1
Gombrich, E. H. The story of art. 16th ed. London: : Phaidon Press 1995.
2
Gombrich, E. H. Art and illusion: a study in the psychology of pictorial representation. 6th ed. with new preface. London: : Phaidon 2002.
3
Roskill, Mark W. What is art history? 2nd ed. London: : Thames and Hudson 1989.
4
Honour, Hugh, Fleming, John. A world history of art. 7th ed. London: : Laurence King 2005.
5
Murray, Peter, Murray, Linda. The Penguin dictionary of art and artists. 7th ed. London: : Penguin 1997.
6
Benton, Janetta Rebold. Art of the middle ages. London: : Thames & Hudson 2002.
7
Frankl, Paul, Crossley, Paul. Gothic architecture. Revised ed. New Haven, Conn: : Yale University Press 2001.
8
Harvey, John. The mediaeval architect. London: : Wayland 1972.
9
Lindley, Phillip G. Making Medieval art. Donington: : Shaun Tyas 2003.
10
Sekules, V. A. Medieval art. Oxford: : Oxford University Press 2001.
11
Beard, Mary, Henderson, John. Classical art: from Greece to Rome. Oxford: : Oxford University Press 2001.
12
Brilliant, Richard. Roman art: from the Republic to Constantine. London: : Phaidon 1974.
13
Lawrence, A. W., Tomlinson, R. A. Greek architecture. 5th ed. New Haven, Conn: : Yale University Press 1996.
14
MacDonald, William L. The architecture of the Roman Empire: 1: An introductory study. Rev. ed. New Haven: : Yale University Press 1982.
15
Sear, F. B. Roman architecture. London: : Routledge 1998.
16
Strong, Donald E, Toynbee, J. M. C., Ling, Roger. Roman art. 2nd ed. New Haven: : Yale University Press 1995.
17
Wheeler, Mortimer. Roman art and architecture. London: : Thames & Hudson 1964.
18
Beckwith, John. Early Christian and Byzantine art. 2nd. ed. New Haven: : Yale University Press 1979.
19
Elsner, Jas. Art and the Roman viewer: the transformation of art from the pagan world to Christianity. Cambridge: : Cambridge University Press 1995.
20
Elsner, Jas. Imperial Rome and Christian triumph: the art of the Roman Empire A.D. 100-450. Oxford: : Oxford University Press 1998.
21
Grabar, André. Christian iconography: a study of its origins. London: : Routledge & Kegan Paul 1969.
22
Jensen, Robin Margaret. Understanding early Christian art. London: : Routledge 2000.
23
Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. New Haven: : Yale University Press 1986.
24
Krautheimer, Richard. Rome: profile of a city, 312-1308. Princeton: : Princeton University Press 1980.
25
Lowden, John. Early Christian and Byzantine art. London: : Phaidon 1997.
26
Mathews, Thomas F. The clash of gods: a reinterpretation of early Christian art. Rev. and expanded ed. Princeton, N.J.: : Princeton University Press 1999.
27
Oakeshott, Walter. The mosaics of Rome: from the third to the fourteenth centuries. London: : Thames & Hudson 1967.
28
Alexander, Jonathan, Binski, Paul, Royal Academy of Arts. Age of chivalry: art in Plantagenet England, 1200-1400. London: : Royal Academy of Arts in association with Weidenfeld and Nicolson 1987.
29
Alexander, J. J. G. Medieval illuminators and their methods of work. New Haven, Conn: : Yale University Press 1993.
30
Benton, Janetta Rebold. Art of the middle ages. London: : Thames & Hudson 2002.
31
Lasko, Peter. Ars sacra, 800-1200. 2nd ed. New Haven, Conn: : Yale University Press 1994.
32
Bony, Jean. French Gothic architecture of the 12th and 13th centuries. Berkeley, Calif: : University of California Press 1983.
33
Suger, Panofsky, Erwin, Panofsky-Soergel, Gerda. Abbot Suger on the Abbey Church of St.-Denis and its art treasures. 2nd ed. Princeton, N.J.: : Princeton University Press 1979.
34
Sauerländer, Willibald, Hirmer, Max, Sondheimer, Janet. Gothic sculpture in France, 1140-1270. London: : Thames and Hudson 1972.
