[1]
B. Collins, Poetry 180: a turning back to poetry. New York: Random House Trade Paperbacks, 2003.
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Hulse, Michael, Kennedy, David, and Morley, David, The new poetry. Newcastle upon Tyne: Bloodaxe Books, 1993.
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D. Paterson and C. Simic, New British poetry. Saint Paul, Minn: Graywolf Press, 2004.
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R. Lumsden, The best British poetry, 2011. London: Salt, 2011.
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M. Ford and R. Lumsden, Eds, The best British poetry, 2014. London: Salt, 2014.
[6]
D. Attridge and T. Carper, Meter and Meaning: Introduction to Rhythm in Poetry. London: Taylor & Francis Ltd, 2002.
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D. Attridge, Poetic rhythm: an introduction. Cambridge: Cambridge University Press, 1995.
[8]
R. L. Beum and K. Shapiro, The prosody handbook, Dover ed. Mineola, N.Y.: Dover Publications, 2006.
[9]
M. Strand and E. Boland, The making of a poem: a Norton anthology of poetic forms. New York, N.Y.: W. W. Norton, 2000.
[10]
Orthometry; The Art of Versification and the Technicalities of Poetry; With a New and Complete Rhyming Dictionary. Hardpress Publishing, 2013.
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A. Preminger and T. V. F. Brogan, The New Princeton Encyclopaedia of Poetry and Poetics, Revised edition. New Jersey: Princeton University Press, 1993.
[12]
C. Brooks and R. P. Warren, Understanding poetry, 4th ed. New York: Holt, Rinehart and Winston, 1976.
[13]
S. Brownjohn, The poet’s craft: a handbook of rhyme, metre and verse. London: Hodder & Stoughton, 2002.
[14]
A. Chisholm, The craft of writing poetry, [2nd ed., rev.Updated.]., vol. Allison&Busby writers’ guides. London: Allison and Busby, 1997.
[15]
A. Corn, The poem’s heartbeat: a manual of prosody. Port Townsend, Wash: Copper Canyon Press, 2008.
[16]
P. Dale, An introduction to rhyme, vol. Agenda/Bellew poets on poetry. London: Bellew, 1998.
[17]
C. O. Hartman, Verse: an introduction to prosody. Chichester, West Sussex: John Wiley & Sons Inc, 2015.
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Poetry Handbook. Basingstoke: Palgrave Macmillan, 1992.
[19]
P. Roberts, How poetry works, 2nd ed. London: Penguin, 2000.
[20]
J. Fenton, An introduction to English poetry. London: Penguin, 2003.
[21]
A. Finch and K. Varnes, An exaltation of forms: contemporary poets celebrate the diversity of their art. Ann Arbor, Mich: University of Michigan Press, 2002.
[22]
G. S. Fraser, Metre, rhyme and free verse, vol. The critical idiom. London: Methuen, 1970.
[23]
S. Fry, The ode less travelled: unlocking the poet within. London: Arrow, 2007.
[24]
T. Furniss and M. Bath, Reading poetry: an introduction, 2nd ed. Harlow: Pearson Longman, 2007.
[25]
T. Furniss and M. Bath, Reading poetry: an introduction, 2nd ed. Harlow: Pearson Longman, 2007.
[26]
P. Fussell, Poetic meter and poetic form, Rev. ed. New York: Random House, 1979.
[27]
P. Hobsbaum, Metre, Rhythm and Verse Form. Routledge, 2011.
[28]
J. Hollander, Rhyme’s reason: a guide to English verse, 3rd ed. New Haven: Yale Nota Bene/Yale University Press, 2001.
[29]
J. Hollander, Rhyme’s reason: a guide to English verse, 4th ed. New Haven: Yale University Press, 2015. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3421476
[30]
Hyland, Paul, Getting into poetry: a readers’ & writers’ guide to the poetry scene, 2nd ed., vol. Bloodaxe poetry handbooks. Newcastle upon Tyne: Bloodaxe, 1996.
