[1]
Adlard, John 1974. The debt to pleasure: John Wilmot, Earl of Rochester, in the eyes of his contemporaries and in his own poetry and prose. Carcanet Press.
[2]
Alexander, J.M. and MacLeod, C. 2007. Politics, transgression, and representation at the Court of Charles II. Yale Center for British Art.
[3]
Alexander, J.M. and MacLeod, C. 2007. Politics, transgression, and representation at the Court of Charles II. Yale Center for British Art.
[4]
Anderson, E.H. 2011. Eighteenth-century authorship and the play of fiction: novels and the theater, Haywood to Austen. Routledge.
[5]
Armstrong, Isobel and Blain, Virginia 1999. Women’s poetry in the Enlightenment: the making of a canon, 1730-1820. Palgrave Macmillan.
[6]
Baldick, Chris 1990. The concise Oxford dictionary of literary terms. Clarendon Press.
[7]
Ballaster, Rosalind 1992. Seductive forms: women’s amatory fiction from 1684-1740. Clarendon Press.
[8]
Barbauld, Anna Laetitia et al. 2002. Anna Letitia Barbauld, selected poetry and prose. Broadview Press.
[9]
Barker, Hannah and Chalus, Elaine 1997. Gender in eighteenth-century England: roles, representations and responsibilities. Longman.
[10]
Barker-Benfield, G. J. 1992. The culture of sensibility: sex and society in eighteenth-century Britain. University of Chicago Press.
[11]
Bate, Walter Jackson 1978. Samuel Johnson. Chatto and Windus.
[12]
Bell, Ian A. 1985. Defoe’s fiction. Barnes & Noble Books.
[13]
Black, Jeremy and Porter, Roy 2001. A dictionary of eighteenth century history. Penguin.
[14]
Black, S. 1999. Social and Literary Form in the Spectator. Eighteenth-Century Studies. 33, 1 (1999), 21–42. DOI:https://doi.org/10.1353/ecs.1999.0042.
[15]
Bloom, Edward A. and Bloom, Lillian D. 1980. Addison and Steele: the critical heritage. Routledge and Kegan Paul.
[16]
Bond, Donald F 1965. The Spectator. Clarendon Press.
[17]
Boswell, James and Hibbert, Christopher 1979. The life of Samuel Johnson. Penguin.
[18]
Boulton, James T 1971. Johnson: the critical heritage. Routledge and Kegan Paul.
[19]
Boulton, James T 1971. Johnson: the critical heritage. Routledge and Kegan Paul.
[20]
Brewer, John 1997. Pleasures of the imagination: English culture in the eighteenth century. HarperCollins.
[21]
Brewer, John and Porter, Roy 1993. Consumption and the world of goods. Routledge.
[22]
Brian Cowan 2004. Mr. Spectator and the Coffeehouse Public Sphere. Eighteenth-Century Studies. 37, 3 (2004), 345–366.
[23]
Brock, C. 2006. Chapter on Burney in The feminization of fame, 1750-1830. The feminization of fame, 1750-1830. Palgrave Macmillan.
[24]
Brock, Claire 2006. The feminization of fame, 1750-1830. Palgrave Macmillan.
[25]
Brown, Marshall 1991. Preromanticism. Stanford University Press.
[26]
Bullard, Rebecca 2009. The politics of disclosure, 1674-1725: secret history narratives. Pickering & Chatto.
[27]
Bullard, Rebecca 2009. The politics of disclosure, 1674-1725: secret history narratives. Pickering & Chatto.
[28]
Burney, F. and Cooke, S.J. 1998. Evelina: or, The history of a young lady’s entrance into the world : authoritative text, contexts and contemporary reactions, criticism. W.W. Norton & Co.
[29]
Burney, Fanny et al. 2002. Evelina, or, The history of a young lady’s entrance into the world. Oxford University Press.
[30]
Burney, Fanny et al. 2001. Journals and letters. Penguin.
[31]
Burney, Fanny and Crump, Justine 2002. A known scribbler: Frances Burney on literary life. Broadview Press.
[32]
Burney, Fanny and Doody, Margaret Anne 1994. Evelina, or, The history of a young lady’s entrance into the world. Penguin Books.
[33]
Canfield, J. Douglas and Von Sneidern, Maja-Lisa 2001. The Broadview anthology of Restoration & early eighteenth-century drama. Broadview Press.
[34]
Chawton House Library | Home to early English women’s writing: http://www.chawton.org/.
[35]
Chernaik, Warren L. 1995. Sexual freedom in Restoration literature. Cambridge University Press.
