Bibliography for EN2020 Renaissance Literature BETA

1.

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2.

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3.

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4.

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5.

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6.

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7.

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8.

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9.

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10.

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11.

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12.

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13.

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14.

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15.

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16.

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17.

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18.

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19.

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20.

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21.

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22.

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23.

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24.

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25.

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26.

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27.

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28.

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29.

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30.

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31.

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32.

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33.

Shuger, D.K.: Habits of thought in the English Renaissance: religion, politics, and the dominant culture. Published by University of Toronto Press in association with the Renaissance Society of America, Toronto (1997).

34.

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35.

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36.

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37.

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38.

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39.

Jardine, L.: Francis Bacon, discovery and the art of discourse. Cambridge University Press, London (1974).

40.

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41.

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42.

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43.

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44.

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45.

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46.

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47.

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48.

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49.

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50.

Thomas Hyatt Luxon: The Pilgrim’s Passive Progress: Luther and Bunyan on Talking and Doing, Word and Way. ELH. 53, 73–98 (1986).

51.

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52.

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53.

Sim, S., Walker, D.: Bunyan and authority: the rhetoric of dissent and the legitimation crisis in seventeenth-century England. Peter Lang, New York (2000).

54.

Stachniewski, J.: The persecutory imagination: English Puritanism and the literature of religious despair. Clarendon Press, Oxford (1991).

55.

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56.

Donne, J.: Complete poetry and selected prose. Nonesuch P, London (1967).

57.

Donne, J., Carey, J.: Selected poetry. Oxford University Press, Oxford (1998).

58.

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59.

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60.

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61.

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62.

Low, A.: ‘Donne and the Reinvention of Love,’ in English Literary Renaissance. English literary Renaissance. 20, (1990).

63.

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64.

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65.

Mousley, A.: John Donne. Palgrave, Basingstoke (1999).

66.

Roberts, J.R.: Essential articles for the study of John Donne’s poetry. Harvester Press, Hassocks (1975).

67.

Sanders, W.: John Donne’s poetry. Cambridge University Press, Cambridge (1971).

68.

Sloane, T.O.: Donne, Milton, and the end of humanist rhetoric. University of California Press, Berkeley, Calif (1985).

69.

Smith, A.J.: John Donne: essays in celebration. Methuen, London (1972).

70.

Smith, A.J.: John Donne: the critical heritage. Routledge, London (1996).

71.

Webber, J.: Contrary music: the prose style of John Donne. University of Wisconsin Press, Madison (1963).

72.

Richard B. Wollman: The ‘Press and the Fire’: Print and Manuscript Culture in Donne’s Circle. Studies in English Literature, 1500-1900. 33, 85–97 (1993).

73.

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74.

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75.

Yates, F.A.: John Florio: the life of an Italian in Shakespeare’s England. Cambridge University Press, Cambridge (1934).

76.

Clarke, E.: Theory and theology in George Herbert’s poetry: ‘divinitie, and poesie, met’. Clarendon Press, Oxford (1997).

77.

Doerksen, D.W.: Conforming to the word: Herbert, Donne, and the English church before Laud. Bucknell University Press, Lewisburg, Pa (1997).

78.

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79.

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80.

Guibbory, A.: Ceremony and community from Herbert to Milton: literature, religion, and cultural conflict in seventeenth-century England. Cambridge University Press, Cambridge (1998).

81.

Harman, B.L., Herbert, G.: Costly monuments: representations of the self in George Herbert’s poetry. Harvard University Press, Cambridge, Mass (1982).

82.

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83.

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84.

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85.

Shuger, D.K.: Sacred rhetoric: the Christian grand style in the English Renaissance. Princeton University Press, Princeton, N.J. (1988).

86.

Shuger, D.K.: Habits of thought in the English Renaissance: religion, politics, and the dominant culture. Published by University of Toronto Press in association with the Renaissance Society of America, Toronto (1997).

87.

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88.

William E. Cain: Self and Others in Two Poems by Ben Jonson. Studies in Philology. 80, 163–182 (1983).

89.

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90.

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91.

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92.

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93.

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94.

Johnston, G.B.: Ben Jonson: poet. Columbia University Press, New York (1945).

