Adam Parkes. ‘Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando’. Twentieth Century Literature 40.4 (1994): 434–460. Web. <http://www.jstor.org/stable/441599>.
Ballaster, Rosalind. Women’s Worlds: Ideology, Femininity, and the Women’s Magazine. Women in society. Houndmills, Basingstoke, Hampshire: Macmillan, 1991. Print.
Barrett, Eileen, and Patricia Cramer. Virginia Woolf: Lesbian Readings. The cutting edge. New York: New York University Press, 1997. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661392940002746&institutionId=2746&customerId=2745>.
Bauer, Dale M., and S. Jaret McKinstry. Feminism, Bakhtin, and the Dialogic. SUNY series in feminist criticism and theory. Albany: State University of New York Press, 1991. Print.
Bornstein, Kate, and Kate Bornstein. Gender Outlaw: On Men, Women, and the Rest of Us. New York: Routledge, 1994. Print.
Bowlby, Rachel. Feminist Destinations and Further Essays on Virginia Woolf. Edinburgh: Edinburgh University Press, 1997. Print.
Butler, Andrew M. ‘Strange Case of Mr. Banks: Doubles and The Wasp Factory’. Foundation: The International Review of Science Fiction 28.76 (1999): 7–27. Print.
Butler, Judith. Bodies That Matter: On the Discursive Limits of ‘Sex’. New York: Routledge, 1993. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=683946>.
---. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. Routledge classics. New York, N.Y.: Routledge, 2007. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=710077>.
---. Undoing Gender. New York: Routledge, 2004. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=183001>.
Caughie, Pamela L. Virginia Woolf & Postmodernism: Literature in Quest & Question of Itself. Urbana: University of Illinois Press, 1991. Print.
Chute, Hillary L. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=895115>.
Cleto, Fabio and Piggford, George. ‘Chapter 18: “Who’s That Girl?” Annie Lennox, Woolf’s Orlando and Female Camp Androgyny’. Camp: Queer Aesthetics and the Performing Subject ; a Reader. Edinburgh: Edinburgh University Press, 1999. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6141707>.
D. A. Boxwell. ‘(Dis)Orienting Spectacle: The Politics of Orlando’s Sapphic Camp’. Twentieth Century Literature 44.3 (1998): 306–327. Web. <http://www.jstor.org/stable/441812>.
Doan, Laura. The Lesbian Postmodern. Between men-between women. New York: Columbia University Press, 1994. Print.
Dyhouse, Carol. Glamour: History, Women, Feminism. London: Zed, 2010. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=488156>.
English, James F. and Caserio, Robert L. ‘Queer Fiction: The Ambiguous Emergence of a Genre’. A Concise Companion to Contemporary British Fiction. Blackwell concise companions to literature and culture. Oxford: Blackwell, 2006. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=243586>.
Fausto-Sterling, Anne. Sexing the Body: Gender Politics and the Construction of Sexuality. [New York]: Basic Books, 2000. Print.
Feinberg, Leslie. Trans Liberation: Beyond Pink or Blue. Boston, Mass: Beacon Press, 1998. Print.
---. Transgender Warriors: Making History from Joan of Arc to RuPaul. Boston, Mass: Beacon Press, 1996. Print.
Garber, Marjorie B. Vested Interests: Cross-Dressing & Cultural Anxiety. London: Penguin Books, 1993. Print.
Glover, David, and Cora Kaplan. Genders. 2nd ed. London: Taylor & Francis Group, 2008. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=370931>.
Gough-Yates, Anna. Understanding Women’s Magazines: Publishing, Markets and Readerships. London: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170628>.
Gravett, Paul. Graphic Novels: Everything You Need to Know. New York, NY: Collins Design, 2005. Print.
Halberstam, Judith. Female Masculinity. Durham [N.C.]: Duke University Press, 1998. Print.
---. Female Masculinity. Durham [N.C.]: Duke University Press, 1998. Print.
---. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. Sexual cultures. New York, N.Y.: New York University Press, 2005. Print.
