham, Megan}, year={2005} }

@article{Curry_1995, title={Errol Morris’ Construction of Innocence in ‘The Thin Blue Line’}, volume={49}, DOI={10.2307/1347983}, number={2}, journal={Rocky Mountain Review of Language and Literature}, author={Curry, Renee R.}, year={1995} }

@misc{Daldrey_2000, title={Billy Elliot (Special Edition)}, author={Daldrey, Stephen}, year={2000} }

@book{Dave, Paul_2006, address={Oxford}, title={Visions of England: class and culture in contemporary cinema}, volume={Talking images series}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10375890}, publisher={Berg}, author={Dave, Paul}, year={2006} }

@book{De Jong, Wilma_Austin, Thomas_De Jong, Wilma_2008a, address={Buckingham}, title={Rethinking documentary: new perspectives and practices}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10246334}, publisher={Open University}, author={De Jong, Wilma and Austin, Thomas and De Jong, Wilma}, year={2008} }

@book{De Jong, Wilma_Austin, Thomas_De Jong, Wilma_2008b, address={Buckingham}, title={Rethinking documentary: new perspectives and practices}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10246334}, publisher={Open University}, author={De Jong, Wilma and Austin, Thomas and De Jong, Wilma}, year={2008} }

@misc{De Palma_1980, title={Blow Out}, author={De Palma, Brian}, year={1980} }

@misc{De Santis, Giuseppe_Dowling, Doris_Gassman, Vittorio_1949, address={[S.l.]}, title={Riso amaro =: Bitter rice}, volume={Grande cinema Italiano}, publisher={20th Century Fox Home Entertainment}, author={De Santis, Giuseppe and Dowling, Doris and Gassman, Vittorio}, year={1949} }

@misc{De Sica, Vittorio_Barnabò, Guglielmo_Gramatica, Emma_Bovo, Brunella_De Sica, Manuel_Zavattini, Cesare_1951, address={[S.l]}, title={Miracolo a Milano =: Miracle in Milan}, publisher={Arrow films}, author={De Sica, Vittorio and Barnabò, Guglielmo and Gramatica, Emma and Bovo, Brunella and De Sica, Manuel and Zavattini, Cesare}, year={1951} }

@misc{De Sica, Vittorio_Cigoli, Emilio_De Ambrosis, Luciano_Pola, Isa_Zavattini, Cesare_1944, address={[S.l.]}, title={I bambini ci guardano =: The children are watching us}, volume={Criterion collection}, publisher={Criterion}, author={De Sica, Vittorio and Cigoli, Emilio and De Ambrosis, Luciano and Pola, Isa and Zavattini, Cesare}, year={1944} }

@misc{De Sica, Vittorio_Zavattini, Cesare_Battisti, Carlo_Casilio, Maria Pia_Gennari, Lina_1952, address={S.l.]}, title={Umberto D.}, publisher={Nouveaux Pictures}, author={De Sica, Vittorio and Zavattini, Cesare and Battisti, Carlo and Casilio, Maria Pia and Gennari, Lina}, year={1952} }

@book{Deleuze, Gilles_1989, address={London}, title={Cinema: 2: The time-image}, publisher={The Athlone Press}, author={Deleuze, Gilles}, year={1989} }

@book{Dixon, Wheeler W._Foster, Gwendolyn Audrey_2011, address={New Brunswick, N.J.}, title={21st century Hollywood: movies in the era of transformation}, url={http://site.ebrary.com/lib/leicester/Doc?id=10535582}, publisher={Rutgers University Press}, author={Dixon, Wheeler W. and Foster, Gwendolyn Audrey}, year={2011} }

@book{Drew, Robert_Leacock, Richard_Humphrey, Hubert H._Kennedy, John F._Onassis, Jacqueline Kennedy_1960, address={[S.l.]}, title={Primary}, volume={Robert Drew collection}, publisher={Docurama}, author={Drew, Robert and Leacock, Richard and Humphrey, Hubert H. and Kennedy, John F. and Onassis, Jacqueline Kennedy}, year={1960} }

@article{Druick_2008, title={The courtroom and the closet in The Thin Blue Line and Capturing the Friedmans}, volume={49}, DOI={10.1093/screen/hjn054}, number={4}, journal={Screen}, author={Druick, Z.}, year={2008}, month={Dec}, pages={440–449} }

@book{Durgnat, Raymond_2011, address={London}, edition={2nd ed}, title={A mirror for England: British movies from austerity to affluence}, volume={BFI silver}, publisher={BFI}, author={Durgnat, Raymond}, year={2011} }

@misc{Dylan, Bob_Pennebaker, D. A._Neuwirth, Bob_1967, address={[S.l.]}, title={Don’t look back}, publisher={Columbia}, author={Dylan, Bob and Pennebaker, D. A. and Neuwirth, Bob}, year={1967} }

@misc{Eastwood, Clint_Phillippe, Ryan_Bradford, Jesse_Beach, Adam_2007, address={[S.l.]}, title={Flags of our fathers}, volume={Battle for Iwo Jima}, publisher={Warner Bros. Home Entertainment}, author={Eastwood, Clint and Phillippe, Ryan and Bradford, Jesse and Beach, Adam}, year={2007} }

@book{Eaton, Michael_1979, address={London}, title={Anthropology, reality, cinema: the films of Jean Rouch}, publisher={British Film Institute}, author={Eaton, Michael}, year={1979} }

@inbook{Eisenstein_Pudovkin_Alexandrov_2008, address={Oxford}, edition={7th ed}, title={Statement on Sound: Chapter}, booktitle={Film theory and criticism: introductory readings}, publisher={Oxford University Press}, author={Eisenstein, Sergei and Pudovkin, Vsevolod and Alexandrov, Grigori}, year={2008}, pages={315–317} }

@misc{Eisenstein, Sergei_Vassiliev, Dmitri_Cherkasov, Nikolaĭ_1938, address={[S.l.]}, title={Aleksandr Nevsky =: Alexander Nevsky}, publisher={Eureka Video}, author={Eisenstein, Sergei and Vassiliev, Dmitri and Cherkasov, Nikolaĭ}, year={1938} }

@misc{Eltringham_2003, title={This Is Not A Love Song}, author={Eltringham, Bille}, year={2003} }

@inbook{Fabe_2004, address={Berkeley, Calif}, title={Italian Neorealism: De Sica’s The Bicycle Thief: Chapter}, booktitle={Closely watched films: an introduction to the art of narrative film technique}, publisher={University of California Press}, author={Fabe, Marilyn}, year={2004}, pages={99–119} }

@misc{Fabrizi, Aldo_Rossellini, Roberto_1945, address={[S.l.]}, title={Roma, citta aperta =: Rome, open city}, volume={Roberto Rossellini’s war trilogy}, publisher={Arrow}, author={Fabrizi, Aldo and Rossellini, Roberto}, year={1945} }

@book{Fabrizi, Aldo_Rossellini, Roberto_Bondanella, Peter_Aprà, Adriano_Shiel, Mark_1945, address={[S.l.]}, edition={Special edition}, title={Roma, citta aperta =: Rome, open city}, volume={Roberto Rossellini’s war trilogy}, publisher={Criterion}, author={Fabrizi, Aldo and Rossellini, Roberto and Bondanella, Peter and Aprà, Adriano and Shiel, Mark}, year={1945} }

@article{Fallon_2012, title={Several Sides of Errol Morris}, volume={65}, DOI={10.1525/FQ.2012.65.4.48}, number={4}, journal={Film Quarterly}, author={Fallon, Chris}, year={2012}, month={Jun}, pages={48–52} }

@book{Farnell, Andy_2010, address={Cambridge, Mass}, title={Designing sound}, url={http://site.ebrary.com/lib/leicester/Doc?id=10562043}, publisher={MIT Press}, author={Farnell, Andy}, year={2010} }

@misc{Fassbender_Jarvis_Arnold_2010, address={[S.l.]}, title={Fish tank}, volume={Artificial eye}, publisher={Artificial Eye}, author={Fassbender, Michael and Jarvis, Katie and Arnold, Andrea}, year={2010} }