[31]
J. Lennard, The poetry handbook: a guide to reading poetry for pleasure and practical criticism, 2nd ed. Oxford: Oxford University Press, 2005. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=422650
[32]
H. Aji, A companion to poetic genre. Chichester, England: Wiley-Blackwell, 2012. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4041678
[33]
M. Oliver, A poetry handbook, 1st ed. San Diego: Harcourt Brace & Co, 1994.
[34]
R. Padgett, The teachers and writers handbook of poetic forms, 2nd ed. New York: Teachers & Writers Collaborative, 2000.
[35]
The Rose Metal Press field guide to prose poetry : contemporary poets in discussion and practice / edited by Gary L. McDowell and F. Daniel Rzicznek.
[36]
M. Rosen and J. Calder, What is poetry?: the essential guide to reading & writing poems. London: Walker Books, 2016.
[37]
Sansom, Peter, Writing poems, vol. Bloodaxe poetry handbooks. Tarset, Newcastle upon Tyne: Bloodaxe Books, 1994. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=869084
[38]
F. Sampson, Poetry writing: the expert guide. London: Robert Hale, 2009.
[39]
B. Spurr, Studying poetry, 2nd ed. Houndmills, Basingstoke: Palgrave Macmillan, 2006.
[40]
D. Starkey, Poetry writing: theme and variations. Lincolnwood, Ill: NTC/Contemporary Pub. Group, 2000.
[41]
T. Steele, All the fun’s in how you say a thing: an explanation of meter and versification. Athens: Ohio University Press, 1999.
[42]
L. M. Trawick and Cleveland State University. Poetry Center, World, self, poem: essays on contemporary poetry from the ‘Jubliation of poets’. Kent, Ohio: Kent State University Press, 1990.
[43]
Book of Forms a Handbook of Poetics. Hawthorn: Penguin Books Australia, 1986.
[44]
R. Williams, The poetry toolkit: the essential guide to studying poetry, 2nd edition. London: Bloomsbury Academic, 2013.
[45]
R. Wolf, Jump start: how to write from everyday life. Oxford: Oxford University Press, 2001. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=886606
[46]
M. Atwood, Negotiating with the dead: a writer on writing. Cambridge: Cambridge University Press, 2002.
[47]
Baker, Barbara, The way we write: interviews with award-winning writers. London: Continuum, 2007.
[48]
Blythe, Will, Why I write: thoughts on the craft of fiction. Boston, MA.: Little, Brown, 1998.
[49]
W. Blythe, Why I write: thoughts on the craft of fiction. Boston, Mass: Little, Brown, 1998.
[50]
C. Brown and D. Paterson, Don’t Ask Me What I Mean: Modern Poets in Their Own Words. London: Pan Macmillan, 2004.
[51]
Hemingway, Ernest and Phillips, Larry W., Ernest Hemingway on writing. New York: Simon & Schuster, 1999. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5654602
[52]
M. Hollis and W. N. Herbert, Strong words: modern poets on modern poetry. Tarset: Bloodaxe, 2000. Available: https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9781780375564
[53]
R. Hugo, The triggering town: lectures and essays on poetry and writing. New York: W. W. Norton, 2010.
[54]
S. Jackson, Let me tell you, vol. Penguin modern classics. UK: Penguin Books, 2016.
[55]
A. L. Kennedy, On writing. London: Vintage Books, 2014.
[56]
Lyons, Bonnie and Oliver, Bill, Passion and craft: conversations with notable writers. Urbana: University of Illinois Press, 1998.
[57]
C. E. May, Short story theories. [Athens]: Ohio University Press, 1976.
[58]
F. Prose, Reading like a writer: a guide for people who love books and for those who want to write them. London: Union, 2012. Available: https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&accId=8981756&isbn=9781908526144
[59]
Poetry in the Blood : Essays on Poetry by Shoestring Poets. Shoestring Press, 2014.
[60]
H. Ivory and G. Szirtes, In their own words: contemporary poets on their poetry. Cromer, U.K.: Salt, 2012.
[61]
J. Taylor, Overheard: Stories to Read Aloud. Cambridge: Salt Publishing, 2012.
[62]
S. Townsend, The Adrian Mole diaries: The secret diary of Adrian Mole, aged 13 3/4, The growing pains of Adrian Mole. New York, N.Y.: Harper Perennial, 2010.
[63]
Vida, Vendela, The Believer book of writers talking to writers. San Francisco, Calif: Believer Books, 2005.