Hall, Donald E. Queer Theories. Transitions. Houndmills: Palgrave Macmillan, 2003. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=203817>.
Hanson, Clare. Virginia Woolf. Women writers. Basingstoke: Macmillan, 1994. Print.
Hargreaves, Tracy. Androgyny in Modern Literature. Basingstoke: Palgrave Macmillan, 2005. Print.
Harris, Andrea L. Other Sexes: Rewriting Difference from Woolf to Winterson. SUNY series in feminist criticism and theory. Albany: State University of New York Press, 2000. Print.
Jagose, Annamarie. Queer Theory. Interpretations. Carlton South, Vic: Melbourne University Press, 1996. Print.
Karen Kaivola. ‘Revisiting Woolf’s Representations of Androgyny: Gender, Race, Sexuality, and Nation’. Tulsa Studies in Women’s Literature 18.2 (1999): 235–261. Web. <http://www.jstor.org/stable/464448>.
Kirby, Vicki. Judith Butler: Live Theory. Live theory series. London: Continuum, 2006. Print.
Lawrence, Karen R. ‘Chapter 4: In Transit: From James Joyce to Brigid Brophy’. Transcultural Joyce. Cambridge: Cambridge University Press, 1998. Print.
Longhurst, Derek. Gender, Genre and Narrative Pleasure. Vol. 1. London: Unwin Hyman, 1989. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=1016160>.
March, Cristie Leigh. Rewriting Scotland: Welsh, McLean, Warner, Banks, Galloway, and Kennedy. Manchester: Manchester University Press, 2002. Print.
Marcus, Jane. New Feminist Essays on Virginia Woolf. London: Macmillan, 1981. Print.
Merck, Mandy, Naomi Segal, and Elizabeth Wright. Coming out of Feminism? Oxford: Blackwell, 1998. Print.
Minow-Pinkney, Makiko. Virginia Woolf & the Problem of the Subject. New Brunswick, N.J.: Rutgers University Press, 1987. Print.
Morland, Iain, and Annabelle Willox. Queer Theory. Readers in cultural criticism. Houndmills: Palgrave Macmillan, 2005. Print.
Nancy Cervetti. ‘In the Breeches, Petticoats, and Pleasures of “Orlando”’. Journal of Modern Literature 20.2 (1996): 165–175. Web. <http://www.jstor.org/stable/3831473>.
Nestle, Joan, Clare Howell, and Riki Anne Wilchins. GenderQueer: Voices from beyond the Sexual Binary. Los Angeles, Calif: Alyson Books, 2002. Print.
Peach, Linden. Virginia Woolf. Critical issues. London: Macmillian, 1999. Print.
Phelan, Shane. Playing with Fire: Queer Politics, Queer Theories. New York: Routledge, 1997. Print.
Prosser, Jay. Second Skins: The Body Narratives of Transsexuality. Gender and culture. New York: Columbia University Press, 1998. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=5276221>.
Punter, David. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.2: The Modern Gothic. 2nd ed. London: Longman, 1996. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1694449>.
Rado, Lisa. The Modern Androgyne Imagination: A Failed Sublime. Charlottesville: University Press of Virginia, 2000. Print.
---. ‘Would the Real Virginia Woolf Please Stand up? Feminist Criticism, the Androgyny Debates, And’. Women’s Studies 26.2 (1997): 147–169. Web.
‘Review of Contemporary Fiction 15: 3, Fall 1995. Special Issue on Brigid Brophy.’ n. pag. Web. <http://go.galegroup.com/ps/publicationSearch.do?lm=&inPS=true&prodId=EAIM&userGroupName=leicester&method=doLinkDirectedSearch&searchType=AdvancedSearchForm&qt=PU%7E%22The+Review+of+Contemporary+Fiction%22%7E%7EDA%7E119950922%7E%7EIU%7E%223%22%7E%7EVO%7E15>.
Robinson, Edward S. Shift Linguals: Cut-up Narratives from William S. Burroughs to the Present. 1st ed. Vol. 46. Amsterdam: Rodopi, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=713117>.
