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I. MacDonald, The people’s music, vol. 586. London: Pimlico, 2003.
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Nelson George, The death of rhythm & blues. New York: Penguin, 2004.
[3]
D. Hepworth, 1971: never a dull moment. London: Black Swan, 2017.
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D. Hepworth, Uncommon People: The Rise and Fall of the Rock Stars 1955-1994. London: Transworld Publishers Ltd, 2017.
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B. Hoskyns, Joni: the anthology, First U.S. edition. New York: Picador, 2017.
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Ruth Charnock, Joni Mitchell. Bloomsbury Academic, 24AD [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5602978
[7]
D. Yaffe, Reckless daughter: a portrait of Joni Mitchell, First paperback edition. New York: Sarah Crichton Books, 2018.
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B. Hoskyns, Ed., Reckless daughter: a Joni Mitchell anthology. London: Constable, 2016.
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S. Nelson, Court and spark. New York, New York: Continuum, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5309827
[10]
Joni: The Creative Odyssey of Joni Mitchell. Greystone Books, 8AD [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=895843
[11]
‘Joni Mitchell: Woman Of Heart And Mind [DVD]’. .
[12]
W. T. Schultz, Torment saint: the life of Elliott Smith, First U.S. edition. London: Bloomsbury, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5222863
[13]
B. Nugent, Elliott Smith and the big nothing. Cambridge, Mass: Da Capo Press, 2005.
[14]
M. LeMay, XO. New York: Continuum, 2009.
[15]
R. Jovanovic, Throwing frisbees at the sun: a book about Beck, First edition. London, England: Jawbone Press, 2015.
[16]
C. Schuftan, Entertain Us: The Rise and Fall of Alternative Rock in the Nineties. Sydney: ABC Books, 2012.
[17]
Susan Whitall, Joni on Joni: Interviews and Encounters with Joni Mitchell (Musicians in Their Own Words). Chicago Review Press, 6AD [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5264537
[18]
P. Smith, Collected lyrics, 1970-2015. London: Bloomsbury, 2015.
[19]
E. H. Margulis, Psychology of music: a very short introduction. Oxford: Oxford University Press, 2018.
[20]
B. Kitwana, Why white kids love hip-hop: wankstas, wiggers, wannabes, and the new reality of race in America. New York: Basic Civitas Books, 2005.
[21]
J. Chang, Can’t stop won’t stop: a history of the hip-hop generation. London: Ebury, 2007.
[22]
Burton W. Peretti, Jazz in American culture. Chicago, Ill: Ivan R. Dee, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1481208
[23]
M. Economy, Ed., Pansy beat, First edition. United States: Krimskrams Island, LLC, 2017.
[24]
H. Goodall, The story of music. London: Vintage Books, 2013.
[25]
J. Powell, How music works: a listener’s guide to the science and psychology of beautiful sounds. London: Particular, 2010.
[26]
A. Ross, The rest is noise: listening to the twentieth century. London: Harper Perennial, 2009.
[27]
A. Ross, Listen to this, [Updated] ed. London: Fourth Estate, 2011.
[28]
E. Goodman, Meet me in the bathroom: rebirth and rock and roll in New York City 2001-2011. London: Faber & Faber, 2017.
[29]
M. Azerrad, Our band could be your life: scenes from the American indie underground 1981-1991, 1st Back Bay pbk. ed. New York: Back Bay Books, 2002.
[30]
M. Yarm, Everybody loves our town: a history of grunge. London: Faber, 2012.
[31]
S. Marcus, Girls to the front: the true story of the Riot grrrl revolution, 1st ed. New York: HarperPerennial, 2010.
[32]
S. Knee, Untypical girls: styles and sounds of transatlantic indie revolution. London: Cicada Books Limited, 2017.
[33]
M. Meltzer, Girl power: the nineties revolution in music, 1st ed. New York: Faber and Faber, 2010.
[34]
D. Stubbs, Mars by 1980: the story of electronic music. London: Faber & Faber, 2018.
[35]
D. Toop, Ocean of sound: ambient sound and radical listening in the age of communication, New edition. London: Serpent’s Tail, 2018.
[36]
V. Wilmer, As serious as your life: John Coltrane and beyond. London: Serpent’s Tail, 2018.
[37]
D. Byrne, How music works, Revised and Updated edition. Edinburgh: Canongate, 2013.
[38]
Stuart Cosgrove, Harlem 69: The Future of Soul (The Soul Trilogy). Polygon (An Imprint of Birlinn Limited) [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5523982
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Stuart Cosgrove, Memphis 68: The Tragedy of Southern Soul (The Soul Trilogy). Polygon (An Imprint of Birlinn Limited) [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4933664
[40]
Stuart Cosgrove, Detroit 67: The Year That Changed Soul (Features the story of DETROIT, now a major motion picture) (The Soul Trilogy). Polygon, 20AD [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4783347
[41]
R. Gordon, Respect yourself: Stax Records and the soul explosion, Paperback edition. New York: Bloomsbury, 2015.
[42]
N. George, Where did our love go?: the rise and fall of the Motown sound. Urbana: University of Illinois Press, 2007.
[43]
N. George, Hip hop America. New York: Penguin, 2005.
[44]
T. Rose, Black noise: rap music and Black culture in contemporary America. Hanover: Wesleyan University Press, 1994.
[45]
S. Craig Watkins, Hip Hop Matters. Beacon Press [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3117977
[46]
C. Heylin, All the madmen: Barrett, Bowie, Drake, Pink Floyd, The Kinks, The Who & a journey to the dark side of English rock. London: Constable, 2012.
[47]
H. Shapiro, Waiting for the Man: The Story of Drugs and Popular Music, 2nd ed. London: Helter Skelter Publishing, 2003.
[48]
C. S. Murray and N. Spencer, Shots from the hip. London: Penguin, 1991.