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Carax, Léos, Denis Lavant, Édith Scob, Eva Mendes, and Kylie Minogue, ‘Holy Motors’ ([S.l.]: Artificial Eye, 2013) <https://learningonscreen.ac.uk/ondemand/index.php/prog/030ED26B?bcast=130828457>
Ezra, Elizabeth, and Terry Rowden, ‘What Is Transnational Cinema’, in Transnational Cinema: The Film Reader (London: Routledge, 2006), In focus: Routledge film readers, 1–12
Godard, Jean-Luc, François Truffaut, Jean Seberg, and Jean-Paul Belmondo, ‘À Bout de Souffle =: Breathless’ ([S.l.]: Optimum Releasing, 2000) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00020428?bcast=5333460>
Gunning, Tom, ‘The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde’, in The Film Studies Reader (London: Arnold, 2000)
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Lai, Linda Chiu-han, ‘Film and Enigmatization: Nostalgia, Nonsense, and Remembering’, in At Full Speed : Hong Kong Cinema in a Borderless World (University of Minnesota Press, 2001) <http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=310538&amp;ppg=6>
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Marie, Michel, ‘A Critical Concept’, in The French New Wave: An Artistic School (Oxford: Blackwell Pub, 2002), pp. 26–48
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