@misc{Fauchois, René_Renoir, Jean_Simon, Michel_1932, address={[S.l.]}, title={Boudu sauvé des eaux =: Boudu saved from drowning}, publisher={Optimum Releasing}, author={Fauchois, René and Renoir, Jean and Simon, Michel}, year={1932} }

@misc{Fincher, David_Gyllenhaal, Jake_Downey, Robert_2007, address={[S.l.]}, title={Zodiac}, publisher={Warner Home Video}, author={Fincher, David and Gyllenhaal, Jake and Downey, Robert}, year={2007} }

@misc{Forbes, Bryan_Caron, Leslie_Bell, Tom_Banks, Lynne Reid_1962, address={[S.l.]}, title={The L-shaped room}, publisher={Optimum}, author={Forbes, Bryan and Caron, Leslie and Bell, Tom and Banks, Lynne Reid}, year={1962} }

@book{Forgacs, David_2000, address={London}, title={Rome open city (Roma città aperta)}, volume={BFI film classics}, publisher={British Film Institute}, author={Forgacs, David}, year={2000} }

@inbook{Forrest_2013, address={Edinburgh}, title={Twenty First Century Social Realism: Shane Meadows and New British Realism: Chapter}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665222270002746&institutionId=2746&customerId=2745}, booktitle={Shane Meadows: critical essays}, publisher={Edinburgh University Press}, author={Forrest, David}, editor={Fradley, Martin and Godfrey, Sarah and Williams, Melanie}, year={2013}, pages={35–49} }

@inbook{Friedberg_2000, address={London}, title={The End of Cinema: Multimedia and Technological Change: Chapter}, booktitle={Reinventing film studies}, publisher={Arnold}, author={Friedberg, Anne}, year={2000}, pages={438–452} }

@article{Fuller, title={Boys to Men: Shane Meadows Caps His 10-Year Exploration of Working-Class Masculinity in Crisis with This is England}, volume={43}, number={4}, journal={Film Comment}, author={Fuller, Graham} }

@book{Gardner, Colin_2006, address={Manchester}, title={Karel Reisz}, volume={British film makers}, publisher={Manchester University Press}, author={Gardner, Colin}, year={2006} }

@book{Geiger, Jeffrey_2011, address={Edinburgh}, title={American documentary film: projecting the nation}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663962600002746&institutionId=2746&customerId=2745}, publisher={Edinburgh University Press}, author={Geiger, Jeffrey}, year={2011} }

@inbook{Geuens_2000, address={Albany}, title={Sound: Chapter}, volume={SUNY series, cultural studies in cinema/video}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664950710002746&institutionId=2746&customerId=2745}, booktitle={Film production theory}, publisher={State University of New York Press}, author={Geuens, Jean-Pierre}, year={2000}, pages={197–224} }

@article{Geuens_2001, title={Dogma 95: A manifesto for our times}, volume={18}, DOI={10.1080/10509200109361523}, number={2}, journal={Quarterly Review of Film and Video}, author={Geuens, Jean‐Pierre}, year={2001}, month={Apr}, pages={191–202} }

@book{Giovacchini, Saverio_Sklar, Robert_2011, address={Jackson}, title={Global neorealism: the transnational history of a film style}, url={http://site.ebrary.com/lib/leicester/Doc?id=10508856}, publisher={University Press of Mississippi}, author={Giovacchini, Saverio and Sklar, Robert}, year={2011} }

@article{Godeanu-Kenworthy_Popescu-Sandu_2014, title={From minimalist representation to excessive interpretation: Contextualizing 4 Months, 3 Weeks and 2 Days}, volume={44}, DOI={10.1177/0047244114524148}, number={3}, journal={Journal of European Studies}, author={Godeanu-Kenworthy, O. and Popescu-Sandu, O.}, year={2014}, month={Sep}, pages={225–248} }

@book{Gomery, Douglas_2005, address={New York}, title={The coming of sound: a history}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664089160002746&institutionId=2746&customerId=2745}, publisher={Routledge}, author={Gomery, Douglas}, year={2005} }

@inbook{Gomery_Allen_1985, address={Boston, Mass}, title={Case Study: The Beginnings of American Cinema Verité: Chapter}, booktitle={Film history: theory and practice}, publisher={McGraw-Hill}, author={Gomery, Douglas and Allen, Robert C.}, year={1985}, pages={215–241} }

@book{Gordon, Robert Samuel Clive_2008, address={London}, title={Bicycle thieves}, volume={BFI film classics}, publisher={BFI}, author={Gordon, Robert Samuel Clive}, year={2008} }

@book{Gottlieb, Sidney_2004, address={Cambridge}, title={Roberto Rossellini’s Rome open city}, volume={Cambridge film handbooks}, publisher={Cambridge University Press}, author={Gottlieb, Sidney}, year={2004} }

@inbook{Grierson, John_1979, address={London}, edition={Abridged ed}, title={First Principles of Documentary}, booktitle={Grierson on documentary}, publisher={Faber}, author={Grierson, John}, year={1979} }

@inbook{Gunning_2010, address={London}, title={Moving away from the Index: Cinema and the Impression of Reality: Chapter}, booktitle={The film theory reader: debates and arguments}, publisher={Routledge}, author={Gunning, Tom}, year={2010}, pages={255–269} }

@article{Hall_1991, title={Realism as a Style in Cinema Verite: A Critical Analysis of ‘Primary’}, volume={30}, DOI={10.2307/1224885}, number={4}, journal={Cinema Journal}, author={Hall, Jeanne}, year={1991}, month={Summer} }

@misc{Hall, title={BFI Screenonline: Meadows, Shane (1973-) Biography}, url={http://www.screenonline.org.uk/people/id/461763/}, author={Hall, Sheldon} }

@inbook{Hallam_2000, address={London}, title={Film, Class and National Identity: Re-Imagining communities in the Age of Devolution: Chapter}, booktitle={British cinema: past and present}, publisher={Routledge}, author={Hallam, Julia}, year={2000}, pages={261–273} }

@book{Hallam, Julia_Marshment, Margaret_2000, address={Manchester}, title={Realism and popular cinema}, volume={Inside popular film}, publisher={Manchester University Press}, author={Hallam, Julia and Marshment, Margaret}, year={2000} }

@book{Hanson, Matt_2004, address={Mies, Switzerland}, title={The end of celluloid: film futures in the digital age}, publisher={RotoVision}, author={Hanson, Matt}, year={2004} }

@inbook{Harper_30AD, address={London}, title={Adaptation by Degree: A Study of Vittorio de Sica’s Bicycle Theives: Chapter of Impure Cinema}, url={http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=548399}, booktitle={Impure Cinema: Intermedial and Intercultural Approaches to Film}, publisher={I.B.Tauris & Co Ltd}, author={Harper, Matthew}, year={30AD}, pages={121–133} }

@book{Harper, Sue_Porter, Vincent_2007, address={Oxford}, title={British cinema of the 1950s: the decline of deference}, publisher={Oxford University Press}, author={Harper, Sue and Porter, Vincent}, year={2007} }

@book{Hart_2014, address={London}, title={Latin American cinema}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663029690002746&institutionId=2746&customerId=2745}, publisher={Reaktion Books}, author={Hart, Stephen M.}, year={2014} }

@inbook{Hayward_2000, address={London}, edition={2nd ed}, title={Realism: Chapter}, volume={Key concepts series}, booktitle={Cinema studies: the key concepts}, publisher={Routledge}, author={Hayward, Susan}, year={2000}, pages={334–334} }

@misc{Henckel von Donnersmarck_Mühe_Koch_2006, address={[S.l.]}, title={Das leben der anderen =: The lives of others}, publisher={Lionsgate}, author={Henckel von Donnersmarck, Florian and Mühe, Ulrich and Koch, Sebastian}, year={2006} }

@inbook{Higson_1996, address={London}, title={Space, Place, Spectacle: Landscape and Townscape in the ‘Kitchen Sink’ Film: Chapter}, volume={Rethinking British cinema}, booktitle={Dissolving views: key writings in British cinema}, publisher={Cassell}, author={Higson, Andrew}, year={1996}, pages={133–156} }