[36]
Chernaik, Warren L. 1995. Sexual freedom in Restoration literature. Cambridge University Press.
[37]
Christine Blouch 1991. Eliza Haywood and the Romance of Obscurity. Studies in English Literature, 1500-1900. 31, 3 (1991), 535–552.
[38]
Clark, S.H. 1994. ‘Something Generous in Meer Lust? Rochester as libertine’, in Sordid images: the poetry of masculine desire. Sordid images: the poetry of masculine desire. (1994).
[39]
Clark, S.H. and S.H. Clark 1994. Chapter 3: Something Generous in Meer Lust? Sordid images: the poetry of masculine desire. Routledge.
[40]
Clery, E. J. 2004. The feminization debate in eighteenth-century England: literature, commerce and luxury. Palgrave Macmillan.
[41]
Clingham, Greg 2006. The Cambridge companion to Samuel Johnson. Cambridge University Press.
[42]
Colclough, Stephen 2007. Consuming texts: readers and reading communites, 1695-1870. Palgrave Macmillan.
[43]
Conway, Alison Margaret 2001. Private interests: women, portraiture and the visual culture of the English novel, 1709-1791. University of Toronto Press.
[44]
Conway, Alison Margaret 2010. The Protestant whore: courtesan narrative and religious controversy in England, 1680-1750. University of Toronto Press.
[45]
Cook, D. and Seager, N. 2015. The Afterlives of Eighteenth-Century Fiction. Cambridge University Press.
[46]
Cunningham, J. S. 1982. Samuel Johnson: The vanity of human wishes and Rasselas. Edward Arnold.
[47]
Davis, Lennard J. 1996. Factual fictions: the origins of the English novel. University of Pennsylvania Press.
[48]
Davis, Philip 2009. In mind of Johnson: a study of Johnson the rambler. University of Georgia Press.
[49]
Dawson, M.S. 2005. Gentility and the comic theatre of late Stuart London. Cambridge University Press.
[50]
Defoe, Daniel et al. 2007. Robinson Crusoe. Oxford University Press.
[51]
Defoe, Daniel and Blewett, David 2003. Moll Flanders. Penguin.
[52]
Defoe, Daniel and Blewett, David 1982. Roxana: the fortunate mistress, or, A history of the life and vast variety of fortunes of Mademoiselle de Beleau. Penguin.
[53]
Defoe, Daniel and Landa, Louis A. 1969. A journal of the plague year: being observations or memorials of the most remarkable occurrences, as well publick as private, which happened in London during the last Great Visitation in 1665. Oxford University Press.
[54]
Defoe, Daniel and Mullan, John 2008. Roxana: the fortunate mistress. Oxford University Press.
[55]
Defoe, Daniel and Richetti, John J. 2003. Robinson Crusoe. Penguin.
[56]
Defoe, Daniel and Starr, G. A. 2009. Moll Flanders. Oxford University Press.
[57]
DeMaria, Jr, R. 2006. ‘The Eighteenth-Century Periodical Essay’, in The Cambridge companion to the eighteenth-century novel. The Cambridge companion to the eighteenth-century novel. Cambridge companions to literature and classics, (2006).
[58]
Dixon, Peter 1972. Alexander Pope. Bell.
[59]
Doody, Margaret 1998. The true story of the novel. Fontana.
[60]
Downie, J. A. 1984. Jonathan Swift, political writer. Routledge & Kegan Paul.
[61]
Eger, Elizabeth 2001. Women, writing and the public sphere, 1700-1830. Cambridge University Press.
[62]
Ehrenpreis, I. Jonathan Swift: Lecture on a Master Mind. Proceedings of the British Academy. LIV.
[63]
‘Eliza Haywood’s Defence of London’s Body Politic’: http://literature.proquest.com/searchFulltext.do?id=R04180184&divLevel=0&queryId=2797878518963&trailId=1451CC8491B&area=criticism&forward=critref_ft.
[64]
Emily Hodgson Anderson 2005. Performing the Passions in Eliza Haywood’s ‘Fantomina’ and ‘Miss Betsy Thoughtless’. The Eighteenth Century. 46, 1 (2005), 1–15.
[65]
Erskine-Hill, Howard 1983. The Augustan idea in English literature. Edward Arnold.
[66]
Etherege, G. and Barnard, J.M. 2007. The man of mode. A & C Black.
[67]
Fairer, David 2002. English poetry of the eighteenth century, 1700-1789. Longman.
[68]
Feldman, Paula R. and Kelley, Theresa M. 1995. Romantic women writers: voices and countervoices. University Press of New England.