[64]
V. G. L. Monde, Novelist’s Lexicon: Writers on the Words That Define Their Work. Columbia University Press, 2010. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=908325
[65]
V. Anderson and D. Babington, The Broadview guide to writing, 5/e. Peterborough, Ont: Broadview Press, 2010.
[66]
Bell, Julia and Magrs, Paul, The creative writing coursebook: forty writers share advice and exercises for poetry and prose. London: Macmillan, 2001.
[67]
A. Bennett and N. Royle, An introduction to literature, criticism and theory, 4th ed. Harlow: Longman, 2009. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1734006
[68]
J. Birkett, Word power: a guide to creative writing, 3rd ed. London: A. & C. Black, 1998.
[69]
P. Boran, Portable Creative Writing Workshop, 4th ed. Dublin: Dedalus Press, 2013.
[70]
J. Casterton, Creative writing: a practical guide, 3rd ed. Basingstoke: Palgrave Macmillan, 2005. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6234517
[71]
A. Cowan, The art of writing fiction. Harlow: Longman, 2011.
[72]
S. Earnshaw, Ed., The handbook of creative writing, Second edition. Edinburgh: Edinburgh University Press, 2014. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1698594
[73]
N. Goldberg, Writing down the bones: freeing the writer within, Thirtieth anniversary edition. Boulder, Colorado: Shambala, 2016. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6077451
[74]
R. Graham, H. Leach, H. Newall, J. Armstrong, and J. Singleton, Eds, The road to somewhere: a creative writing companion, Second edition. Basingstoke, Hampshire: Palgrave Macmillan, 2014. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4762743
[75]
N. Greig, Playwriting: A Practical Guide. Taylor & Francis Group, 2004. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=199405
[76]
A. Hoffmann, Research for writers, 7th ed. London: A. & C. Black, 2003.
[77]
S. B. Kaufman and J. C. Kaufman, The psychology of creative writing. Cambridge: Cambridge University Press, 2009. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=451934
[78]
King, Stephen, On writing: a memoir of the craft, [New] ed. London: Hodder, 2012. Available: https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&accId=8981756&isbn=9780743211536
[79]
J. Newman, E. Cusick, and A. La Tourette, The writer’s workbook, 2nd ed. London: Bloomsbury, 2004.
[80]
P. Mills, Writing in Action: A Resource Book for Writers. London: Taylor & Francis Ltd, 1995.
[81]
P. Mills, The Routledge creative writing coursebook. London: Routledge, 2006.
[82]
May, Steve, Doing creative writing. London: Routledge, 2007. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325001
[83]
M. Morrison, Key concepts in creative writing, vol. Palgrave key concepts. Basingstoke: Palgrave Macmillan, 2010.
[84]
D. Morley, The Cambridge introduction to creative writing. Cambridge: Cambridge University Press, 2007. Available: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-introduction-to-creative-writing/94DB7C1D986DE62EBD86FE297CCD951C
[85]
J. Singleton, The creative writing workbook. Basingstoke: Palgrave Macmillan, 2000.
[86]
W. Strunk and E. B. White, The elements of style, 4th ed. Boston, Mass: Allyn and Bacon, 2000. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889569
[87]
Thompson, John B., Merchants of culture: the publishing business in the twenty-first century, 2nd ed. Cambridge: Polity, 2012. Available: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=956968
[88]
Wandor, Michelene, The author is not dead, merely somewhere else: creative writing reconceived. Basingstoke: Palgrave Macmillan, 2008.
[89]
K. Wiltshire, Writing for Theatre: Creative and Critical Approaches. Basingstoke: Palgrave Macmillan, 2015. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4764039
[90]
Writers’ and Artists’ Yearbook 2020. Bloomsbury Publishing PLC. Available: http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5808412
[91]
L. R. Anderson, Autobiography, 2nd ed., vol. The new critical idiom. London: Routledge, 2011. Available: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=346331
[92]
J. Barnard, Poker face. London: Virago, 1996.
[93]
J. Barrington, Writing the memoir, 2nd ed. Portland, Or: Eighth Mountain Press, 2002. Available: https://share.libbyapp.com/title/6342598#library-leicester
[94]
G. Bataille, The Bataille Reader. Blackwell.
[95]
H. W. Bates, Naturalist on the River Amazon, 3rd Revised edition. Cambridge: Cambridge University Press, 2009. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3008552
[96]