@inbook{Hill_1986, address={London}, title={Working Class Realism I: Chapter}, volume={bfi books}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-529674-dt-content-rid-641595_5/library/eReserves/HA1114/HA1114%20-%20Doc%2012.pdf}, booktitle={Sex, class and realism: British cinema 1956-1963}, publisher={British Film Institute}, author={Hill, John}, year={1986}, pages={127–144} }

@inbook{Hill_2000, address={London}, title={From the New Wave to ‘Brit-Grit’: Continuity and Difference in Working Class Realism: Chapter}, booktitle={British cinema: past and present}, publisher={Routledge}, author={Hill, John}, year={2000}, pages={249–259} }

@book{Hillier, Jim_1985, address={Cambridge, Mass}, title={Cahiers du cinéma: the 1950s : neo-realism, Hollywood, new wave}, volume={Harvard film studies}, publisher={Harvard University Press}, author={Hillier, Jim}, year={1985} }

@misc{Hitchcock, Alfred_Ondra, Anny_Longden, John_Bennett, Charles_1929, address={S.l.]}, title={Blackmail}, publisher={Kinowelt Home Entertainment}, author={Hitchcock, Alfred and Ondra, Anny and Longden, John and Bennett, Charles}, year={1929} }

@book{Hjort, Mette_2005, address={Minneapolis}, title={Small nation, global cinema: the new Danish cinema}, volume={Public worlds}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10151328}, publisher={University of Minnesota Press}, author={Hjort, Mette}, year={2005} }

@book{Hjort, Mette_2008, address={London}, title={On The five obstructions}, volume={Dekalog}, publisher={Wallflower}, author={Hjort, Mette}, year={2008} }

@book{Hjort, Mette_2010, address={Seattle, Wash}, title={Lone Scherfig’s ‘Italian for beginners’}, volume={Nordic film classics}, publisher={University of Washington Press}, author={Hjort, Mette}, year={2010} }

@book{Hjort, Mette_Bondebjerg, Ib_2001, address={Bristol, UK}, title={The Danish directors: dialogues on a contemporary national cinema}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10120745}, publisher={Intellect}, author={Hjort, Mette and Bondebjerg, Ib}, year={2001} }

@book{Hjort, Mette_MacKenzie, Scott_2003, address={London}, title={Purity and provocation: Dogma 95}, publisher={British Film Institute}, author={Hjort, Mette and MacKenzie, Scott}, year={2003} }

@misc{Hovde, Ellen_Maysles, Albert_Maysles, David_Bouvier Beale, Edith_Bouvier Beale, Edith ‘Little Edie’_1975, address={[S.l.]}, title={Grey Gardens [1975]}, volume={Masters of cinema}, publisher={Eureka!}, author={Hovde, Ellen and Maysles, Albert and Maysles, David and Bouvier Beale, Edith and Bouvier Beale, Edith ‘Little Edie’}, year={1975} }

@article{Howe_2004, title={Shorts and the real world}, volume={4}, number={3}, journal={Journal of Media Practice}, author={Howe, Jeremy}, year={2004}, month={Mar}, pages={177–180} }

@book{Imre, Anikó_2012, address={Chichester, U.K.}, title={A companion to Eastern European cinemas}, volume={The Wiley-Blackwell companions to national cinemas}, url={http://site.ebrary.com/lib/leicester/Doc?id=10593125}, publisher={Wiley-Blackwell}, author={Imre, Anikó}, year={2012} }

@book{Iordanova, Dina_2003, address={London}, title={Cinema of the other Europe: the industry and artistry of East Central European film}, publisher={Wallflower Press}, author={Iordanova, Dina}, year={2003} }

@book{Iordanova, Dina_2006, address={London}, title={The cinema of the Balkans}, volume={24 frames}, publisher={Wallflower}, author={Iordanova, Dina}, year={2006} }

@book{Iordanova, Dina_British Film Institute_2001, address={London}, title={Cinema of flames: Balkan film, culture and the media}, publisher={British Film Institute}, author={Iordanova, Dina and British Film Institute}, year={2001} }

@misc{Jarecki, Andrew_2003, address={[S.l.]}, title={Capturing the Friedmans}, publisher={Tartan Video}, author={Jarecki, Andrew}, year={2003} }

@inbook{Jenkins_1999, address={Malden, Mass}, title={The Work of Theory in the Age of Digital Transformation: Chapter}, volume={Blackwell companions in cultural studies}, booktitle={A companion to film theory}, publisher={Blackwell}, author={Jenkins, Henry}, year={1999}, pages={234–261} }

@misc{Jennings_1942, address={[United Kingdom]}, title={Listen to Britain}, journal={Humphrey Jennings collection: Listen to Britain, Diary for Timothy, I was a fireman}, publisher={Film First}, author={Jennings, Humprey}, year={1942} }

@book{Jerslev, Anne_2002, address={Copenhagen}, title={Realism and ‘reality’ in film and media}, volume={Northern lights film and media studies yearbook}, publisher={Museum Tusculanum Press, University of Copenhagen}, author={Jerslev, Anne}, year={2002} }

@article{Kael_1961, title={Britain: Commitment and the Strait-Jacket}, volume={15}, DOI={10.2307/1210560}, number={1}, journal={Film Quarterly}, author={Kael, Pauline}, year={1961}, month={Oct}, pages={4–13} }

@book{Kantaris_O’Bryen_2013, address={Woodbridge, Suffolk}, title={Latin American popular culture: politics, media, affect}, volume={Colección Támesis}, url={http://site.ebrary.com/lib/leicester/Doc?id=10748380}, publisher={Tamesis}, author={Kantaris, Geoffrey and O’Bryen, Rory}, year={2013} }

@book{Kelly, Richard_2000, address={London}, title={The name of this book is Dogme95}, publisher={Faber and Faber}, author={Kelly, Richard}, year={2000} }

@inbook{Kelly_2007, address={London}, edition={3rd ed}, title={Danish Cinema: Chapter}, booktitle={The cinema book}, publisher={British Film Institute}, author={Kelly, Richard T.}, year={2007}, pages={196–198} }

@book{Kerins, Mark_2010, address={Bloomington}, title={Beyond Dolby (stereo): cinema in the digital sound age}, url={http://site.ebrary.com/lib/leicester/Doc?id=10437995}, publisher={Indiana University Press}, author={Kerins, Mark}, year={2010} }

@misc{Kopple, Barbara_Arthur, Paul_Weisberger, Jon_1976, address={[S.l.]}, title={Harlan County U.S.A}, volume={Criterion collection}, publisher={Criterion Collection}, author={Kopple, Barbara and Arthur, Paul and Weisberger, Jon}, year={1976} }

@misc{Korine, Harmony_Herzog, Werner_Bremner, Ewen_1999, address={[S.l.]}, title={Julien donkey-boy}, publisher={Tartan Video}, author={Korine, Harmony and Herzog, Werner and Bremner, Ewen}, year={1999} }

@book{Kracauer, Siegfried_1997, address={Princeton, N.J.}, title={Theory of film: the redemption of physical reality}, publisher={Princeton University Press}, author={Kracauer, Siegfried}, year={1997} }

@book{Lacey, Stephen_1995, address={London}, title={British realist theatre: the new wave in its context 1956-1965}, url={http://site.ebrary.com/lib/leicester/Doc?id=10057538}, publisher={Routledge}, author={Lacey, Stephen}, year={1995} }

@book{Laing, Stuart_1986, address={London}, title={Representations of working-class life 1957-1964}, publisher={Macmillan}, author={Laing, Stuart}, year={1986} }

@book{Landy, Marcia_2000, address={Cambridge}, title={Italian film}, volume={National film traditions}, publisher={Cambridge University Press}, author={Landy, Marcia}, year={2000} }

@misc{Lanzmann, Claude_1985, address={[S.l.]}, edition={Director approved special edition}, title={Shoah: a film}, volume={Masters of cinema}, publisher={Eureka!}, author={Lanzmann, Claude}, year={1985} }