[69]
Fenton, James 2003. An introduction to English poetry. Penguin.
[70]
Fisher, N. 2000. That second bottle: essays on the Earl of Rochester. Manchester University Press.
[71]
Flynn, Carol Houlihan 1990. The body in Swift and Defoe. Cambridge University Press.
[72]
Flynn, Carol Houlihan and Carol Houlihan Flyn 1990. Chapter 3: Consuming Desires: Defoes sexual systems. The body in Swift and Defoe. Cambridge University Press.
[73]
Foster, Milton P. 1961. A casebook on Gulliver among the Houyhnhnms. Thomas Y. Crowell.
[74]
Fox, Christopher 2006. The Cambridge companion to Jonathan Swift. Cambridge University Press.
[75]
Foxon, David F. 1965. Libertine literature in England, 1660-1745. University Books.
[76]
Foxon, David F. 1965. Libertine literature in England, 1660-1745. University Books.
[77]
Furbank, P.N. et al. 1994. Defoe de-attributions: a critique of J.R. Moore’s Checklist. Hambledon Press.
[78]
Fussell, Paul 1969. The rhetorical world of Augustan humanism: ethics and imagery from Swift to Burke. Oxford U.P.
[79]
Galinsky, Karl 1998. Augustan culture: an interpretive introduction. Princeton University Press.
[80]
Gerrard, Christine 2006. A companion to eighteenth-century poetry. Blackwell Publishing.
[81]
Gina Campbell 1990. How to Read Like a Gentleman: Burney’s Instructions to Her Critics in Evelina. ELH. 57, 3 (1990), 557–583.
[82]
Gordon, I. R. F. 1993. A preface to Pope. Longman.
[83]
Gordon, I. R. F. 1993. Chapter 4 Augustan literary tenets. A preface to Pope. Longman.
[84]
Grantham Turner, J. 1995. ‘Pepys and the Private Parts of Monarchy’, in Culture and society in the Stuart Restoration: literature, drama, history. Culture and society in the Stuart Restoration: literature, drama, history. Cambridge University Press.
[85]
Gray, Thomas et al. 1997. Selected poems of Thomas Gray, Charles Churchill and William Cowper. Penguin.
[86]
Gray, Thomas et al. 1969. The poems of Thomas Gray, William Collins, Oliver Goldsmith. Longmans.
[87]
Gray, Thomas and Heath-Stubbs, John 1981. Selected poems. Carcanet.
[88]
Gray, Thomas and Mack, Robert L. 1996. Thomas Gray. Dent.
[89]
Greer, Germaine 2000. Introduction. The Earl of Rochester. Northcote House in association with the British Council.
[90]
Greer, Germaine 2000. John Wilmot, Earl of Rochester. Northcote House in association with the British Council.
[91]
Gregg, Stephen H. 2009. Defoe’s writings and manliness: contrary men. Ashgate.
[92]
Gregory, Jeremy and Stevenson, John 1999. The Longman companion to Britain in the eighteenth century, 1688-1820. Longman.
[93]
Grundy, Isobel 1984. Samuel Johnson: new critical essays. Vision and Barnes & Noble.
[94]
Habermas, Jürgen 1989. The structural transformation of the public sphere: an inquiry into a category of bourgeois society. MIT Press.
[95]
Hamilton, P.L. 2007. Monkey Business: Lord Orville and the Limits of Politeness in Frances Burney’s Evelina. Eighteenth Century Fiction. 19, 4 (Autumn 2007), 415–440.
[96]
Hammond, J. R. 1993. A Defoe companion. Macmillan.
[97]
Haslett, Moyra 2003. Chapter 2: social/textual forms. Pope to Burney, 1714-1779: Scriblerians to bluestockings. Palgrave Macmillan.
[98]
Haslett, Moyra 2003. Pope to Burney, 1714-1779: Scriblerians to bluestockings. Palgrave Macmillan.
[99]
Hay, Douglas 1975. Albion’s fatal tree: crime and society in eighteenth-century England. Alllen Lane.
[100]
Haywood, E.F. et al. 2000. Selected works of Eliza Haywood: 1. Pickering & Chatto.
[101]
Haywood, E.F. et al. 2001. Selected works of Eliza Haywood: 2. Pickering & Chatto.
[102]
Haywood, E.F. and Backscheider, P.R. 1999. Selected fiction and drama of Eliza Haywood. Oxford University Press.
[103]
Haywood, Eliza Fowler et al. 2004. Fantomina and other works. Broadview Press.