35
Stoddard, Whitney S. Sculptors of the west portals of Chartres Cathedral: their origins in Romanesque and their role in Chartrain sculpture, [text includes] ‘The West portals of Saint-Denis and Chartres’, [published by] Harvard, 1952. New York: : Norton 1987.
36
Wilson, Christopher. The Gothic cathedral: the architecture of the great church, 1130-1530. Rev. ed. London: : Thames and Hudson 2000.
37
Barral i Altet, Xavier. The Romanesque: towns, cathedrals and monasteries. Köln: : Taschen 2001.
38
Conant, Kenneth John. Carolingian and Romanesque architecture, 800 to 1200. 4th ed. New Haven: : Yale University Press 1993.
39
Kubach, Hans Erich. Romanesque architecture. London: : Faber and Faber 1988.
40
Shipley, Debra, Hornak, Angelo. Durham Cathedral. London: : Tauris Parke Books 1990.
41
Toman, Rolf, Bednorz, Achim. Romanesque: architecture, sculpture, painting. Köln: : Ullmann & Könemann 2007.
42
Barasch, Moshe. Giotto and the language of gesture. Cambridge: : Cambridge University Press 1987.
43
Cassidy B. ‘Giotto at the Arena Chapel, Padua’, in Making Medieval art. In: Making Medieval art. Donington: : Shaun Tyas 2003.
44
Cole, Bruce. Giotto and Florentine painting, 1280-1375. New York: : Harper & Row 1976.
45
Goffen, Rona. Spirituality in conflict: Saint Francis and Giotto’s Bardi Chapel. University Park, Pa: : Pennsylvania State University Press 1988.
46
Stubblebine, James H. Giotto, the Arena Chapel Frescoes. London: : Thames & Hudson 1969.
47
White, John Reeves. Art and architecture in Italy 1250-1400. 3rd ed. rev. New Haven: : Yale University Press 1993.
48
Frugoni, Chiara, Lorenzetti, Pietro, Lorenzetti, Ambrogio. Pietro and Ambrogio Lorenzetti. [Florence]: : Scala Books 1988.
49
Maginnis, Hayden B. J. Painting in the age of Giotto: a historical reevaluation. University Park, Pa: : Pennsylvania State University Press 1997.
50
Martini, Simone, Martindale, Andrew. Simone Martini: complete edition. Oxford: : Phaidon 1988.
51
Smart, Alastair. The dawn of Italian painting, 1250-1400. Oxford: : Phaidon 1978.
52
Starn, Randolph. Ambrogio Lorenzetti: the Palazzo Pubblico, Siena. New York: : George Braziller 1994.
53
Welch, Evelyn S. Art and society in Italy, 1350-1500. Oxford: : Oxford University Press 1997.
54
White, John. Duccio: Tuscan art and the medieval workshop. London: : Thames and Hudson 1979.
55
White, John Reeves. The birth and rebirth of pictorial space. 3rd ed. London: : Faber and Faber 1987.
56
Gordon, Dillian, Monnas, Lisa, Elam, Caroline. The regal image of Richard II and the Wilton Diptych. London: : Harvey Miller 1998.
57
Meiss, Millard. French painting in the time of Jean de Berry: The late fourteenth century and the patronage of the Duke. London: : Phaidon 1967.
58
Meiss, Millard, Morand, Kathleen, Kirsch, Edith W. French painting in the time of Jean de Berry: The Boucicaut master. London: : Phaidon 1968.
59
Meiss, Millard. French painting in the time of Jean de Berry: The Limbourgs and their contemporaries. London: : Thames and Hudson 1974.
60
Morand, Kathleen, Finn, David. Claus Sluter: artist at the court of Burgundy. Austin: : University of Texas Press 1991.
61
Stephen K. Scher. André Beauneveu and Claus Sluter. Gesta 1968;7:3–14.http://www.jstor.org/stable/766604?__redirected
62
Greenhalgh, Michael. Donatello and his sources. London: : Duckworth 1982.
63
Janson, H. W., Lányi, Jenö. The sculpture of Donatello. Princeton, N.J.: : Princeton University Press 1963.
64
Lightbown, R. W. Donatello & Michelozzo: an artistic partnership and its patrons in the early Renaissance. London: : Harvey Miller 1980.