A. Thwaite, Edmund Gosse: a literary landscape. Stroud: Tempus, 2007.
[97]
A. Bennett and N. Royle, An introduction to literature, criticism and theory, 3rd ed. Harlow: Pearson Education, 2004.
[98]
S. J. Blackmore, Consciousness: a very short introduction, Second edition. Oxford: Oxford University Press, 2017.
[99]
J. Bogousslavsky and S. Dieguez, Literary medicine: brain disease and doctors in novels, theater, and film, vol. Frontiers of neurology and neuroscience. Basel: Karger, 2013. Available: http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3016574
[100]
J. Boully, The book of beginnings and endings, 1st ed. Louisville, Ky: Sarabande Books, 2007.
[101]
J. Brainard, P. Auster, and R. Padgett, I Remember. London: Notting Hill Editions, 2013.
[102]
W. S. Burroughs, Naked Lunch, Ed. London: Penguin Books Ltd, 2015. Available: https://share.libbyapp.com/title/2055808#library-leicester
[103]
W. Burroughs, Blade Runner: A Movie. Blue Wind.
[104]
C. Caruth, Trauma. Baltimore, MD: Johns Hopkins University Press, 1995.
[105]
C. Caruth, Unclaimed Experience. Baltimore, MD: Johns Hopkins University Press, 1996.
[106]
J. M. Coetzee and A. Kurtz, The good story: exchanges on truth, fiction and psychotherapy. London: Harvill Secker, 2015.
[107]
F. Crick, The astonishing hypothesis: the scientific search for the soul. London: Touchstone Books, 1994.
[108]
E. Makis and A. Cropper, The accidental memoir. London: 4th Estate, 2018.
[109]
S. Felman and D. Laub, Testimony. London: Taylor & Francis Ltd, 1992. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1486841
[110]
S. Freud, ‘The Uncanny’. Available: http://web.mit.edu/allanmc/www/freud1.pdf
[111]
J. Campbell and J. Harbord, Temporalities: autobiography and everyday life. Manchester: Manchester University Press, 2001.
[112]
G. T. Couser, Memoir: an introduction. New York: Oxford University Press, 2012. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=829377
[113]
R. Dahl, Twits Limited Edition. London: Vintage, 1990.
[114]
D. C. Dennett, Consciousness Explained. London: Penguin Books Ltd, 1992.
[115]
D. Eggers, How We Are Hungry: Stories by Dave Eggers. Vintage Books, 2007.
[116]
J. Epstein, The Norton book of personal essays. New York: W.W. Norton & Co, 1997.
[117]
A. W. Flaherty, The Midnight Disease: The Drive to Write, Writer’s Block, and the Creative Brain. Boston: Houghton Mifflin, 2004.
[118]
S. Freud, M. Edmundson, and J. Reddick, Beyond the Pleasure Principle: And Other Writings. London: Penguin Books Ltd, 2003.
[119]
S. Freud and J. Strachey, Beyond the Pleasure Principle, 2nd Revised edition. London: Vintage, 1961.
[120]
S. Freud and A. Richards, Case histories I: ‘Dora’ and ‘Little Hans’, vol. Pelican Freud library. Harmondsworth: Penguin Books, 1977.
[121]
S. Freud and A. Richards, Case histories: 2: The ‘rat man’; Schreber; the ‘wolf man’; a case of female homosexuality, vol. Penguin Freud library. Harmondsworth: Penguin, 1991.
[122]
S. Freud, ‘Creative Writers and Day-dreaming’, in Jensen’s Gradiva and Other Works: The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. IX, Vintage, pp. 141–154.
[123]
S. Freud, J. Strachey, A. Tyson, and A. Richards, The interpretation of dreams, vol. The Penguin Freud library. London: Penguin, 1991.
[124]
S. Freud and J. Strachey, Beyond the Pleasure Principle, 2nd Revised edition. London: Vintage, 1961.
[125]
S. Freud, D. McLintock, and H. Haughton, The uncanny, vol. Modern classics. London: Penguin, 2003.
[126]
S. Freud, A. Dickson, and J. Strachey, Art and literature: Jensen’s Gradiva, Leonardo da Vinci and other works, vol. The Pelican Freud library. Harmondsworth: Penguin Books, 1985.