[104]
Haywood, Eliza Fowler and Oakleaf, David 2000. Love in excess: or, The fatal enquiry. Broadview Press.
[105]
Hoffman, Arthur W. 1993. Congreve’s comedies. University of Victoria.
[106]
Holland, Peter 1979. The ornament of action: text and performance in Restoration comedy. Cambridge University Press.
[107]
Holmes, Geoffrey S. 1982. Augustan England: professions, state and society, 1680-1730. Allen & Unwin.
[108]
Hoppit, Julian 2000. A land of liberty?: England, 1689-1727. Clarendon Press.
[109]
Howard Weinbrot 1988. Chapter 2: The Raped of the Lock and contexts of Warfare. The enduring legacy: Alexander Pope tercentenary essays. Cambridge University Press.
[110]
Hudson, N. and Santesso, A. 2011. Swift’s travels: eighteenth-century satire and its legacy. Cambridge University Press.
[111]
Hutchings, Bill and Ruddick, William 1993. Thomas Gray: contemporary essays. Liverpool University Press.
[112]
Ian Donaldson 1987. The Argument of ‘The Disabled Debauchee’. The Modern Language Review. 82, 1 (1987), 30–34.
[113]
Ingrassia, Catherine 2005. Authorship, commerce, and gender in early eighteenth-century England: a culture of paper credit. Cambridge University Press.
[114]
Jajdelska, E. 2016. Speech, print and decorum in Britain, 1600-1750: studies in social rank and communication. Routledge, Taylor & Francis Group.
[115]
James Grantham Turner 1989. The Libertine Sublime: Love and Death in Restoration England. The Libertine Sublime: Love and Death in Restoration England. 19, (1989).
[116]
Janet E. Aikins 1985. Roxana: The Unfortunate Mistress of Conversation. Studies in English Literature, 1500-1900. 25, 3 (1985), 529–556.
[117]
Jarrett, Derek 1974. England in the age of Hogarth. Hart-Davis MacGibbon.
[118]
Jenkinson, M. 2010. Culture and politics at the court of Charles II, 1660-1685. The Boydell Press.
[119]
Johnson, Samuel and Cruttwell, Patrick 1968. Selected writings. Penguin.
[120]
Johnson, Samuel and Goring, Paul 2007. The history of Rasselas, Prince of Abissinia. Penguin.
[121]
Johnston, Freya 2005. Samuel Johnson and the art of sinking, 1709-1791. Oxford University Press.
[122]
Jones, Vivien 1990. Women in the eighteenth century: constructions of femininity. Routledge.
[123]
Karen Hollis 1997. ELIZA HAYWOOD AND THE GENDER OF PRINT. The Eighteenth Century. 38, 1 (1997), 43–62.
[124]
Keith, J. 2006. Poetry, Sentiment and Sensibility. A companion to eighteenth-century poetry. Blackwell companions to literature and culture, (2006).
[125]
King, Kathryn R. 2012. A political biography of Eliza Haywood. Pickering & Chatto.
[126]
King, K.R. 2016. Of Grub Street and Grudges: Haywood’s Court of Caramania and Pope’s Ire. The Review of English Studies. (Feb. 2016). DOI:https://doi.org/10.1093/res/hgw010.
[127]
Kunin, A.B. 2004. Other Hands in Pepys’s Diary. MLQ: Modern Language Quarterly. 65, 2 (Spring 2004), 195–219.
[128]
Langford, P. 2000. Eighteenth-century Britain: a very short introduction. Oxford University Press.
[129]
Langford, Paul 1989. A polite and commercial people: England, 1727-1783. Oxford University Press.
[130]
Lawrence, Robert G 1994. Restoration plays. Dent.
[131]
Leapor et al. 2003. The works of Mary Leapor. Oxford University Press.
[132]
Lennard, John 2005. The poetry handbook: a guide to reading poetry for pleasure and practical criticism. Oxford University Press.
[133]
Lonsdale, Roger H. 1990. Eighteenth-century women poets: an Oxford anthology. Oxford University Press.
[134]
Loveman, K. 2008. Chapter 6. Reading fictions, 1660-1740: deception in English literary and political culture. Ashgate Pub.
[135]
Loveman, K. 2008. Chapter 7. Reading fictions, 1660-1740: deception in English literary and political culture. Ashgate Pub.
[136]
Loveman, K. Pepys in Print, 1660-1703. Oxford Handbooks Online.
[137]
Loveman, K. 2015. Samuel Pepys and his books: reading, newsgathering, and sociability, 1660-1703. Oxford University Press.