@inbook{Lapsley_Westlake_1988, address={Manchester}, title={Realism: Chapter}, volume={Images of culture}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-727207-dt-content-rid-1815038_5/library/eReserves/HA1114/HA1114_24151.pdf}, booktitle={Film theory: an introduction}, publisher={Manchester University Press}, author={Lapsley, Robert and Westlake, Michael}, year={1988}, pages={156–180} }

@book{Lay, Samantha_2002, address={London}, title={British social realism: from documentary to Brit grit}, publisher={Wallflower}, author={Lay, Samantha}, year={2002} }

@article{Lay_2007, title={Good intentions, high hopes and low budgets: Contemporary social realist film-making in Britain}, volume={5}, number={3}, journal={New Cinemas: Journal of Contemporary Film}, author={Lay, Samantha}, year={2007}, month={Nov}, pages={231–244} }

@misc{Layton, Bart_O’Brian, Adam_Bourdin, Frédéric_2012, address={London}, title={The imposter}, publisher={Revolver Entertainment}, author={Layton, Bart and O’Brian, Adam and Bourdin, Frédéric}, year={2012} }

@book{Leggott, James_2008, address={London}, title={Contemporary British cinema: from heritage to horror}, volume={Short cuts}, publisher={Wallflower}, author={Leggott, James}, year={2008} }

@misc{Leth, Jørgen_Trier, Lars von_2004, address={[S.l.]}, title={De fem benspænd =: The five obstructions}, publisher={ICA projects}, author={Leth, Jørgen and Trier, Lars von}, year={2004} }

@misc{Levring, Kristian_Bohringer, Romane_Anderson, Miles_2000, address={[S.l.]}, title={The King is alive}, publisher={Pathé}, author={Levring, Kristian and Bohringer, Romane and Anderson, Miles}, year={2000} }

@book{Lister, Martin_2009, address={London}, edition={2nd ed}, title={New media: a critical introduction}, url={http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=190114}, publisher={Routledge}, author={Lister, Martin}, year={2009} }

@misc{Livingston, Jennie_Dangerous to know_1994, address={London}, title={Paris is burning}, volume={DTK}, publisher={Dangerous To Know}, author={Livingston, Jennie and Dangerous to know}, year={1994} }

@inbook{LoBrutto_2005, address={Westport, Conn}, title={Birth of a Non-Fiction Style: The Thin Blue Line: Chapter}, booktitle={Becoming film literate: the art and craft of motion pictures}, publisher={Praeger}, author={LoBrutto, Vincent}, year={2005}, pages={305–311} }

@inbook{MacDougall_1985, address={Berkeley, Calif}, title={Beyond Observational Cinema: Chapter}, volume={2}, booktitle={Movies and methods: an anthology}, publisher={University of California Press}, author={MacDougall, David}, year={1985}, pages={274–285} }

@book{MacKillop, I. D._Sinyard, Neil_2003, address={Manchester}, title={British cinema of the 1950s: a celebration}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10074858}, publisher={Manchester University Press}, author={MacKillop, I. D. and Sinyard, Neil}, year={2003} }

@misc{Maggiorani, Lamberto_De Sica, Vittorio_1948, address={S.l.]}, title={Ladri di biciclette =: Bicycle thieves}, volume={Arrow films world}, publisher={Arrow Films}, author={Maggiorani, Lamberto and De Sica, Vittorio}, year={1948} }

@book{Mamber, Stephen, address={Milton Keynes}, title={Cinéma vérité in America: studies in uncontrolled documentary}, volume={MIT press classic}, publisher={Lightning Source}, author={Mamber, Stephen} }

@misc{Mamoulian_1929, title={Applause}, author={Mamoulian, Rouben}, year={1929} }

@book{Manovich, Lev_2001, address={Cambridge, Mass}, title={The language of new media}, publisher={MIT}, author={Manovich, Lev}, year={2001} }

@inbook{Manovich_2002, address={London}, title={Old Media as New Media: Chapter}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-354313-dt-content-rid-514951_5/library/eReserves/HA1114/HA1114%20-%20Doc%207.pdf}, booktitle={The new media book}, publisher={British Film Institute}, author={Manovich, Lev}, year={2002}, pages={209–218} }

@inbook{Manovich_2010, address={London}, title={Digital Cinema and the History of a Moving Image: Chapter}, booktitle={The film theory reader: debates and arguments}, publisher={Routledge}, author={Manovich, Lev}, year={2010}, pages={245–254} }

@book{Marcus, Millicent_1986, address={Princeton, N.J.}, title={Italian film in the light of neorealism}, publisher={Princeton University Press}, author={Marcus, Millicent}, year={1986} }

@article{Marwick_1984, title={Room at the Top, Saturday Night and Sunday Morning, and the ‘Cultural Revolution’ in Britain}, volume={19}, url={http://www.jstor.org/stable/260428}, number={1}, journal={Journal of Contemporary History}, author={Marwick, Arthur}, year={1984}, month={Jan}, pages={127–152} }

@misc{Maysles, Albert_Maysles, David_Zwerin, Charlotte_1969, address={[London]}, title={Salesman}, volume={Masters of cinema}, publisher={Eureka!}, author={Maysles, Albert and Maysles, David and Zwerin, Charlotte}, year={1969} }

@misc{McKoen_2005, title={Frozen DVD}, author={McKoen, Juliet}, year={2005} }

@article{McNab_1999, address={London}, title={The Big Tease: Article}, volume={9}, number={2}, journal={Sight and sound: international film magazine}, publisher={British Film Institute}, author={McNab, Geoff}, year={1999}, pages={16–18} }

@misc{Meadows_1996, title={Small Time / Where’s the Money Ronnie!}, author={Meadows, Shane}, year={1996} }

@misc{Meadows_1997, title={24 7: Twenty Four Seven}, author={Meadows, Shane}, year={1997} }

@misc{Meadows_2004a, title={Dead Man’s Shoes}, author={Meadows, Shane}, year={2004} }

@misc{Meadows_2004b, title={A Room For Romeo Brass}, author={Meadows, Shane}, year={2004} }

@misc{Meadows_2006, title={This is England}, author={Meadows, Shane}, year={2006} }

@misc{Meadows_2008, title={Somers Town}, author={Meadows, Shane}, year={2008} }

@misc{Meadows, Shane_Carlyle, Robert_Ifans, Rhys_Burke, Kathy_Tomlinson, Ricky_2002, address={[S.l.]}, title={Once upon a time in the Midlands}, publisher={Cinema Club/FilmFour DVD}, author={Meadows, Shane and Carlyle, Robert and Ifans, Rhys and Burke, Kathy and Tomlinson, Ricky}, year={2002} }

@inbook{Monk_1999, address={London}, title={From Underworld to Underclass: Crime and British Cinema in the 1990s: Chapter}, volume={British popular cinema}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664950400002746&institutionId=2746&customerId=2745}, booktitle={British crime cinema}, publisher={Routledge}, author={Monk, Claire}, year={1999}, pages={172–188} }

@misc{Moore, Michael_2002, address={[S.l.]}, edition={Special edition 2 disc set}, title={Bowling for Columbine}, publisher={Momentum pictures}, author={Moore, Michael}, year={2002} }

@misc{Moore, Michael_2004, address={[S.l.]}, title={Fahrenheit 9/11}, publisher={Optimum Home Entertainment}, author={Moore, Michael}, year={2004} }

@misc{Moore, Michael_2010, address={[S.l.]}, title={Capitalism: a love story}, publisher={Paramount Home Entertainment}, author={Moore, Michael}, year={2010} }

@misc{Moore, Michael, address={Sky Cinema 2 television}, title={Roger and me}, publisher={Motion picture}, author={Moore, Michael} }

@misc{Moore, Michael_Cervantes, Reggie_Bush, George W._2007, address={[S.l.]}, title={Sicko}, publisher={Optimum}, author={Moore, Michael and Cervantes, Reggie and Bush, George W.}, year={2007} }

@misc{Moritzen, Henning_Thomsen, Ulrich_Vinterberg, Thomas_1998, address={[S.l.]}, title={Festen =: The celebration}, publisher={Metrodome Video}, author={Moritzen, Henning and Thomsen, Ulrich and Vinterberg, Thomas}, year={1998} }