65
Poeschke, Joachim, Hirmer, Albert, Greenspun, Joanne, et al. Donatello and his world: sculpture of the Italian Renaissance. New York: : H.N. Abrams 1993.
66
Pope-Hennessy, John. Donatello: sculptor. New York: : Abbeville Press 1993.
67
Baldini, Umberto, Casazza, Ornella, Grayson, Marion L. The Brancacci Chapel frescoes. London: : Thames and Hudson 1992.
68
Joannides, Paul. Masaccio and Masolino: a complete catalogue. London: : Phaidon 1993.
69
White, John Reeves. The birth and rebirth of pictorial space. 3rd ed. London: : Faber and Faber 1987.
70
Beck, James. Raphael: the Stanza della Segnatura. New York, N.Y.: : George Braziller 1993.
71
Ettlinger, Leopold D., Ettlinger, Helen S. Raphael. Oxford: : Phaidon 1987.
72
Freedberg, S. J. Painting in Italy 1500 to 1600. 3rd edition. Yale: : Yale University Press 1993.
73
Gould, Cecil Hilton Monk. Leonardo: the artist and the non-artist. London: : Weidenfeld and Nicolson 1975.
74
Jones, Roger, Penny, Nicholas. Raphael. New Haven: : Yale University Press 1983.
75
Kemp, Martin, Leonardo. Leonardo da Vinci: the marvellous works of nature and man. Rev. ed. Oxford: : Oxford University Press 2006. http://site.ebrary.com/lib/leicester/Doc?id=10177888
76
Murray, Linda. The High Renaissance and Mannerism: Italy, the North and Spain, 1500-1600. [New ed.]. London: : Thames and Hudson 1977.
77
Partridge, Loren. The Renaissance in Rome. London: : Weidenfeld & Nicolson 1996.
78
Belkin, Kristin Lohse, Rubens, Peter Paul. Rubens. London: : Phaidon 1998.
79
Brown, Christopher, Van Dyck, Anthony, Vlieghe, Hans, et al. Van Dyck: 1599-1641. London: : Rizzoli [for] The Royal Academy and Antwerpen Open 1999.
80
Held, Julius S., Lowenthal, Anne W., Walsh, John, et al. Rubens and his circle. Princeton: : Princeton University Press 1982.
81
Wolf, Norbert, Velázquez, Diego, Schreyer, Michèle. Diego Velázquez, 1599-1660: the face of Spain. Köln: : Taschen 1999.
82
Campbell, Lorne, National Gallery. The fifteenth century Netherlandish schools. London: : National Gallery Publications 1998.
83
Smith, Jeffrey Chipps. The Northern Renaissance. London: : Phaidon 2004.
84
Harbison, Craig. Jan Van Eyck: the play of realism. London: : Reaktion Books 1991.
85
Harbison, Craig. The art of the northern Renaissance. London: : Weidenfeld & Nicolson 1995.
86
Nash, Susie. Northern Renaissance art. Oxford: : Oxford University Press 2008.
87
Pächt, Otto, Eyck, Hubert van, Eyck, Jan van. Van Eyck and the founders of early Netherlandish painting. London: : Harvey Miller 1994.
88
Vos, Dirk de. The Flemish primitives: the masterpieces: Robert Campin [Master of Flémalle], Jan van Eyck, Rogier van der Weyden, Petrus Christus, Dieric Bouts, Hugo van der Goes, Hans Memling, Gerard David. Princeton, NJ.: : Princeton University Press 2002.
89
Brunelleschi, Filippo, Battisti, Eugenio. Brunelleschi: the complete work. London: : Thames and Hudson 1981.
90
Goldthwaite, Richard A. The building of Renaissance Florence: an economic and social history. Baltimore, Md: : Johns Hopkins University Press 1980.
91
Heydenreich, Ludwig H. Architecture in Italy, 1400-1500. New Haven, Conn: : Yale University Press 1996.
92
Saalman, Howard. Filippo Brunelleschi: the buildings. London: : Zwemmer 1993.
93
Ackerman, James S. The architecture of Michelangelo: Vol.1. Rev.ed. London: : Zwemmer 1966.
94
Ackerman, James S. The architecture of Michelangelo: Vol.2. London: : Zwemmer 1964.