[138]
Loveman, Kate 2008. Reading fictions, 1660-1740: deception in English literary and political culture. Ashgate Pub.
[139]
Mack, Maynard 1969. The garden and the city: retirement and politics in the later poetry of Pope, 1731-1743. University of Toronto Press.
[140]
Mack, Robert L. 2000. Thomas Gray: a life. Yale University Press.
[141]
Mackie, Erin Skye 1997. Market à la mode: fashion, commodity, and gender in The Tatler and The Spectator. Johns Hopkins University Press.
[142]
Mackie, Erin Skye 1998. The commerce of everyday life: selections from The Tatler and The spectator. Bedford/St. Martin’s.
[143]
MacLean, Gerald M. 1995. Culture and society in the Stuart Restoration: literature, drama, history. Cambridge University Press.
[144]
MacLean, Gerald M. and James Grantham Turner 1995. Pepys and the Private Parts of Monarchy. Culture and society in the Stuart Restoration: literature, drama, history. Cambridge University Press.
[145]
Malekin, Peter 1981. Liberty and love: English literature and society 1640-88. Hutchinson.
[146]
Manning, G. 2000. Artemizia to Chloe: Rochesters Female Epistle. That second bottle: essays on the Earl of Rochester. Manchester University Press.
[147]
Mark S. Dawson 2000. Histories and Texts: Refiguring the Diary of Samuel Pepys. The Historical Journal. 43, 2 (2000), 407–431.
[148]
Markley, Robert 1988. Two-edg’d weapons: style and ideology in the comedies of Etherege, Wycherley and Congreve. Clarendon Press.
[149]
Marshall, A. 2013. The practice of satire in England, 1658-1770. Johns Hopkins University Press.
[150]
Martha J. Koehler 2002. ‘“Faultless Monsters” and monstrous egos: the disruption of model selves in Frances Burney’s Evelina’. Eighteenth Century: Theory and Interpretation. 43, 1 (2002).
[151]
Martin, Peter 2008. Samuel Johnson: a biography. Weidenfeld & Nicolson.
[152]
Mason, Shirlene 1978. Daniel Defoe and the status of women. Eden Press.
[153]
Mayer, Robert 1997. History and the early English novel: matters of fact from Bacon to Defoe. Cambridge University Press.
[154]
McCormick, Ian 1997. Secret sexualities: a sourcebook of 17th and 18th century writing. Routledge.
[155]
McIntosh, Carey 1973. The choice of life: Samuel Johnson and the world of fiction. Yale University Press.
[156]
McKendrick, Neil et al. 1982. The birth of a consumer society: the commercialization of eighteenth-century England. Europa.
[157]
McKeon, Michael 1987. The origins of the English novel, 1600-1740. Johns Hopkins University Press.
[158]
McKeon, Michael 2005. The secret history of domesticity: public, private, and the division of knowledge. Johns Hopkins University Press.
[159]
McKeon, Michael 2005. The secret history of domesticity: public, private, and the division of knowledge. Johns Hopkins University Press.
[160]
Mee, Jon 2011. Conversable worlds: literature, contention, and community 1762 to 1830. Oxford University Press.
[161]
Meier, Thomas Keith 1987. Defoe and the defense of commerce. University of Victoria.
[162]
Molesworth, Jesse 2010. Chance and the eighteenth-century novel: realism, probability, magic. Cambridge University Press.
[163]
Molesworth, Jesse 2010. Chance and the eighteenth-century novel: realism, probability, magic. Cambridge University Press.
[164]
More, Hannah and Hole, Robert 1996. Selected writings of Hannah More. William Pickering.
[165]
Morris, David B. 1984. Alexander Pope, the genius of sense. Harvard University Press.
[166]
Mowry, Melissa M. 2004. The bawdy politic in Stuart England, 1660-1714: political pornography and prostitution. Ashgate.
[167]
Mullan, J. 2006. Swift, Defoe and Narrative Form. The Cambridge companion to English literature, 1650-1740. Cambridge University Press.
[168]
Newey, Vincent 1995. Centring the self: subjectivity, society, and reading from Thomas Gray to Thomas Hardy. Scolar Press.
[169]
Novak, Maximillian E. 1963. Defoe and the nature of man. Oxford University Press.
[170]
Novak, Maximillian E. 1983. Realism, myth and history in Defoe’s fiction. University of Nebraska Press.
[171]
Orr, L. 2017. Novel Ventures: fiction and print culture in England, 1690-1730. University of Virginia Press.