95.

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96.

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97.

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98.

Miles, R.: Ben Jonson: his craft and art. Routledge, London (1990).

99.

Parfitt, G.: Ben Jonson: public poet and private man. Dent, London (1976).

100.

Norbrook, D.: ‘Jonson and the Jacobean Peace, 1603-1616’ in Poetry and politics in the English Renaissance. Routledge & Kegan Paul, London (1984).

101.

Peterson, R.S.: Imitation and praise in the poems of Ben Jonson. Yale University Press, New Haven (1981).

102.

Riggs, D.: Ben Jonson: a life. Harvard University Press, Cambridge, Mass (1989).

103.

Trimpi, W.: Ben Jonson’s poems: a study of the plain style. Stanford University Press, Stanford (1962).

104.

Marston, J., Davenport, A.: The poems of John Marston. Liverpool University Press, Liverpool (1961).

105.

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106.

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107.

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108.

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109.

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110.

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111.

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112.

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113.

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114.

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115.

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116.

Healy, T.F.: Andrew Marvell. Longman, London (1998).

117.

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118.

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119.

Norbrook, D.: Writing the English Republic: poetry, rhetoric, and politics, 1627-1660. Cambridge University Press, Cambridge (1999).

120.

Patterson, A.M.: Andrew Marvell. Northcote House in association with The British Council, Plymouth (1994).

121.

Patterson, A.M.: Marvell: the writer in public life. Longman, New York (1999).

122.

Stephens, D.: The limits of eroticism in post-Petrarchan narrative: conditional pleasure from Spenser to Marvell. Cambridge University Press, Cambridge [England] (1998).

123.

Stocker, M.: Apocalyptic Marvell: the Second Coming in seventeenth century poetry. Harvester Press, Brighton (1986).

124.

Donno, E.S.: Andrew Marvell: the critical heritage. Routledge and Kegan Paul, London (1978).

125.

Summers, C.J., Pebworth, T.-L., Biennial Renaissance Conference: The Muses common-weale: poetry and politics in the seventeenth century. University of Missouri Press, Columbia (1988).

126.

Achinstein, S.: Milton and the revolutionary reader. Princeton University Press, Princeton, N.J. (1994).

127.

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128.

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129.

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130.

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131.

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132.

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133.

Anne Ferry: Milton’s Creation of Eve. Studies in English Literature, 1500-1900. 28, 113–132 (1988).

134.

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135.

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136.

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137.

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138.

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139.

David A. Loewenstein: Areopagitica and the Dynamics of History. Studies in English Literature, 1500-1900. 28, 77–93 (1988).

140.

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141.

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142.

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143.

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144.

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145.

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146.

Barbara Riebling: Milton on Machiavelli: Representations of the State in Paradise Lost. Renaissance Quarterly. 49, 573–597 (1996).

147.

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148.

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149.

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150.

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151.

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152.

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153.

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154.

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155.

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156.

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157.

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158.

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159.

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160.

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162.

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163.

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164.

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165.

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166.

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167.

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168.

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169.

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170.

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171.

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172.

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175.

Wendy Hyman: Authorial Self-Consciousness in Nashe’s ‘The Vnfortvnate Traveller’. Studies in English Literature, 1500-1900. 45, 23–41 (2005).

176.

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177.

Fleck, A.: Imprisoned in the Flesh: The Return of Petrarch in Nashe’s The Unfortunate Traveller. 2, 22–29 (2012).

178.

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179.

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180.

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181.

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182.

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183.

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184.

Heather Dubrow: ‘Incertainties now Crown Themselves Assur’d’: The Politics of Plotting Shakespeare’s Sonnets. Shakespeare Quarterly. 47, 291–305 (1996).

185.

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186.

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187.

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188.

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189.

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190.

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191.

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192.

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193.

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194.

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195.

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196.

Warley, C.: Sonnet sequences and social distinction in Renaissance England. Cambridge University Press, Cambridge (2005).

197.

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198.

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199.

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200.

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201.

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202.

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203.

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204.

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205.

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206.

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207.

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208.

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209.

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210.

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211.

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212.

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213.

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214.

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215.

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216.

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219.

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