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Morris, Errol, Leutcher, Fred, & Pelt, R. J. van. (1999). Mr. Death: the rise and fall of Fred A. Leuchter. Artefact Media.
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Nagib, L. (2007). Brazil on screen: cinema novo, new cinema, utopia: Vol. Tauris world cinema series. I. B. Tauris. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10217783
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Nichols, B. (2010). How Can We Describe the Observational, Participatory, Reflexive and Performative Modes of Documentary Film: Chapter. In Introduction to documentary (2nd ed, pp. 172–211). Indiana University Press. http://site.ebrary.com/lib/leicester/Doc?id=10437993
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O’Brien, Charles. (2005). Cinema’s conversion to sound: technology and film style in France and the U.S. Indiana University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10118516
O’Connell, P. J. (2010). Robert Drew and the development of cinema verite in America. Southern Illinois University Press. http://site.ebrary.com/lib/leicester/Doc?id=10575417
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Orr, J. (2004). New Directions in European Cinema: Chapter. In European cinema (pp. 299–317). Oxford University Press.
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Price, B. (2011). Neither god nor master: Robert Bresson and radical politics. University of Minnesota Press. http://site.ebrary.com/lib/leicester/Doc?id=10460997
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Puiu, Christi, Fiscuteanu, Ion, & Gheorghiu, Luminita. (2005). Moartea domnului Lazarescu =: The death of Mr Lazarescu. Tartan Video.
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Rodrigues, A., Hora, L. F. da, Meirelles, F., & Lund, K. (2003). Cidade de Deus =: City of God. Buena Vista Home Entertainment.
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Rouch, Jean & Feld, Steven. (2003). Ciné-ethnography: Vol. Visible evidence. University of Minnesota Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10151154
Rouch, Jean & Morin, Edgar. (2005). Chronique d’un été (Paris 1960) =: Chronicle of a summer. Argos Films.
Russell, Dave. (2004). Looking north: northern England and the national imagination: Vol. Studies in popular culture. Manchester University Press.
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Shary, T., & Seibel, A. (2007). Youth culture in global cinema. In Birds that cannot fly: Childhood and youth in City of God (1st ed). University of Texas Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10245828
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Simons, Jan. (2007a). Playing the waves: Lars Von Trier’s game cinema: Vol. Film culture in transition. Amsterdam University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10281440
Simons, Jan. (2007b). Playing the waves: Lars Von Trier’s game cinema: Vol. Film culture in transition. Amsterdam University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10281440
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Stephen Prince. (1996). True Lies: Perceptual Realism, Digital Images, and Film Theory. Film Quarterly, 49(3), 27–37. http://www.jstor.org/stable/10.2307/1213468?Search=yes&resultItemClick=true&searchText="stephen prince"&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%2522stephen%2Bprince%2522%26amp%3Bfilter%3Djid%253A10.2307%252Fj100159%26amp%3BSearch%3DSearch%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3BglobalSearch%3D%26amp%3BsbbBox%3D%26amp%3BsbjBox%3D%26amp%3BsbpBox%3D
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Trier, Lars von, Jørgensen, Bodil, Albinus, Jens, & Hassing, Anne Louise. (1998). Idioterne =: The idiots (Uncut). Tartan Video.
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Tucker, David. (2011). British social realism in the arts since 1940. Palgrave Macmillan. http://ezproxy.lib.le.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230306387
Tudor, A. (1972). The Many Mythologies of Realism. Screen, 13(1), 27–36. https://doi.org/10.1093/screen/13.1.27
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Uricaru, Ioana, Höfer, Hanno, Marculescu, Razvan, Popescu, Constantin, & Mungiu, Cristian. (2009). Amintiri din epoca de aur =: Tales from the golden age. Trinity.
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Visconti, Luchino, Girotti, Massimo, & Calamai, Clara. (1942). Ossessione. British Film Institute.
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Wagstaff, Christopher. (2007). Italian neorealist cinema: an aesthetic approach: Vol. Toronto Italian studies. University of Toronto Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10295298
Walker, Alexander. (2005). Hollywood, England: the British film industry in the sixties. Orion.
Walters, B. (2008). Heartbreak Hotel. Sight and Sound: International Film Magazine, 18(1), 54–55. http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505263471&site=ehost-live
Ward, Paul. (2005). Documentary: the margins of reality: Vol. Short cuts. Wallflower.
Wayne, M. (2006). The Performing Northern Working Class in British Cinema: Cultural Representation and its Political Economy. Quarterly Review of Film and Video, 23(4), 287–297. https://doi.org/10.1080/10509200690897572
Wayne, Mike. (2002). The politics of contemporary European cinema: histories, borders, diasporas. Intellect. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015830
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Wexler, Mark S. (2004). Tell them who you are. Metrodome.
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Wiseman, Frederick & Grant, Barry Keith. (2006). Five films by Frederick Wiseman: Titicut follies, High school, Welfare, High school II, Public housing. University of California Press.
Zavattini, C. (2000). Some Ideas on the Cinema: Chapter. In Vittorio De Sica: contemporary perspectives: Vol. Toronto Italian studies (pp. 50–61). University of Toronto Press.
Zemeckis, Robert, Groom, Winston, Hanks, Tom, Wright, Robin, Sinise, Gary, & Field, Sally. (1994). Forrest Gump: Vol. Widescreen collection (Special collector’s edition). Paramount.
Zidane, Zinédine, Gordon, Douglas, & Parreno, Philippe. (2006). Zidane un portrait du 21e siècle =: Zidane a 21st century portrait: Vol. Artificial eye. Artificial eye.