[172]
Owen, Susan J. 2001. A companion to Restoration drama. Blackwell.
[173]
Owen, Susan J. 2002. Perspectives on Restoration drama. Manchester University Press.
[174]
Owen, Susan J. 2002. The Country Wife. Perspectives on Restoration drama. Manchester University Press.
[175]
Patricia Meyer Spacks 1965. Statement and Artifice in Thomas Gray. Studies in English Literature, 1500-1900. 5, 3 (1965), 519–532.
[176]
Payne, D.C. 2015. Theatrical Spectatorship in Pepys’s Diary. The Review of English Studies. 66, 273 (Feb. 2015), 87–105. DOI:https://doi.org/10.1093/res/hgu031.
[177]
Payne Fisk, Deborah 2006. The Cambridge companion to English Restoration theatre. Cambridge University Press.
[178]
Peck, John and Coyle, Martin 1995. Practical criticism. Palgrave.
[179]
Pepys, S. et al. 2018. The Diary of Samuel Pepys. Everyman.
[180]
Pepys, Samuel et al. 1970. The diary of Samuel Pepys: a new and complete transcription, Vol.1: 1660. Bell.
[181]
Pepys, Samuel et al. 2003. The diary of Samuel Pepys: a selection. Penguin Books.
[182]
Phillips, Mark 2000. Society and sentiment: genres of historical writing in Britain, 1740-1820. Princeton University Press.
[183]
Picard, Liza 1997. Restoration London: everyday life in London in the 1660s. Weidenfeld & Nicolson.
[184]
Pollock, A. 2012. Gender and the fictions of the public sphere, 1690-1755. Routledge.
[185]
Pollock, A. 2012. Gender and the fictions of the public sphere, 1690-1755. Routledge.
[186]
Pope, Alexander and Brooks-Davies, Douglas 1996. Alexander Pope. Everyman/Dent.
[187]
Pope, Alexander and Rogers, Pat 1993. Alexander Pope. Oxford University Press.
[188]
Pope, Alexander and Rogers, Pat 2008. Selected poetry. Oxford University Press.
[189]
Porter, R. 2003. Flesh in the age of reason. Penguin Books.
[190]
Porter, Roy 1990. English society in the eighteenth century. Penguin.
[191]
Porter, Roy 2001. Enlightenment: Britain and the creation of the modern world. Penguin.
[192]
Powell, J. 1984. Restoration theatre production. Routledge & Kegan Paul.
[193]
Probyn, Clive T. 1978. Jonathan Swift, the contemporary background. Manchester University Press.
[194]
Probyn, Clive T. 1978. The art of Jonathan Swift. Vision Press.
[195]
Rachel Carnell 1999. It’s Not Easy Being Green: Gender and Friendship in Eliza Haywood’s Political Periodicals. Eighteenth-Century Studies. 32, 2 (1999), 199–214.
[196]
Rawson, Claude Julien 1991. Gulliver and the gentle reader: Studies in Swift and our time. Humanities Press International.
[197]
Reed, Amy Louise 2011. The background of Gray’s Elegy: a study in the taste for melancholy poetry, 1700-1751. Literary Licensing.
[198]
Richetti, John J. 2009. The Cambridge companion to Daniel Defoe. Cambridge University Press.
[199]
Richetti, John J. 2006. The Cambridge companion to the eighteenth-century novel. Cambridge University Press.
[200]
Robert D. Hume 1972. Diversity and Development in Restoration Comedy 1660-1679. Eighteenth-Century Studies. 5, 3 (1972), 365–397.
[201]
Roberts, D. 2014. Restoration plays and players: an introduction. Cambridge University Press.
[202]
Robertson, Ritchie 2009. Mock-epic poetry from Pope to Heine. Oxford University Press.
[203]
Rochester, John Wilmot 2013. Selected poems. Oxford University Press.
[204]
Rochester, John Wilmot and Love, Harold 1999. The works of John Wilmot, Earl of Rochester. Oxford University Press.
[205]
Rochester, John Wilmot and Vieth, David M. 2002. The complete poems of John Wilmot, Earl of Rochester.
[206]
Roger Lonsdale 1973. The Poetry of Thomas Gray: Versions of the Self’. The poetry of Thomas Gray: Versions of the Self. 59, (1973).
[207]
Rogers, Katharine M 1990. Frances Burney: the world of ‘female difficulties’. Harvester Wheatsheaf.
[208]
Rogers, P. 1980. Hacks and dunces: Pope, Swift and Grub Street. Methuen.