@misc{Morris, Errol_1981, address={[S.l.]}, title={Vernon, Florida}, volume={Errol Morris collection}, publisher={Optimum}, author={Morris, Errol}, year={1981} }

@misc{Morris, Errol_1986, address={[S.l.]}, title={Gates of heaven}, volume={Errol Morris collection}, publisher={Optimum}, author={Morris, Errol}, year={1986} }

@misc{Morris, Errol_1988, address={[S.l.]}, title={The thin blue line}, volume={Errol Morris collection}, publisher={Optimum}, author={Morris, Errol}, year={1988} }

@misc{Morris, Errol_2008, address={[S.l.]}, title={Standard operating procedure}, publisher={Sony}, author={Morris, Errol}, year={2008} }

@misc{Morris_2013, title={The Unknown Known}, author={Morris, Errol}, year={2013} }

@misc{Morris, Errol_Leutcher, Fred_Pelt, R. J. van_1999, address={[S.l.]}, title={Mr. Death: the rise and fall of Fred A. Leuchter}, publisher={Artefact Media}, author={Morris, Errol and Leutcher, Fred and Pelt, R. J. van}, year={1999} }

@misc{Morris, Errol_McNamara, Robert S_2003, address={S.l.]}, title={The fog of war}, publisher={Columbia Tristar Home Entertainment}, author={Morris, Errol and McNamara, Robert S}, year={2003} }

@misc{Mungiu_2012, title={Beyond the Hills DVD}, author={Mungiu, Cristian}, year={2012} }

@misc{Mungiu, Cristian_Marinca, Anamaria_Vasiliu, Laura_Ivanov, Vlad_2007, address={S.l.]}, title={4 luni, 3 saptamâni si 2 zile =: 4 months, 3 weeks and 2 days}, publisher={Artificial Eye}, author={Mungiu, Cristian and Marinca, Anamaria and Vasiliu, Laura and Ivanov, Vlad}, year={2007} }

@inbook{Murphy_1992, address={London}, title={A Savage Story of Lust and Ambition: Chapter}, volume={The history of the British film}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-529723-dt-content-rid-654814_5/library/eReserves/HA1114/HA1114%20-%20Doc%2014.PDF}, booktitle={Sixties British cinema}, publisher={BFI Publishing}, author={Murphy, Robert}, year={1992}, pages={10–33} }

@book{Murphy, Robert_2009, address={London}, edition={3rd ed}, title={The British cinema book}, publisher={Palgrave Macmillan on behalf of the British Film Institute}, author={Murphy, Robert}, year={2009} }

@book{Nagib_2007, address={London}, title={Brazil on screen: cinema novo, new cinema, utopia}, volume={Tauris world cinema series}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10217783}, publisher={I. B. Tauris}, author={Nagib, Lúcia}, year={2007} }

@book{Nagib_2011, address={London}, title={World cinema and the ethics of realism}, publisher={Continuum International Pub. Group}, author={Nagib, Lúcia}, year={2011} }

@book{Nagib_University of Oxford. Centre for Brazilian Studies_2003, address={London}, title={The new Brazilian cinema}, publisher={I.B. Tauris in Association with the Centre for Brazilian Studies, University of Oxford}, author={Nagib, Lúcia and University of Oxford. Centre for Brazilian Studies}, year={2003} }

@inbook{Newsinger_31AD, address={Edinburgh}, title={Structure and Agency: Shane Meadows and the New Regional Production Sectors: Chapter}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665215520002746&institutionId=2746&customerId=2745}, booktitle={Shane Meadows}, publisher={Edinburgh University Press}, author={Newsinger, Jack}, year={31AD} }

@inbook{Nichols_1988, address={Berkeley, Calif}, title={The Voice of Documentary: Chapter}, booktitle={New challenges for documentary}, publisher={University of California Press}, author={Nichols, Bill}, year={1988}, pages={48–63} }

@inbook{Nichols_2007, address={London}, edition={3rd ed}, title={Documentary: Chapter}, booktitle={The cinema book}, publisher={British Film Institute}, author={Nichols, Bill}, year={2007}, pages={81–83} }

@inbook{Nichols_2010, address={Bloomington}, edition={2nd ed}, title={How Can We Describe the Observational, Participatory, Reflexive and Performative Modes of Documentary Film: Chapter}, url={http://site.ebrary.com/lib/leicester/Doc?id=10437993}, booktitle={Introduction to documentary}, publisher={Indiana University Press}, author={Nichols, Bill}, year={2010}, pages={172–211} }

@misc{Nichols, Mike_Bancroft, Anne_Hoffman, Dustin_Ross, Katharine_Webb, Charles Richard_Willingham, Calder_Henry, Buck_1967, address={[S.l.]}, title={The graduate}, publisher={Optimum Classic}, author={Nichols, Mike and Bancroft, Anne and Hoffman, Dustin and Ross, Katharine and Webb, Charles Richard and Willingham, Calder and Henry, Buck}, year={1967} }

@misc{Nolan_2010, title={Inception DVD}, author={Nolan, Christopher}, year={2010} }

@inbook{Nowell-Smith_13AD, address={New York}, title={Bicycle Thieves: Chapter}, booktitle={Film Analysis}, publisher={WW Norton & Co}, author={Nowell-Smith, Geoffrey}, year={13AD}, pages={422–438} }

@book{O’Brien, Charles_2005, address={Bloomington}, title={Cinema’s conversion to sound: technology and film style in France and the U.S.}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10118516}, publisher={Indiana University Press}, author={O’Brien, Charles}, year={2005} }

@book{O’Connell, P. J._2010, address={Carbondale, Ill}, title={Robert Drew and the development of cinema verite in America}, url={http://site.ebrary.com/lib/leicester/Doc?id=10575417}, publisher={Southern Illinois University Press}, author={O’Connell, P. J.}, year={2010} }

@inbook{Ogborn_2000, address={London}, title={Pathways into the Industry: Chapter}, booktitle={British cinema of the 90s}, publisher={BFI Publishing}, author={Ogborn, Kate}, year={2000} }

@article{Oleszcyk_2008, address={London}, title={Living in a goldfish bowl}, volume={18}, url={http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505263447&site=ehost-live}, number={1}, journal={Sight and sound: international film magazine}, publisher={British Film Institute}, author={Oleszcyk, Michael}, year={2008}, pages={12–12} }

@inbook{Orr_2004, address={Oxford}, title={New Directions in European Cinema: Chapter}, booktitle={European cinema}, publisher={Oxford University Press}, author={Orr, John}, year={2004}, pages={299–317} }

@book{Overbey, David_1978, address={London}, title={Springtime in Italy: a reader on neo-realism}, publisher={Talisman Books}, author={Overbey, David}, year={1978} }

@misc{Pennebaker, D. A._Hegedus, Chris_Stephanopoulos, George_Carville, James_1993, address={[S.l.]}, title={The war room}, volume={Criterion collection}, publisher={Criterion Collection}, author={Pennebaker, D. A. and Hegedus, Chris and Stephanopoulos, George and Carville, James}, year={1993} }

@inbook{Plantinga_2000, address={New York, N.Y.}, title={American Documentary in the 1980s: Chapter}, volume={History of the American cinema}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665230250002746&institutionId=2746&customerId=2745}, booktitle={A new pot of gold: Hollywood under the electronic rainbow, 1980-1989}, publisher={Charles Scribner’s Sons}, author={Plantinga, Carl}, year={2000}, pages={370–389} }

@book{Price_2011, address={Minneapolis [Minn.]}, title={Neither god nor master: Robert Bresson and radical politics}, url={http://site.ebrary.com/lib/leicester/Doc?id=10460997}, publisher={University of Minnesota Press}, author={Price, Brian}, year={2011} }

@inbook{Prince_2012, address={New Brunswick, N.J.}, title={Painting with Digital Light: Chapter}, url={http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664951060002746&institutionId=2746&customerId=2745}, booktitle={Digital visual effects in cinema: the seduction of reality}, publisher={Rutgers University Press}, author={Prince, Stephen}, year={2012}, pages={56–98} }