[127]
S. Freud, ‘The Uncanny’. Available: http://web.mit.edu/allanmc/www/freud1.pdf
[128]
R. Appignanesi, O. Zarate, and R. Appignanesi, Introducing Freud, [New ed.]. Thriplow: Icon, 2007. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1678840
[129]
A. Gellatly and O. Zarate, Introducing Mind and Brain, New edition. Duxford: Icon Books Ltd, 2005.
[130]
N. Goldberg, Old friend from far away: the practice of writing memoir, 1st Free Press paperback ed. New York: Free Press, 2009.
[131]
S. Greenfield, The private life of the brain. London: Penguin Books, 2001.
[132]
S. Greenfield, A Day in the Life of the Brain. London: Penguin Books Ltd, 2016.
[133]
M. Karr, Art of Memoir. New York: HarperCollins Publishers Inc, 2016.
[134]
R. L. Gregory and O. L. Zangwill, The Oxford companion to the mind, 2nd ed. Oxford: Oxford University Press, 2004.
[135]
J. Gross, The new Oxford book of English prose. Oxford: Oxford University Press, 1999.
[136]
L. Gutkind, H. F. Buck, and S. Orlean, True Stories, Well Told: From the First 20 Years of Creative Nonfiction Magazine. Portland: Fourth Chapter Books, 2014. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3029421
[137]
L. Gutkind, You Can’t Make This Stuff Up: The Complete Guide to Writing Creative Nonfiction--From Memoir to Literary Journalism and Everything in Between. Da Capo Press, 2014.
[138]
M. Haddon, The curious incident of the dog in the night-time. London: Vintage, 2004.
[139]
P. Haining, Great Irish Drinking Stories. London: Souvenir Press Ltd, 2002.
[140]
M. Hanson, Living with mother: right to the very end. London: Virago, 2006.
[141]
M. Hirsch, Family frames: photography, narrative, and postmemory. Cambridge, Massachusetts: Harvard University Press, 2012.
[142]
K. Hodgkin, K. Hodgkin, and S. Radstone, Contested pasts: the politics of memory. London: Routledge, 2003. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=171352
[143]
W. James, Principles of Psychology. 2012. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1894955
[144]
L. Jobey, Are we related?: the new Granta book of the family. London: Granta, 2010.
[145]
M. I. C. Kenyon, Please Hear What I’m Not Saying. Createspace Independent Publishing Platform, 2018.
[146]
S. B. Kaufman and J. C. Kaufman, Eds, The psychology of creative writing. New York: Cambridge University Press, 2009. Available: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=304796
[147]
S. King, On writing: a memoir of the craft, [New] ed. London: Hodder, 2012.
[148]
S. King, The Shining. Anchor Books, 2012.
[149]
D. LaCapra, Writing History, Writing Trauma. Baltimore, MD: Johns Hopkins University Press, 2000.
[150]
P. Larkin, The less deceived: poems. London: Marvell, 1977.
[151]
M. Lee-Houghton, Beautiful Girls. London: Penned in the Margins, 2013.
[152]
M. Lee-Houghton, Sunshine. London: Penned in the Margins, 2016.
[153]
A. Lees and J. Grauerholz, Mentored by a madman: the William Burroughs experiment. Honiton: Notting Hill Editions, 2016. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5286610
[154]
W. Lewis, Men without Art. Santa Rosa: David R. Godine Publisher Inc, 1987.
[155]
W. Lewis and B. Lafourcade, The complete Wild body. Santa Barbara, CA: Black Sparrow Press, 1982.
[156]
W. Lewis and W. Lewis, The wild body: ‘a soldier of humour’ and other stories, with an introduction by Paul O’Keefe. London: Penguin, 2004.
[157]
P. Lopate, The Art of the Personal Essay: An Anthology from the Classical Era to the Present. New York: Bantam Doubleday Dell Publishing Group Inc, 1995.
[158]
P. Lopate and Teachers & Writers Collaborative, The Art of the personal essay: an anthology from the classical era to the present. New York: Anchor Books, 1995.