[209]
Rogers, Pat 1993. Chapter 1:Pope and syntax. Essays on Pope. Cambridge University Press.
[210]
Rogers, Pat 1993. Essays on Pope. Cambridge University Press.
[211]
Rogers, Pat 1974. The Augustan vision. Weidenfeld and Nicolson.
[212]
Rogers, Pat 2008. The Cambridge companion to Alexander Pope. Cambridge University Press.
[213]
Rogers, Robert W 1955. The major satires of Alexander Pope. University of Illinois Press.
[214]
Ronald Berman 1984. Wycherley’s Unheroic Society. ELH. 51, 3 (1984), 465–478.
[215]
Rosslyn, Felicity 1990. Alexander Pope: a literary life. Macmillan.
[216]
Sabor, Peter 2007. The Cambridge companion to Frances Burney. Cambridge University Press.
[217]
Salgãdo, Gãmini et al. 1968. Three restoration comedies. Penguin.
[218]
Sambrook, James 1993. The eighteenth century: the intellectual and cultural context of English literature, 1700-1789. Longman.
[219]
SAMUEL CHOI 1999. SIGNING EVELINA: FEMALE SELF-INSCRIPTION IN THE DISCOURSE OF LETTERS. Studies in the Novel. 31, 3 (1999), 259–278.
[220]
Sawday, J. and Sawday, J. 2015. Lord Rochester in the Restoration world. Cambridge University Press.
[221]
Schellenberg, Betty A. 2009. The professionalization of women writers in eighteenth-century Britain. Cambridge University Press.
[222]
Sherman, S. 1996. Chapter 7. Telling time: clocks, diaries, and English diurnal form, 1660-1785. University of Chicago Press.
[223]
Sherman, S. 1996. Chapters 2 & 3. Telling time: clocks, diaries, and English diurnal form, 1660-1785. University of Chicago Press.
[224]
Sherman, Stuart James 1996. Telling time: clocks, diaries, and English diurnal form, 1660-1785. University of Chicago Press.
[225]
Shevelow, Kathryn 1989. Women and print culture: the construction of femininity in the early periodical. Routledge.
[226]
Silva Rhetoricae: The Forest of Rhetoric: http://humanities.byu.edu/rhetoric/silva.htm.
[227]
Smallwood, Philip 2004. Johnson’s critical presence: image, history, judgment. Ashgate.
[228]
Smith, John Harrington 1971. The gay couple in Restoration comedy. Octagon Books.
[229]
Southcombe, George and Tapsell, Grant 2010. Restoration politics, religion, and culture: Britain and Ireland, 1660-1714. Palgrave Macmillan.
[230]
Sowerby, R. 1988. Alexander Pope: Selected Poetry and Prose. Taylor & Francis Group.
[231]
Spacks, Patricia Meyer 1971. An argument of images: the poetry of Alexander Pope. Harvard U.P.
[232]
Spacks, Patricia Meyer 1990. Desire and truth: functions of plot in eighteenth-century English novels. University of Chicago Press.
[233]
Spacks, P.M. 2006. The Poetry of Sensibility. The Cambridge companion to eighteenth-century poetry. Cambridge University Press.
[234]
Starr, G. A. 1965. Defoe & spiritual autobiography. Princeton University Press.
[235]
Stevenson, John Allen 1990. The British novel, Defoe to Austen: a critical history. Twayne.
[236]
Straub, K. et al. eds. 2017. The Routledge anthology of Restoration and eighteenth-century drama. Routledge, Taylor & Francis Group.
[237]
Susan Staves 1976. ‘Evelina;’ or, Female Difficulties. Modern Philology. 73, 4 (1976), 368–381.
[238]
Swift, J. et al. 2008. English political writings, 1711-1714: The conduct of the allies and other works. Cambridge University Press.
[239]
Swift, J. 2017. Irish political writings after 1725: A modest proposal and other works. Cambridge University Press.
[240]
Swift, J. and Rumbold, V. 2013. Parodies, hoaxes, mock treatises: Polite conversation, Directions to servants and other works. Cambridge University Press.
[241]
Swift, J. and Walsh, M. 2010. A tale of a tub and other works. Cambridge University Press.
[242]
Swift, J. and Williams, A. 2013. Journal to Stella: Letters to Esther Johnson and Rebecca Dingley 1710-1713. Cambridge University Press.
[243]
Swift, J. and Womersley, D. 2012. Gulliver’s travels. Cambridge University Press.
[244]
Swift, Jonathan et al. 2005. Gulliver’s travels. Oxford University Press.
[245]
Swift, Jonathan et al. 2003. Major works. Oxford University Press.