@misc{Puiu, Christi_Fiscuteanu, Ion_Gheorghiu, Luminita_2005, address={[S.l.]}, title={Moartea domnului Lazarescu =: The death of Mr Lazarescu}, publisher={Tartan Video}, author={Puiu, Christi and Fiscuteanu, Ion and Gheorghiu, Luminita}, year={2005} }

@book{Purse, Lisa_2013, address={Edinburgh}, title={Digital imaging in popular cinema}, publisher={Edinburgh University Press}, author={Purse, Lisa}, year={2013} }

@inbook{Rafferty_2006, address={London}, edition={Rev. ed}, title={The Thin Blue Line: Chapter}, url={https://blackboard.le.ac.uk/bbcswebdav/pid-1025239-dt-content-rid-2569442_5/library/eReserves/HA1114/HA1114_35111.pdf}, booktitle={Imagining reality: the Faber book of documentary}, publisher={Faber}, author={Rafferty, Terence}, year={2006} }

@article{Ratner_2008, title={Stunted lives : on 4 months, 3 weeks and 2 days}, url={http://brightlightsfilm.com/59/594months.php}, number={59}, journal={Bright lights film journal}, author={Ratner, Megan}, year={2008} }

@book{Reader_2000, address={Manchester}, title={Robert Bresson}, volume={French film directors}, publisher={Manchester University Press}, author={Reader, Keith}, year={2000} }

@misc{Reisz, Karel_Sillitoe, Alan_Finney, Albert_Murphy, Robert_1960, address={[S.l.]}, title={Saturday night and Sunday morning}, publisher={British Film Institute}, author={Reisz, Karel and Sillitoe, Alan and Finney, Albert and Murphy, Robert}, year={1960} }

@inbook{Renov_2004, address={Minneapolis, Minn}, title={New Subjectivities: Documentary and Self-Representation in the Post-Vérité Age: Chapter}, volume={Visible evidence}, booktitle={The subject of documentary}, publisher={University of Minnesota Press}, author={Renov, Michael}, year={2004}, pages={171–181} }

@misc{Richardson, Tony_Burton, Richard_Bloom, Claire_Ure, Mary_Osborne, John_1958, address={[S.l.]}, title={Look back in anger}, publisher={Optimum Classic}, author={Richardson, Tony and Burton, Richard and Bloom, Claire and Ure, Mary and Osborne, John}, year={1958} }

@misc{Richardson, Tony_Courtenay, Tom_Sillitoe, Alan_1962, address={[S.l.]}, title={The loneliness of the long distance runner}, publisher={British Film Institute}, author={Richardson, Tony and Courtenay, Tom and Sillitoe, Alan}, year={1962} }

@misc{Robert_1983, title={L’Argent}, author={Robert, Bresson}, year={1983} }

@book{Rockwell, John_British Film Institute_2003, address={London}, title={The idiots}, volume={British Film Institute}, publisher={BFI Pub}, author={Rockwell, John and British Film Institute}, year={2003} }

@book{Rodowick, David Norman_2007, address={Cambridge, Mass}, title={The virtual life of film}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10318536}, publisher={Harvard University Press}, author={Rodowick, David Norman}, year={2007} }

@misc{Rodrigues_Hora_Meirelles_Lund_2003, address={[S.l}, title={Cidade de Deus =: City of God}, publisher={Buena Vista Home Entertainment}, author={Rodrigues, Alexandre and Hora, Leandro Firmino da and Meirelles, Fernando and Lund, Kátia}, year={2003} }

@book{Rombes, Nicholas_2009, address={London}, title={Cinema in the digital age}, publisher={Wallflower}, author={Rombes, Nicholas}, year={2009} }

@inbook{Rosenheim_2001, address={New Brunswick, N.J.}, title={Interrotroning History: Errol Morris and the Documentary of the Future: Chapter}, volume={Rutgers depth of field series}, booktitle={The historical film: history and memory in media}, publisher={Rutgers University Press}, author={Rosenheim, Shaun}, year={2001}, pages={316–330} }

@misc{Ross, Gary_Maguire, Tobey_Macy, William H._Witherspoon, Reese_1998, address={S.l.]}, title={Pleasantville}, publisher={New Line Home Video}, author={Ross, Gary and Maguire, Tobey and Macy, William H. and Witherspoon, Reese}, year={1998} }

@book{Rossellini, Roberto_Meschke, Edmund_Hinzf, Ingetraud_Grüger, Franz_Aprà, Adriano_1948, address={[S.l.]}, edition={Special edition}, title={Germania anno zero =: Germany year zero}, volume={Roberto Rossellini’s war trilogy}, publisher={Criterion}, author={Rossellini, Roberto and Meschke, Edmund and Hinzf, Ingetraud and Grüger, Franz and Aprà, Adriano}, year={1948} }

@book{Rothman, William_2009a, address={Albany, N.Y.}, title={Three documentary filmmakers: Errol Morris, Ross McElwee, Jean Rouch}, volume={Suny series horizons of cinema}, publisher={State University of New York Press}, author={Rothman, William}, year={2009} }

@book{Rothman, William_2009b, address={Albany, N.Y.}, title={Three documentary filmmakers: Errol Morris, Ross McElwee, Jean Rouch}, volume={Suny series horizons of cinema}, publisher={State University of New York Press}, author={Rothman, William}, year={2009} }

@misc{Rouch, Jean_2005a, address={[S.l.]}, title={Jean Rouch, Ciné-Rencontre}, volume={Geste cinématographique}, publisher={Editions Montparnasse}, author={Rouch, Jean}, year={2005} }

@misc{Rouch, Jean_2005b, address={[S.l.]}, title={Jean Rouch, Ciné-Rouch}, volume={Geste cinématographique}, publisher={Editions Montparnasse}, author={Rouch, Jean}, year={2005} }

@misc{Rouch, Jean_2005c, address={[S.l.]}, title={Jean Rouch, Ciné-Transe, Ciné-Conte}, volume={Geste cinématographique}, publisher={Editions Montparnasse}, author={Rouch, Jean}, year={2005} }

@book{Rouch, Jean_Feld, Steven_2003, address={Minneapolis}, title={Ciné-ethnography}, volume={Visible evidence}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10151154}, publisher={University of Minnesota Press}, author={Rouch, Jean and Feld, Steven}, year={2003} }

@misc{Rouch, Jean_Morin, Edgar_2005, address={[S.l.]}, title={Chronique d’un été (Paris 1960) =: Chronicle of a summer}, publisher={Argos Films}, author={Rouch, Jean and Morin, Edgar}, year={2005} }

@book{Russell, Dave_2004, address={Manchester}, title={Looking north: northern England and the national imagination}, volume={Studies in popular culture}, publisher={Manchester University Press}, author={Russell, Dave}, year={2004} }

@book{Saunders, Dave, Visiting tutor in film studies at Royal Holloway, University of London [2007]_2007, address={London}, title={Direct cinema: observational documentary and the politics of the sixties}, publisher={Wallflower}, author={Saunders, Dave, Visiting tutor in film studies at Royal Holloway, University of London [2007]}, year={2007} }

@misc{Sazio, Carmela_Rossellini, Roberto_1946, address={S.l.]}, title={Paisà}, volume={Roberto Rossellini’s war trilogy}, publisher={Cine Città}, author={Sazio, Carmela and Rossellini, Roberto}, year={1946} }

@book{Sazio, Carmela_Rossellini, Roberto_Aprà, Adriano_Gallagher, Tag_1946, address={[S.l.]}, edition={Special edition}, title={Paisà =: Paisan}, volume={Roberto Rossellini’s war trilogy}, publisher={Criterion}, author={Sazio, Carmela and Rossellini, Roberto and Aprà, Adriano and Gallagher, Tag}, year={1946} }

@misc{Scherfig, Lone_Støvelbæk, Anette_Berthelsen, Anders W._2000, address={[S.l.]}, title={Italiensk for begyndere =: Italian for beginners}, publisher={Pathé}, author={Scherfig, Lone and Støvelbæk, Anette and Berthelsen, Anders W.}, year={2000} }

