[1]
Bowett, A. 2012. Woods in British furniture-making, 1400-1900: an illustrated historical dictionary. Oblong Creative.
[2]
Bowett, A. 2012. Woods in British furniture-making, 1400-1900: an illustrated historical dictionary. Oblong Creative.
[3]
Boynton, L. 1995. Gillow furniture designs 1760-1800. Bloomfield Press.
[4]
Collard, F. 2000. Regency furniture. Antique Collectors’ Club.
[5]
David Jones 1992. The Laburnum Tradition in Scotland. (1992).
[6]
Gilbert, C. et al. 1978. 4: The Director: promotion, publication and revision. The life and work of Thomas Chippendale. Studio Vista.
[7]
Gilbert, C. 1978. Furniture at Temple Newsam House and Lotherton Hall: a catalogue of the Leeds Collection, in two volumes. National Art-Collections Fund and the Leeds Art Collections Fund.
[8]
Gilbert, C. 1978. Furniture at Temple Newsam House and Lotherton Hall: a catalogue of the Leeds Collection, in two volumes. National Art-Collections Fund and the Leeds Art Collections Fund.
[9]
Girouard, M. 13AD. Coffee at Slaughter’s: English Art and the Rococo - I. Country Life. 139, 3593 (13AD), 58–61.
[10]
Girouard, M. 1966. Hogarth and His Friends: English Art and the Rococo - II. Country Life. 27 January, 3595 (1966).
[11]
Girouard, M. 1966. The Two Worlds of St Martin’s Lane: English Art and the Rococo - III. Country Life. February 3, 3596 (1966).
[12]
Hague, D.B. 1955. Penrhyn Castle, Caernarvon - I. Country Life. 118, 3052 (1955), 80–83.
[13]
Harris, E. and Adam, R. 2001. The genius of Robert Adam: his interiors. Yale University Press.
[14]
Hayward, H. et al. 1980. William and John Linnell: eighteenth century London furniture makers. Studio Vista.
[15]
Hussey, C. 1955. Penrhyn Castle, Caernarvon - II. Country Life. 118, 3053 (1955), 140–143.
[16]
Hussey, C. 1955. Penrhyn Castle, Caernarvon - III. Country Life. 118, 3054 (1955), 192–195.
[17]
Kent, W. and Bard Graduate Center: Decorative Arts, Design History, Material Culture 2013. William Kent: designing Georgian Britain. Yale University Press.
[18]
Lever, Jill. Architects’ designs for furniture.
[19]
Lindfield, P. 2016. Georgian gothic: medievalist architecture, furniture and interiors, 1730-1840. The Boydell Press.
[20]
Lindfield, P. 2017. The Panelled Heraldic Apartment of Horace Walpole (1717–1797) at Strawberry Hill. The British Art Journal. 18, 3 (2017).
[21]
Lindfield, P. and Margrave, C. eds. 2015. Rule Britannia?: Britain and Britishness 1707-1901. Cambridge Scholars Publishing.
[22]
Lindfield, P.N. 2014. The Countess of Pomfret’s Gothic Revival Furniture. Georgian Group Journal. 22, (2014), 77–94.
[23]
Lindfield-Ott, P.N. 2012. Lindfield, P.N. 2012: The Furnishing of a Gothic Fantasy 1802–1825: Eaton Hall, Cheshire. Furniture History. XLVIII, (2012), 155–180.
[24]
Lucy Wood 2012. A Royal Relic: the State Bedroom Suite at Warwick Castle. Furniture History. 48, (2012), 45–103.
[25]
Mason, S. 2009. Matthew Boulton: selling what all the world desires. Birmingham City Council in association with Yale University Press.
[26]
Mason, S. 2009. Matthew Boulton: selling what all the world desires. Birmingham City Council in association with Yale University Press.
[27]
Morley, J. 1993. Regency design, 1790-1840: gardens, buildings, interiors, furniture. Zwemmer.
[28]
Pyke, S A Study of the Edinburgh Furnishing Trade Taken from Contemporary Press Notices, 1708–1790. Regional furniture : the journal of the Regional Furniture Society.
[29]
Reeve, M. and Lindfield, P. 2015. ‘“A Child of Strawberry”: Thomas Barrett and Lee Priory, Kent’. The Burlington Magazine. 157, December, (2015), 836–842.
[30]
Robinson, J.M. 2012. Chapter 8: James Wyatt’s Furniture. James Wyatt (1746-1813): architect to George III. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press. 145–165.
[31]
Robinson, J.M. and Country Life 2005. The Regency country house: from the archives of Country Life. Aurum Press.
[32]
Snodin, M. et al. 2004. Design & the decorative arts: Georgian Britain 1714-1837. V&A Publications.
[33]
Snodin, M. and Victoria and Albert Museum 1984. Rococo: art and design in Hogarth’s England. Trefoil Books.
[34]
Stuart, S.E. and Antique Collectors’ Club 2008. Gillows of Lancaster and London, 1730-1840: cabinetmakers and international merchants : a furniture and business history. Antique Collectors’ Club.
[35]
Styles, J. and Vickery, A. 2006. Gender, taste, and material culture in Britain and North America, 1700-1830. The Yale Center for British Art.
[36]
Wainwright, C. and Paul Mellon Centre for Studies in British Art 1989. Chapter 5 - Fonthill Abbey. The romantic interior: the British collector at home, 1750-1850. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press. 109–146.
[37]
Ward-Jackson, P. and Victoria and Albert Museum 1958. English furniture designs of the eighteenth century. H.M.S.O.