[159]
D. Lodge, Consciousness & the novel: connected essays. London: Secker & Warburg, 2002.
[160]
J. Lucas, Summer Nineteen Forty-Five. London: Greenwich Exchange Ltd, 2017.
[161]
R. Luckhurst, Trauma Question. London: Taylor & Francis Ltd, 2008.
[162]
M. Maftei, The fiction of autobiography: reading and writing identity. New York: Bloomsbury Academic, 2013. Available: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=602514
[163]
K. Mansfield and A. K. Smith, Selected stories, New ed., vol. Oxford world’s classics. Oxford: Oxford University Press, 2008.
[164]
A. Moore, Missing. London: Salt, 2018.
[165]
B. Morrison, And When Did You Last See Your Father? London: Granta Books, 2007. Available: https://share.libbyapp.com/title/591932#library-leicester
[166]
J. Olney, Metaphors of Self: The Meaning of Autobiography. Princeton University Press, 1971.
[167]
J. Olney, Louisiana State University (Baton Rouge, La.), and International Symposium on Autobiography and Autobiography Studies, Studies in autobiography. New York: Oxford University Press, 1988.
[168]
J. Olney, Autobiography: essays theoretical and critical. Princeton: Princeton University Press, 1980.
[169]
B. D. Osborne, Writing biography and autobiography, vol. Writing handbooks. London: A. & C. Black, 2004.
[170]
O. Vartanian, A. S. Bristol, and J. C. Kaufman, Neuroscience of creativity. Cambridge, MA: MIT Press, 2013. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3339674
[171]
D. Papineau and H. Selina, Introducing consciousness. London: Icon, 2010. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=282208
[172]
P. James, Essay on the Shaking Palsy. Hardpress Publishing, 2016.
[173]
C. Parry, Other animals in twenty-first century fiction, vol. Palgrave studies in animals and literature. Basingstoke: Palgrave Macmillan, 2017.
[174]
M. Porter, Grief is the Thing with Feathers. Faber & Faber, 2015.
[175]
N. Royle, The uncanny. Manchester: Manchester University Press, 2003.
[176]
R. Rymer, Genie: a scientific tragedy. London: Penguin, 1994.
[177]
O. Sacks, The man who mistook his wife for a hat and other clinical tales, 1st Touchstone ed. New York, NY: Simon & Schuster, 1998. Available: http://www.loc.gov/catdir/bios/simon051/98004723.html
[178]
O. Sacks, An Anthropologist on Mars, New edition. London: Pan Macmillan, 1996.
[179]
O. W. Sacks, Awakenings, New ed. London: Picador, 2012.
[180]
O. Sacks, On the Move: A Life. Knopf Publishing Group, 2015.
[181]
O. Sacks, The river of consciousness. New York: Alfred A. Knopf, 2017.
[182]
O. Sacks, Gratitud. Anagrama, 2016.
[183]
O. Sacks, Hallucinations. S.l: Knopf Doubleday Publishing Group, 2012.
[184]
O. Sacks, ‘The Man Who Mistook His Wife For a Hat’, in The Man Who Mistook His Wife For a Hat, Picador, 2015, pp. 9–24.
[185]
O. Sacks, Migraine, Rev. ed. London: Picador, 1995.
[186]
M. DiBattista and E. O. Wittman, Eds, The Cambridge companion to autobiography, vol. Cambridge Companions to Literature. New York: Cambridge University Press, 2014. Available: http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139235686/type/BOOK
[187]
D. Sedaris, Dress Your Family in Corduroy and Denim. Little Brown and Company, 2014.
[188]
W. G. Sebald, The rings of Saturn. London: Vintage, 2002.
[189]
Lost and Found: Stories of Home by Leicestershire Writers. Leicester: Dahlia Publishing, 2016.
[190]
S. Silberman, Neurotribes: The Legacy of Autism and How to Think Smarter About People Who Think Differently. St Leonards: Allen & Unwin, 2015.
[191]
K. Slater, Smart: A Mysterious Crime, a Different Detective., Unabridged. London: Pan Macmillan, 2015.
[192]
S. Sontag, Illness as metaphor. London: Allen Lane, 1979.
[193]
F. Spufford, The child that books built. London: Faber, 2002.
[194]
F. Spufford, The child that books built. London: Faber, 2002.
[195]
The End: Fifteen Endings to Fifteen Paintings. Norwich: Unthank Books, 2016.
[196]
J. Taylor, Kontakte and Other Stories. Howrah: Roman Books, 2014.
[197]
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