[1]
M. Beard and J. Henderson, Classical art: from Greece to Rome, vol. Oxford history of art. Oxford: Oxford University Press, 2001.
[2]
P. Bonaventura and A. Jones, Sculpture and archaeology, vol. Subject/object : new studies in sculpture. Farnham: Ashgate, 2011. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907342
[3]
S. Dyson, In Pursuit of Ancient Pasts : A History of Classical Archaeology in the Nineteenth and Twentieth Centuries. New Haven: Yale University, 2006. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3420306
[4]
J. Elsner, The art of the Roman Empire: AD 100-450, Second edition. Oxford: Oxford University Press, 2018. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5359142
[5]
J. Elsner, Art and the Roman viewer: the transformation of art from the pagan world to Christianity, vol. Cambridge studies in new art history and criticism. Cambridge: Cambridge University Press, 1995.
[6]
C. Freeland, But Is It Art? : An Introduction to Art Theory. Oxford: Oxford University Press, 2001. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1107710
[7]
F. Haskell and N. Penny, Taste and the antique: the lure of classical sculpture, 1500-1900. New Haven: Yale University Press, 1981.
[8]
R. Ling, Making classical art: process and practice. Stroud: Tempus, 2000.
[9]
R. Osborne, Archaic and classical Greek art, vol. Oxford history of art. Oxford: Oxford University Press, 1998.
[10]
Sarah Scott, ‘Art and the Archaeologist’, World Archaeology, vol. 38, no. 4, pp. 628–643, 2006, Available: http://www.jstor.org.ezproxy3.lib.le.ac.uk/stable/10.2307/40024060?origin=api
[11]
J. P. Small, The parallel worlds of classical art and text. Cambridge: Cambridge University Press, 2003.
[12]
T. J. Smith and D. Plantzos, Companion to Greek Art. Oxford, 2012. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=887385
[13]
M. A. Staniszewski, Believing is seeing: creating the culture of art. New York: Penguin, 1995.
[14]
P. Stewart, The social history of Roman art, vol. Key themes in ancient history. Cambridge: Cambridge University Press, 2008.
[15]
P. Stewart and Classical Association, Roman art, vol. Greece and Rome. New surveys in the classics. Oxford: Oxford University Press for the Classical Association, 2004.
[16]
Alcock, Susan E. Osborne, Robin, Classical Archaeology (2nd Edition). Wiley-Blackwell, 2012. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=875732
[17]
P. Zanker and J. Paul Getty Museum, Roman art. Los Angeles, Calif: The J. Paul Getty Museum, 2010.
[18]
A. F. Stewart, Classical Greece and the birth of Western art. Cambridge: Cambridge University Press, 2008.
[19]
S. Woodford, An introduction to Greek art. London: Duckworth, 1986.
[20]
B. A. Barletta, The origins of the Greek architectural orders. Cambridge: Cambridge University Press, 2001.
[21]
A. C. Gunter, Greek art and the Orient. Cambridge: Cambridge University Press, 2009.
[22]
M. Stansbury-O’Donnell, Looking at Greek art. Cambridge: Cambridge University Press, 2011.
[23]
N. J. Spivey, Greek sculpture. Cambridge: Cambridge University Press, 2013. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=1182923
[24]
S. H. Langdon, Art and identity in dark age Greece, 1100--700 BCE. New York, N.Y.: Cambridge University Press, 2008.
[25]
S. Dillon, Ancient Greek portrait sculpture: contexts, subjects, and styles. Cambridge: Cambridge University Press, 2012.
[26]
M. Węcowski, The rise of the Greek aristocratic banquet. Oxford: Oxford University Press, 2014. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3056167
[27]
S. Dillon, The female portrait statue in the Greek world. Cambridge: Cambridge University Press, 2010.
[28]
J. Trimble, Women and visual replication in Roman imperial art and culture. Cambridge: Cambridge University Press, 2011.
[29]
S. Davies, A companion to aesthetics, 2nd ed., vol. Blackwell companions to philosophy. Oxford: WileyBlackwell, 2009.
[30]
L. Hardwick and C. Stray, A companion to classical receptions, vol. Blackwell companions to the ancient world. Literature and culture. Malden, Mass: Blackwell, 2008. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819474
[31]
W.V. Harris W.V. Harris Department of History Columbia University New York, New York 10027 wvh1@columbia.edu, ‘Prolegomena to a Study of the Economics of Roman Art’, American Journal of Archaeology, vol. 119, no. 3, pp. 395–417, 2015, Available: http://www.jstor.org/stable/10.3764/aja.119.3.0395?Search=yes&resultItemClick=true&searchText=no:3&searchText=AND&searchText=sn:0002-9114&searchText=AND&searchText=vo:119&searchText=AND&searchText=year:2015&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A3%2BAND%2Bsn%253A0002-9114%2BAND%2Bvo%253A119%2BAND%2Byear%253A2015%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.#pdf_only_tab_contents
[32]
Tonio Hölscher, The language of images in Roman art. Cambridge: Cambridge University Press, 2004.
[33]
M. Vickers and D. W. J. Gill, Artful crafts: ancient Greek silverware and pottery. Oxford: Clarendon Press, 1994.
[34]
Natalie Boymel Kampen, ‘On Writing Histories of Roman Art’, The Art Bulletin, vol. 85, no. 2, pp. 371–386, 2003, Available: http://www.jstor.org/stable/3177349?pq-origsite=summon&seq=1#page_scan_tab_contents
[35]
T. M. Kristensen, B. Poulsen, and S. Birk, Ateliers and artisans in Roman art and archaeology, vol. Journal of Roman archaeology. Portsmouth, R.I.: Journal Of Roman Archaeology, 2012.
[36]
E. Marlowe, Shaky ground: context, connoisseurship and the history of Roman art, vol. Debates in archaeology. London: Bloomsbury Academic, 2013. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1426797
[37]
Review by: Brunilde Sismondo Ridgway, ‘Review: Review Article: The Study of Classical Sculpture at the End of the 20th Century’, American Journal of Archaeology, vol. 98, no. 4, pp. 759–772, 1994, Available: http://www.jstor.org/stable/506553?seq=1#page_scan_tab_contents
[38]
S. Scott and J. Webster, Roman imperialism and provincial art. Cambridge: Cambridge University Press, 2003.
[39]
H. A. Shapiro, The Cambridge companion to archaic Greece, vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2009. Available: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521822008
[40]
R. B. Ulrich and C. K. Quenemoen, A Companion to Roman Architecture, vol. Blackwell Companions to the Ancient World. Somerset: Wiley, 2013. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1471791
[41]
E. A. Friedland, M. G. Sobocinski, and E. K. Gazda, Eds, The Oxford handbook of Roman sculpture, vol. Oxford handbooks. New York, NY: Oxford University Press, 2015. Available: http://ezproxy.lib.le.ac.uk/login?url=https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199921829.001.0001/oxfordhb-9780199921829
[42]
H. Lovatt, The epic gaze: vision, gender and narrative in ancient epic. Cambridge, UK: Cambridge University Press, 2013. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=1303635