95
Poeschke, Joachim. Michelangelo and his world: sculpture of the Italian Renaissance. New York: : Harry N. Abrams 1996.
96
TOLNAY, C. MICHELANGELO: Vol. 1. 2nd ed. 1947.
97
TOLNAY, C. MICHELANGELO: Vol. 2. 1945.
98
TOLNAY, C. MICHELANGELO: Vol. 3. 1948.
99
TOLNAY, C. MICHELANGELO: Vol. 4. 1954.
100
TOLNAY, C. MICHELANGELO: Vol. 5. 1960.
101
Cheney, Liana de Girolami. Readings in Italian mannerism. New York: : Peter Lang 1997.
102
Friedlaender, Walter. Mannerism and anti-Mannerism in Italian painting. New York: : Schocken Books 1965.
103
Hauser, Arnold. Mannerism: the crisis of the Renaissance and the origin of modern art. Cambridge, Mass: : Belknap Press of Harvard University Press 1986.
104
Murray, Linda. The High Renaissance and Mannerism: Italy, the North and Spain, 1500-1600. [New ed.]. London: : Thames and Hudson 1977.
105
Robinson, Franklin W., Nichols, Stephen G. The meaning of mannerism. [S.l.]: : University Press of New England 1972.
106
Shearman, John. Mannerism. Harmondsworth: : Penguin 1973.
107
Smart, Alastair. The Renaissance and Mannerism in Italy. London: : Thames and Hudson 1971.
108
Voss, Hermann, Pelzel, Susanne. Painting of the late Renaissance in Rome and Florence: Vol.1: From the High Renaissance to Mannerism, 1520-1570. San Francisco, Calif: : Alan Wofsky Fine Arts 1997.
109
Voss, Hermann, Pelzel, Susanne. Painting of the late Renaissance in Rome and Florence: Vol.2: The diffusion and transformation of Mannerism, 1570-1600. San Francisco, Calif: : Alan Wofsky Fine Arts 1997.
110
Wurtenberger, Franzsepp. Mannerism: the European style of the sixteenth century ; translated from the German by Michael Heron. New York: : Holt, Rinehart and Winston 1963.
111
Friedlaender, Walter. Caravaggio studies. New York: : Schocken Books 1969.
112
Gilbert, Creighton E. Caravaggio and his two cardinals. University Park, Pa: : Pennsylvania State University Press 1995.
113
Hibbard, Howard. Caravaggio. London: : Thames and Hudson 1983.
114
Moir, Alfred. Caravaggio. Concise ed. London: : Thames and Hudson 1989.
115
Puglisi, Catherine R., Caravaggio, Michelangelo Merisi da. Caravaggio. London: : Phaidon 1998.
116
Vermeer, Johannes. Vermeer of Delft: complete edition of the paintings. Oxford: : Phaidon 1978.
117
Brown, Christopher. Scenes of everyday life: Dutch genre painting of the seventeenth century. London: : Faber and Faber 1984.
118
Franits, Wayne E. Dutch seventeenth-century genre painting: its stylistic and thematic evolution. New Haven, Conn: : Yale University Press 2008.
119
Freedberg, David, De Vries, Jan, Getty Center for the History of Art and the Humanities. Art in history, history in art: studies in seventeenth-century Dutch culture. Santa Monica, Calif: : The Getty Center for the History of Art and the Humanities 1991.
120
Haak, B., Willems-Treeman, Elizabeth. The Golden Age: Dutch painters of the seventeenth century. London: : Thames and Hudson 1984.
121
Slive, Seymour, Rosenberg, Jakob. Dutch painting, 1600-1800. [Rev. and expanded ed. New Haven, Conn: : Yale University Press 1995.
122
Hibbard, Howard. Bernini. London: : Penguin 1990.
123
Lavin, Irving, College Art Association of America. Bernini and the crossing of Saint Peter’s. New York: : New York University Press, for the College Art Association of America 1968.
124
Lavin, Irving, Pierpont Morgan Library. Bernini and the unity of the visual arts. New York: : Oxford University Press for the Pierpont Morgan Library 1980.
125
Bernini, Gian Lorenzo, Hibbard, Howard, Martin, Thomas, et al. Gian Lorenzo Bernini: the sculptor of the Roman Baroque. 3rd ed. Oxford: : Phaidon 1981.