Sage, Victor, and Allan Lloyd Smith. Modern Gothic: A Reader. Manchester: Manchester University Press, 1996. Print.
Salih, Sara. Judith Butler. Routledge critical thinkers. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=170639>.
Schoene-Harwood, Berthold. ‘Chapter 8: Dam’s Burst: Iain Banks’s The Wasp Factory’. Writing Men: Literary Masculinites from Frankenstein to the New Man. Edinburgh: Edinburgh University Press, 2000. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6141539>.
Sedgwick, Eve Kosofsky. Epistemology of the Closet. London: Penguin, 1994. Print.
---. Novel Gazing: Queer Readings in Fiction. Series Q. Durham, N.C.: Duke University Press, 1997. Print.
---. Tendencies. London: Routledge, 1994. Print.
Self, Will, and David Gamble. Perfidious Man. London: Viking, 2000. Print.
Spargo, Tamsin. Foucault and Queer Theory. Postmodern encounters. Duxford, Cambridge: Icon, 1999. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=295238>.
Stevens, Hugh and Taylor, Melanie. ‘True Stories: Orlando, Life-Writing and Transgender Narratives’’. Modernist Sexualities. Manchester: Manchester University Press, 2000. Print.
Straayer, Chris. Deviant Eyes, Deviant Bodies: Sexual Re-Orientations in Film and Video. Film and culture. New York, N.Y.: Columbia University Press, 1996. Print.
Straub, Kristina, and Julia Epstein. Body Guards: The Cultural Politics of Gender Ambiguity. New York: Routledge, 1991. Print.
Stryker, Susan. Queer Pulp: Perverted Passions from the Golden Age of the Paperback. San Francisco, Calif: Chronicle, 2001. Print.
Stryker, Susan, and Stephen Whittle. The Transgender Studies Reader. New York: London, 2006. Print.
Tabachnick, Stephen Ely. Teaching the Graphic Novel. Options for teaching. New York, N.Y.: The Modern Language Association of America, 2009. Print.
Thomas, Calvin, Joseph O. Aimone, and Catherine A. F. MacGillivray. Straight with a Twist: Queer Theory and the Subject of Heterosexuality. Urbana: University of Illinois Press, 2000. Print.
Tierney, William G. Academic Outlaws: Queer Theory and Cultural Studies in the Academy. Thousand Oaks, Calif: Sage, 1997. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=997148>.
Tripp, Anna and Anne Fausto-Sterling. ‘How to Build a Man’. Gender. Readers in cultural criticism. Basingstoke: Palgrave, 2000. Print.
Wallace, Gavin and Nairn, Tom. ‘Iain Banks and the Fiction Factory’. The Scottish Novel since the Seventies: New Visions, Old Dreams. Edinburgh: Edinburgh University Press, 1993. Print.
Weed, Elizabeth, and Naomi Schor. Feminism Meets Queer Theory. Differences. Bloomington, Ind: Indiana University Press, 1997. Print.
Weedon, Chris. ‘Chapter 3: Lesbian Difference, Feminism and Queer Theory’. Feminism, Theory, and the Politics of Difference. Oxford: Blackwell, 1999. Print.
Wiegman, Robyn, Elena Glasberg, and Robyn Wiegman. Literature and Gender: Thinking Critically through Fiction, Poetry, and Drama. Longman literature and culture series. New York: Longman, 1999. Print.
Wilchins, Riki Anne. Queer Theory, Gender Theory: An Instant Primer. Los Angeles, Calif: Alyson Books, 2004. Print.
---. Read My Lips: Sexual Subversion and the End of Gender. Ithaca, NY: Firebrand Books, 1997. Print.
Wittig, Monique. The Straight Mind and Other Essays. London: Harvester Wheatsheaf, 1992. Print.
Zimmerman, Bonnie, and Toni A. H. McNaron. The New Lesbian Studies: Into the Twenty-First Century. New York: Feminist Press at the City University of New York, 1996. Print.