@misc{Schlesinger, John_Barstow, Stan_Bates, Alan_Ritchie, June_Hird, Thora_1962, address={[S.l.]}, title={A kind of loving}, volume={Vintage collection}, publisher={Momentum Pictures}, author={Schlesinger, John and Barstow, Stan and Bates, Alan and Ritchie, June and Hird, Thora}, year={1962} }

@misc{Schlesinger, John_Courtenay, Tom_Waterhouse, Keith_Christie, Julie_1963, address={[S.l.]}, title={Billy Liar}, publisher={Warner Home Video}, author={Schlesinger, John and Courtenay, Tom and Waterhouse, Keith and Christie, Julie}, year={1963} }

@misc{Scorsese, Martin_De Niro, Robert_Keitel, Harvey_1973, address={[S.l.]}, title={Mean streets}, publisher={Universal}, author={Scorsese, Martin and De Niro, Robert and Keitel, Harvey}, year={1973} }

@book{Sergi, Gianluca_2004, address={Manchester}, title={The Dolby era: film sound in contemporary Hollywood}, volume={Inside popular film}, publisher={Manchester University Press}, author={Sergi, Gianluca}, year={2004} }

@book{Shail, Robert_2012, address={Manchester}, title={Tony Richardson}, publisher={Manchester University Press}, author={Shail, Robert}, year={2012} }

@book{Shary_Seibel_2007, address={Austin}, edition={1st ed}, title={Youth culture in global cinema}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10245828}, journal={Birds that cannot fly: Childhood and youth in City of God}, publisher={University of Texas Press}, author={Shary, Timothy and Seibel, Alexandra}, year={2007} }

@book{Shiel, Mark_2006, address={London}, title={Italian neorealism: rebuilding the cinematic city}, volume={Short cuts}, publisher={Wallflower}, author={Shiel, Mark}, year={2006} }

@book{Shuker, Gregory_Leacock, Richard_Lipscomb, James_Pennebaker, D. A._Ryden, Hope_1963, address={[S.l.]}, title={Crisis}, volume={The Robert Drew collection}, publisher={DocuRama}, author={Shuker, Gregory and Leacock, Richard and Lipscomb, James and Pennebaker, D. A. and Ryden, Hope}, year={1963} }

@book{Simons, Jan_2007a, address={Amsterdam}, title={Playing the waves: Lars Von Trier’s game cinema}, volume={Film culture in transition}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10281440}, publisher={Amsterdam University Press}, author={Simons, Jan}, year={2007} }

@book{Simons, Jan_2007b, address={Amsterdam}, title={Playing the waves: Lars Von Trier’s game cinema}, volume={Film culture in transition}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10281440}, publisher={Amsterdam University Press}, author={Simons, Jan}, year={2007} }

@misc{Smordoni, Rinaldo_Interlenghi, Franco_De Sica, Vittorio_1946, address={[S.l.]}, title={Sciuscià =: Shoeshine}, volume={Master of cinema}, publisher={Eureka video}, author={Smordoni, Rinaldo and Interlenghi, Franco and De Sica, Vittorio}, year={1946} }

@book{Snyder, Stephen J._Curle, Howard_2000, address={Toronto}, title={Vittorio De Sica: contemporary perspectives}, volume={Toronto Italian studies}, publisher={University of Toronto Press}, author={Snyder, Stephen J. and Curle, Howard}, year={2000} }

@book{Spicer, Andrew_2001, address={London}, title={Typical men: the representation of masculinity in popular British cinema}, volume={Cinema and society}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10133040}, publisher={I.B. Tauris Publishers}, author={Spicer, Andrew}, year={2001} }

@misc{Spurlock, Morgan_2005, address={[S.l.]}, title={Super size me}, publisher={Tartan video}, author={Spurlock, Morgan}, year={2005} }

@article{Stephen Prince_1996, title={True Lies: Perceptual Realism, Digital Images, and Film Theory}, volume={49}, url={http://www.jstor.org/stable/10.2307/1213468?Search=yes&resultItemClick=true&searchText="stephen prince"&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2522stephen%2Bprince%2522%26amp%3Bfilter%3Djid%253A10.2307%252Fj100159%26amp%3BSearch%3DSearch%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3BglobalSearch%3D%26amp%3BsbbBox%3D%26amp%3BsbjBox%3D%26amp%3BsbpBox%3D}, number={3}, journal={Film Quarterly}, publisher={University of California Press}, author={Stephen Prince}, year={1996}, pages={27–37} }

@article{Stephen Prince_2004, title={The Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Era}, volume={57}, url={http://www.jstor.org/stable/10.1525/fq.2004.57.3.24?Search=yes&resultItemClick=true&searchText="stephen prince"&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2522stephen%2Bprince%2522%26amp%3Bfilter%3Djid%253A10.2307%252Fj100159%26amp%3BSearch%3DSearch%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3BglobalSearch%3D%26amp%3BsbbBox%3D%26amp%3BsbjBox%3D%26amp%3BsbpBox%3D}, number={3}, journal={Film Quarterly}, publisher={University of California Press}, author={Stephen Prince}, year={2004}, pages={24–33} }

@book{Stevenson, Jack_2002, address={London}, title={Lars von Trier}, volume={World directors / British Film Institute}, publisher={British Film Institute}, author={Stevenson, Jack}, year={2002} }

@book{Street, Sarah_2009, address={London}, edition={2nd ed}, title={British national cinema}, volume={National cinemas series}, url={http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=212501}, publisher={Routledge}, author={Street, Sarah}, year={2009} }

@misc{Strickland_2012, title={Berberian Sound Studio}, author={Strickland, Peter}, year={2012} }

@book{Sucsy, Michael_Barrymore, Drew_Lange, Jessica_Rozema, Patricia_2009, address={[S.l.]}, title={Grey Gardens [2009]}, publisher={HBO}, author={Sucsy, Michael and Barrymore, Drew and Lange, Jessica and Rozema, Patricia}, year={2009} }

@inbook{Thompson_1988, address={Princeton, N.J.}, title={Realism in the Cinema: Bicycle Thieves, Chapter}, booktitle={Breaking the glass armor: neoformalist film analysis}, publisher={Princeton University Press}, author={Thompson, Kristin}, year={1988}, pages={197–217} }

@book{Tinkcom, Matthew_British Film Institute_2011, address={London}, title={Grey Gardens}, publisher={Palgrave Macmillan on behalf of the British Film Institute}, author={Tinkcom, Matthew and British Film Institute}, year={2011} }

@misc{Treadwell, Timothy_Herzog, Werner_2005, address={[S.l.]}, title={Grizzly Man}, publisher={Revolver Entertainment}, author={Treadwell, Timothy and Herzog, Werner}, year={2005} }

@book{Trier, Lars von_Björkman, Stig_2003, address={London}, title={Trier on von Trier}, publisher={Faber and Faber}, author={Trier, Lars von and Björkman, Stig}, year={2003} }

@misc{Trier, Lars von_Jørgensen, Bodil_Albinus, Jens_Hassing, Anne Louise_1998, address={[S.l.]}, edition={Uncut}, title={Idioterne =: The idiots}, publisher={Tartan Video}, author={Trier, Lars von and Jørgensen, Bodil and Albinus, Jens and Hassing, Anne Louise}, year={1998} }

@misc{Trier, Lars Von_Watson, Emily_Skarsgård, Stellan_Cartlidge, Katrin_1996, address={[S.l.]}, title={Breaking the waves}, publisher={Pathé}, author={Trier, Lars Von and Watson, Emily and Skarsgård, Stellan and Cartlidge, Katrin}, year={1996} }

@book{Tucker, David_2011, address={Basingstoke}, title={British social realism in the arts since 1940}, url={http://ezproxy.lib.le.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230306387}, publisher={Palgrave Macmillan}, author={Tucker, David}, year={2011} }

@article{Tudor_1972, title={The Many Mythologies of Realism}, volume={13}, DOI={10.1093/screen/13.1.27}, number={1}, journal={Screen}, author={Tudor, A.}, year={1972}, month={Mar}, pages={27–36} }

@misc{Tushingham, Rita_Richardson, Tony_Delaney, Shelagh_1961, address={[S.l.]}, title={A taste of honey}, publisher={Optimum Classic}, author={Tushingham, Rita and Richardson, Tony and Delaney, Shelagh}, year={1961} }