[246]
Swift, Jonathan and Bruce, Michael 1998. Jonathan Swift. Everyman.
[247]
Swift, Jonathan and DeMaria, Robert 2003. Gulliver’s travels. Penguin Books.
[248]
Swift, Jonathan and Gravil, Richard 1974. Swift: Gulliver’s travels : a casebook. Macmillan.
[249]
Swift, Jonathan and Rivero, Albert J. 2002. Gulliver’s travels: based on the 1726 text : contexts, criticism. Norton.
[250]
Thaddeus, Janice Farrar 2000. Frances Burney: a literary life. Macmillan.
[251]
‘The Outsider Narrator in Eliza Haywood’s Political Novels’: http://literature.proquest.com/searchFulltext.do?id=R04180182&divLevel=0&queryId=2797878172330&trailId=1451CC5A551&area=criticism&forward=critref_ft.
[252]
The Spectator Project: http://www2.scc.rutgers.edu/spectator/project.html.
[253]
Thomas, David 1992. William Congreve. Macmillan.
[254]
Thomas Gray Archive : Home: http://www.thomasgray.org/.
[255]
Tomalin, Claire 2003. Samuel Pepys: the unequalled self. Penguin.
[256]
Toni Bowers 1999. SEDUCTION NARRATIVES AND TORY EXPERIENCE IN AUGUSTAN ENGLAND. The Eighteenth Century. 40, 2 (1999), 128–154.
[257]
Treglown, Jeremy 1982. Spirit of wit: reconsiderations of Rochester. Blackwell.
[258]
Turner, James 2002. Libertines and radicals in early modern London: sexuality, politics, and literary culture, 1630-1685. Cambridge University Press.
[259]
Turner, James Grantham 2002. Chapter 6: Making yourself a beast?: upper-class riot and inversionary wit in the age of Rochester (inc. notes). Libertines and radicals in early modern London: sexuality, politics, and literary culture, 1630-1685. Cambridge University Press.
[260]
Turner, J.G. 1989. The Libertine Sublime: Love and Death in Restoration England. 19, (1989), 99–115. DOI:https://doi.org/10.1353/sec.1990.0007.
[261]
Tuveson, Ernest Lee 1964. Swift; a collection of critical essays. Prentice-Hall.
[262]
Underwood, Dale 1957. Etherege and the seventeenth-century comedy of manners. Yale University Press.
[263]
Vieth, David M. and Griffin, Dustin H. 1988. Rochester and court poetry. William Andrews Clark Memorial Library.
[264]
Voice of the Shuttle: Restoration & 18th Century: http://vos.ucsb.edu/browse.asp?id=2738.
[265]
Walker, K. and Fisher, N. eds. 2013. John Wilmot, Earl of Rochester: the poems, and Lucina’s rape. Wiley-Blackwell.
[266]
Wallace Jackson 1987. Thomas Gray and the Dedicatory Muse. ELH. 54, 2 (1987), 277–298.
[267]
Warner, W. 1998. Chapter on Haywood in Licensing entertainment: the elevation of novel reading in Britain, 1684-1750. Licensing entertainment: the elevation of novel reading in Britain, 1684-1750. University of California Press.
[268]
Warner, William Beatty 1998. Licensing entertainment: the elevation of novel reading in Britain, 1684-1750. University of California Press.
[269]
Watt, Ian 1957. The rise of the novel: studies in Defoe, Richardson and Fielding. University of California Press.
[270]
Weinfield, Henry 1991. The poet without a name: Gray’s Elegy and the problem of history. Southern Illinois University Press.
[271]
Weiss, Shira Wolosky 2008. The art of poetry: how to read a poem. Oxford University Press.
[272]
Williams, Raymond 1973. The country and the city. Chatto & Windus.
[273]
Wood, Nigel 1999. Jonathan Swift. Longman.
[274]
Wright, L.M. and Newman, D.J. 2006. Fair philosopher: Eliza Haywood and the female spectator. Bucknell University Press.
[275]
Wycherley, W. 2014. The country wife. Methuen Drama.
[276]
Wycherley, W. 2014. The country wife. Methuen Drama.
[277]
Wycherley, William and Dixon, Peter 2008. Love in a wood ; The gentleman dancing-master ; The country wife ; The plain dealer. Oxford University Press.
[278]
Zwicker, Steven N. 2006. The Cambridge companion to English literature, 1650-1740. Cambridge University Press.
[279]
1984. Five Restoration comedies ; introduced by Brian Gibbons. A. & C. Black.