@book{Tyree, J. M._2012, address={London}, title={Salesman}, volume={BFI film classics}, publisher={BFI}, author={Tyree, J. M.}, year={2012} }

@article{Uricaru_2008, title={4 Months, 3 Weeks, 2 Days: The Corruption of Intimacy}, volume={61}, DOI={10.1525/fq.2008.61.4.12}, number={4}, journal={Film Quarterly}, author={Uricaru, Ioana}, year={2008}, month={Jun}, pages={12–17} }

@misc{Uricaru, Ioana_Höfer, Hanno_Marculescu, Razvan_Popescu, Constantin_Mungiu, Cristian_2009, address={[S.l.]}, title={Amintiri din epoca de aur =: Tales from the golden age}, publisher={Trinity}, author={Uricaru, Ioana and Höfer, Hanno and Marculescu, Razvan and Popescu, Constantin and Mungiu, Cristian}, year={2009} }

@book{Utterson, Andrew_2005, address={London}, title={Technology and culture, the film reader}, volume={In focus: Routledge film readers}, publisher={Routledge}, author={Utterson, Andrew}, year={2005} }

@book{Utterson, Andrew_2011, address={London}, title={From IBM to MGM: cinema at the dawn of the digital age}, publisher={Palgrave Macmillan}, author={Utterson, Andrew}, year={2011} }

@misc{Varda, Agnès_2002, address={[S.l.]}, title={Les Glaneurs et la glaneuse =: The gleaners and I}, publisher={Zeitgeist Video}, author={Varda, Agnès}, year={2002} }

@book{Vice, Sue_2011, address={London}, title={Shoah}, volume={BFI film classics}, publisher={BFI}, author={Vice, Sue}, year={2011} }

@misc{Visconti, Luchino_1948, address={London}, title={La terra trema =: The earth trembles}, publisher={BFI}, author={Visconti, Luchino}, year={1948} }

@misc{Visconti, Luchino_Girotti, Massimo_Calamai, Clara_1942, address={London]}, title={Ossessione}, publisher={British Film Institute}, author={Visconti, Luchino and Girotti, Massimo and Calamai, Clara}, year={1942} }

@book{Vogels, Jonathan B._2005, address={Carbondale [Ill.]}, title={The direct cinema of David and Albert Maysles}, url={http://site.ebrary.com/lib/leicester/Doc?id=10469367}, publisher={Southern Illinois University Press}, author={Vogels, Jonathan B.}, year={2005} }

@book{Wagstaff, Christopher_2007, address={Toronto}, title={Italian neorealist cinema: an aesthetic approach}, volume={Toronto Italian studies}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10295298}, publisher={University of Toronto Press}, author={Wagstaff, Christopher}, year={2007} }

@book{Walker, Alexander_2005, address={London}, title={Hollywood, England: the British film industry in the sixties}, publisher={Orion}, author={Walker, Alexander}, year={2005} }

@article{Walters_2008, address={London}, title={Heartbreak Hotel}, volume={18}, url={http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505263471&site=ehost-live}, number={1}, journal={Sight and sound: international film magazine}, publisher={British Film Institute}, author={Walters, Ben}, year={2008}, pages={54–55} }

@book{Ward, Paul_2005, address={London}, title={Documentary: the margins of reality}, volume={Short cuts}, publisher={Wallflower}, author={Ward, Paul}, year={2005} }

@book{Wayne, Mike_2002, address={Bristol}, title={The politics of contemporary European cinema: histories, borders, diasporas}, url={http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015830}, publisher={Intellect}, author={Wayne, Mike}, year={2002} }

@article{Wayne_2006, title={The Performing Northern Working Class in British Cinema: Cultural Representation and its Political Economy}, volume={23}, DOI={10.1080/10509200690897572}, number={4}, journal={Quarterly Review of Film and Video}, author={Wayne, Mike}, year={2006}, month={Aug}, pages={287–297} }

@misc{Welles, Orson_Heston, Charlton_Leigh, Janet_Masterson, Whit_1958, address={[S.l.]}, title={Touch of evil}, publisher={Universal}, author={Welles, Orson and Heston, Charlton and Leigh, Janet and Masterson, Whit}, year={1958} }

@misc{Wexler, Mark S._2004, address={[S.l.]}, title={Tell them who you are}, publisher={Metrodome}, author={Wexler, Mark S.}, year={2004} }

@book{Williams, Christopher_1980, address={London}, title={Realism and the cinema: a reader}, volume={BFI readers in film studies}, publisher={Routledge and Kegan Paul [for] British Film Institute}, author={Williams, Christopher}, year={1980} }

@article{Williams_1993, title={Mirrors without Memories: Truth, History, and the New Documentary}, volume={46}, url={http://www.jstor.org/stable/1212899}, DOI={10.2307/1212899}, number={3}, journal={Film Quarterly}, author={Williams, Linda}, year={1993}, month={Apr}, pages={9–21} }

@misc{Williams_2006, title={London to Brighton}, author={Williams, Paul Andrew}, year={2006} }

@inbook{Williams_1988, address={London}, edition={Rev. and expanded ed}, title={Realism: Chapter}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana}, author={Williams, Raymond}, year={1988}, pages={216–221} }

@book{Willis, Holly_2005, address={London}, title={New digital cinema: reinventing the moving image}, volume={Short cuts series}, publisher={Wallflower Press}, author={Willis, Holly}, year={2005} }

@article{Wilson_2008, title={4 Months, 3 Weeks, 2 Days: An "Abortion Movie”?}, volume={61}, DOI={10.1525/fq.2008.61.4.18}, number={4}, journal={Film Quarterly}, author={Wilson, Emma}, year={2008}, month={Jun}, pages={18–23} }

@book{Winston_2013, address={Basingstoke, United Kingdom}, title={The documentary film book}, publisher={Palgrave Macmillan}, author={Winston, Brian}, year={2013} }

@misc{Wintonick, Peter_2006, address={Ramsey, Isle of Man}, title={Cinéma vérité: defining the moment, the story of non-fiction filmmaking}, publisher={Beckmann Visual Publishing}, author={Wintonick, Peter}, year={2006} }

@book{Wiseman, Frederick_Grant, Barry Keith_2006, address={Berkeley, Calif}, title={Five films by Frederick Wiseman: Titicut follies, High school, Welfare, High school II, Public housing}, publisher={University of California Press}, author={Wiseman, Frederick and Grant, Barry Keith}, year={2006} }

@inbook{Zavattini_2000, address={Toronto}, title={Some Ideas on the Cinema: Chapter}, volume={Toronto Italian studies}, booktitle={Vittorio De Sica: contemporary perspectives}, publisher={University of Toronto Press}, author={Zavattini, Cesare}, year={2000}, pages={50–61} }

@misc{Zemeckis, Robert_Groom, Winston_Hanks, Tom_Wright, Robin_Sinise, Gary_Field, Sally_1994, address={[S.l.]}, edition={Special collector’s edition}, title={Forrest Gump}, volume={Widescreen collection}, publisher={Paramount}, author={Zemeckis, Robert and Groom, Winston and Hanks, Tom and Wright, Robin and Sinise, Gary and Field, Sally}, year={1994} }

@misc{Zidane, Zinédine_Gordon, Douglas_Parreno, Philippe_2006, address={[S.l.]}, title={Zidane un portrait du 21e siècle =: Zidane a 21st century portrait}, volume={Artificial eye}, publisher={Artificial eye}, author={Zidane, Zinédine and Gordon, Douglas and Parreno, Philippe}, year={2006} }

@book{Vernallis, Carol_Herzog, Amy_Richardson, John_2013, address={Oxford}, title={The Oxford handbook of sound and image in digital media}, volume={Oxford handbooks in music}, publisher={Oxford University Press}, year={2013} }

@article{Journal of British Cinema and Television, volume={11}, url={http://www.euppublishing.com/toc/jbctv/11/2-3}, number={2–3} }

@article{Journal of British Cinema and Television, volume={10}, url={http://www.euppublishing.com/toc/jbctv/10/4}, number={4} }